Trumpet on the Land: The Aftermath of Custer's Massacre, 1876

Despite a questionable recount, Bill accepted the new figures, which gave D. P. Ashburn the election. Cody went on with his life.

Following his return to McPherson from the skirmish on the Loup River, Bill received the first of what would be many letters sent him by Buntline, every one of them urging, cajoling, begging Bill to go on stage to play himself.

“I still remember that dreadful night at the Bowery Theater,” he wrote Buntline.

“You’ll get over it,” the novelist wrote back. “Any man as brave as you can learn to overcome an enemy so weak as shyness.”

But Colonel Reynolds distrusted the self-promoter Buntline. “I advise against you going, Cody,” he told Bill. “You have a good job with us. A good future. Think of your family. Three children now?”

Yes. Two daughters and his beloved Kit Carson Cody. He had wavered, gazing again across the plains that surrounded McPherson. Who was he fooling, anyway? To think about becoming a showman, a traveling actor? He was a frontiersman. A scout. He didn’t have what it took to make a go of that theater stuff.

Then Buntline’s bluntest letter arrived late that November. Ned cut right to Cody’s quick. “There’s money in it. Big money.”

Cody remembered the money. Most of all, the money. Five hundred dollars a week, by damned. What that kind of money could do for his family! For Lulu and the three babies.

By that time Louisa was anxious to visit her family in St. Louis, so they started Bill’s trip east right there. A journey that would last more than three and a half years before he got back here to the plains. Fact was, he hadn’t been off the army’s payroll since he made that first ride for General Sheridan back to September of sixty-eight … right on through to that December of seventy-two when he resigned, went east with the family, and began a whole new life.

Again now Bill’s eyes all but closed as he drank deep of the air, feeling the stiff breeze against his face. He turned in the saddle to find Sheridan’s escort column far behind him, inching along like a dark serpent wending its way through the broken country. Far out on either side rode a few flankers. But he was out front. Alone. The way he so enjoyed. Just him and the horse. Him and the horse, and by God these plains he had forsaken for theater lights.

On the eighteenth of December, 1872, he made his first appearance in Ned’s production of Buffalo Bill at Nixon’s Amphitheater in Chicago, starring in a play Buntline called The Real Buffalo Bill! By the time the curtain dropped that night, Cody was able to savor his first success on the boards.

“There’s no backing out now,” he told Buntline later that night at a bar as they celebrated their take from the door.

Ned promptly set about writing a whole new play he would coproduce with Bill, The Scouts of the Prairie. Wherever they opened to packed houses, reviewers praised the show: “The Indian mode of warfare, their hideous dances, the method they adopt to ‘raise the hair’ of their antagonists, following the trail, etc., or in the way their enemies deal with them, manner of throwing the lasso, &c, are forcibly exhibited, and this portion of the entertainment alone is worth the price of admission.”

Another waxed, “Those who delight in sensations of the most exciting order will not fail to see the distinguished visitors from the western plains before they leave.”

And the Boston Journal even told its readers, “The play itself is an extraordinary production with more wild Indians, scalping knives, and gunpowder to the square inch than any drama ever before heard of.”

Soon even the New York Times’s theater critic declared, “It is only just to say that the representation was attended by torrents of what seemed thoroughly spontaneous applause; and that whatever faults close criticism may detect, there is a certain flavor of realism and of nationality about the play well calculated to gratify a general audience.”

From Chicago to Cincinnati, on to Boston, New York, Rochester, and Buffalo, he and Buntline moved the production company, consistently grossing more than sixteen thousand dollars a week!

“I promised you there’d be money in this!” Buntline reminded him one evening after the performance as they were taking their leisure over a brandy and a good cigar.

“You’ve kept your word to me, Ned. And I’m thankful to have you to trust.”

For the moment there was no turning back.