Читаем Творец, субъект, женщина полностью

Творец, субъект, женщина

Michel Niqueux: Le mythe de l’androgyne dans la modemite russe. — La femme dans la modemite (Modemités russes; 4). Lyon: Centre d’études Slaves André Lirondelle Université Jean-Moulin. 139–148.

Nochlin 1995

Linda Nochlin: Why Have There Been No Great Women Artists? — Women, Creativity, and the Arts: Critical and Autobiographical Perspectives. Edited by Diane Apostolos-Cappadona and Lucinda Ebersole. New York: Continuum.

Noise of Change 1986

The Noise of Change: Russian Literature and Critics 1891–1917. Ed. by St. J. Rabinowitz. Ann Arbor: Ardis.

Nowa rswiadomsc 2000

Nowa rswiadomsc plci w modernizmie: Studia spod znaku gender w kulturze polskiej i rosyjskiej u schylku stulecia Red. G. Ritz, C. Binswanger, C. Scheide. Krakow.

Oja 2004

Outi Oja: 5210 sanaa metalyriikan tutkimuksesta — Avain 1/2004, 6–23.

Olson 1997

Laura J. Olson: Russianness, Femininity, and Romantic Aesthetics in War and Peace. — The Russian Review. 1997. Vol. 56. October. 515–531.

Pachmuss 1971

Temira Pachmuss: Zinaida Hippius: An Intellectual Profile. Southern Illinois UP.

Pachmuss 1982

Temira Pachmuss: Women Writers in Russian Decadence. — Journal of Contemporary History. 1982. Vol. 17.

Paperno 1988

Irina Papemo: Chemyshevsky and the Age of Realism: A Study in the Semiotics of Behavior. Stanford, California: Stanford UP[400].

Paperno 1994

Irina Paperno: Introduction; The Meaning of Art: Symbolist Theories — Creating Life: the Aesthetic Utopia of Russian Modernism. Ed. by Irina Paperno and Joan Delaney Grossman. Stanford, Cal.: Stanford UP. 1–13.

Parente-Capková 2001

Viola Parente-Capková: Kuvittelija / tar: Androgyyniset mielikuvat L. Onervan varhaisproosassa Lähikuvassa nainen: Näköaloja 1800-luvun kirjalliseen kulttuuriin. Toim. Päivi Lappalainen, Heidi Grönstrandja Kati Launis. Helsinki: SKS.

Parente-Capková 2006

Viola Parente-Capková: Feminisoitu estetiikka ja naistekijyys: naistekijäksi tulemisen mahdollisuudet L. Onervan varhaisteksteissä. — Tekijyyden tekstit. Toim. Kaisa Kurikka ja Veli-Matti Pynttäri. Helsinki: Suomalaisen kirjallisuuden seura.

Perennial Decay 1999

Perennial Decay: On the Aesthetics and Politics of Decadence. Ed. by Liz Constable, Dennis Denisoff and Matthew Potolsky. Philadelphia: University of Pensylvania Press.

Pesonen 1977

Pekka Pesonen: Venäläiset symbolistit ja Suomi. — Kirjallisuudentutkijain seuran vuosikirja; 30. Helsinki: SKS. 124–137.

Pesonen 1987

Pekka Pesonen: Vallankumouksen henki hengen vallankumouksessa: tutkielma Andrei Belyin romaanista «Peterburg» ja sen aatetaustasta Helsinki.

Peterson 1993

Ronald E. Peterson: A History of Russian Symbolism. Amsterdam.

Phillips 2008

Ursula Phillips: Authorship and Masquerade in Narcyza Zmichowska’s White Rose Texts. — Masquerade and Femininity: Essays on Russian and Polish Women Writers. Edited by Urszula Chowaniec, Ursula Phillips and Maija Rytkonen. Cambridge Scholars Publishing. 71–92.

Pirog 2001

Gerald Pirog: Melancholy Illuminations: Mourning Becomes Blok’s Stranger. — Russian Literature. 2001. Vol. 50. № 1. July. 103–123.

Poetics of Gender 1986

The Poetics of Gender. Ed. Nancy Miller. New York: Columbia UP.

Pollock 1977

G rise Ida Pollock: What’s Wrong With ’Images of Women’? — Screen Education. 1974; 24.

Pollock 1990

Griselda Pollock: Missing Women: Rethinking Early Thought on Images of Women. — The Critical Images. Ed. Carol Squiers. Brighton: Harvester Press.

Potolsky 2006

Matthew Potolsky: Mimesis. New York and London: Routledge.

Praz 1970

Mario Praz: The Romantic Agony. Oxford: Oxford UP.