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True Crime

Nathan Heller [2]

Collins, Max Allan

AmazonEncore (2011)

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Nathan Heller


Nathan Hellerttt





Private Eye Nate Heller trying discover who the gunshot victim was, found next to the Biograph Theatre, the man the FBI confidently identified as John Dillinger. His search for the answer leads him into a confrontation with J. Edgar Hoover.




The Memoirs of Nathan Heller


True Detective

True Crime

The Million-Dollar Wound

Neon Mirage

Stolen Away

Carnal Hours

Blood and Thunder

Damned in Paradise

Flying Blind

Majic Man

Angel in Black

Chicago Confidential

Bye Bye Baby

Chicago Lightning (short stories)

Triple Play (novellas)




This book is a work of fiction. Names, characters, businesses, organizations, places, events, and incidents either are the product of the author’s imagination or are used fictitiously.

Text copyright ©2011 Max Allan Collins


All rights reserved

No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher.

Published by AmazonEncore


P.O. Box 400818


Las Vegas, NV 89140

ISBN: 978-1-61218-093-9




For my son Nate


a real Heller




“Let’s do it.”

—Cole Porter


“Let’s do it.”

—Gary Gilmore




Contents


1THE TRAVELING SALESMAN


Chapter 1


Chapter 2


Chapter 3


Chapter 4


Chapter 5


Chapter 6


Chapter 7


Chapter 8


Chapter 9


Chapter 10


Chapter 11


Chapter 12


Chapter 13


Chapter 14


Chapter 15


Chapter 16


Chapter 17


Chapter 18


Chapter 19


Chapter 20


Chapter 21


Chapter 22


Chapter 23


Chapter 24


2THE FARMER’S DAUGHTER


Chapter 25


Chapter 26


Chapter 27


Chapter 28


Chapter 29


Chapter 30


Chapter 31


Chapter 32


Chapter 33


Chapter 34


Chapter 35


Chapter 36


Chapter 37


Chapter 38


Chapter 39


Chapter 40


Chapter 41


3WHERE THE BODIES ARE BURIED


Chapter 42


I OWE THEM ONE


ABOUT THE AUTHOR



C

HICAGO

, 1934



C

HICAGO

, 1934






S

ALLY

R

AND AT

T

HE

W

ORLD’S

F

AIR



1


Somebody had to burst Sally Rand’s bubble.

And I was elected. I was, after all, the guy she’d hired to find out the truth about the self-professed oil millionaire from Oklahoma who’d proposed to her last Saturday night, after a month of flowers and gifts and nights on the town—though Christ knows where Sally found the time for the old boy, what with her various shows at the Paramount Club, the Chicago Theater and of course here at the Streets of Paris, at the world’s fair.

Sally had made the world’s fair, you see, or at least that’s what her press agent had led everybody but Chicago to believe. Story was the poor old Century of Progress Exhibition was a dismal flop till Sally dropped her pants and climbed behind her ostrich plumes, at which point the fair’s turnstiles began spinning like the city fathers in their graves.

Only that was a press agent’s dream; the fair was its own dream-come-true, and help from Sally Rand was appreciated, but hardly crucial. Chicago had watched through the fall, winter and spring as the art-deco spires rose from eighty-six acres along the lake, and by summer the city was eager to leave hard times temporarily behind to enter the City of Tomorrow. The turnstiles were spinning from the fair’s first morning, and Sally was only one of a small army of exotic dancers who helped fan the latter-day Chicago fire.

Because there was more than naked women to see at the fair. Like silk stockings being woven, and a Gutenberg Bible (and the press it had been printed on); like the Silver Streak streamliner; and an automobile assembly line; and something called television. You could even see a million dollars (at the Federal Building, under armed guard) or a million dollars worth of diamonds (at the General Exhibits building, similarly guarded). And kids of all ages could wonder at Sinclair Oil’s plaster dinosaurs, and the Seminole village where real, live Indians wrestled real, live alligators. And you could see Time and Fortune magazine covers two stories high, and a thermometer nineteen stories higher than that. You could see a lot more than just Sally Rand in the nude.

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