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Two Trains Running

Steel Rails, Brittle LivesIn early 1998, author Lucius Shepard embarked on a new journey…Shepard joined the “hobo nation”—riding the rails throughout the western half of the United States, his “neighbors” the disenfranchised, the homeless, the punks, the gangs, and the joy riders. At the time, the Freight Train Riders of America (FTRA) were making headlines across the country: Were they an organized gang using the U.S. rail system to rape and murder, to smuggle illegal drugs, and to terrorize unsuspecting train-hoppers? Or, were the FTRA members simply a “brotherhood,” united for support and companionship only? While investigating the facts for an article that appeared in the July 1998 issue of Spin, Shepard traveled the rails with FTRA members Missoula Mike and Madcat for the inside story.The author then gathered together these facts, along with rumors and innuendos, and melded them into his fiction, thus creating this unique collection of facts and fiction entitled Two Trains Running. In addition to “The FTRA Story”—unedited and expanded from its original Spin appearance—this volume also contains two novellas written in Shepard’s award-winning inimitable style: “Over Yonder” and “Jailbait,” the latter novella published here for the first time.In “Over Yonder”—winner of the 2003 Theodore Sturgeon Memorial Award for best SF story of the year—suffering alcoholic Billy Long Gone chases a stranger, who supposedly stole his dog, onto a black train—a train like no other Billy had ever seen or rode: a living train. As Billy travels on this train, his health improves and his thinking clears. The train passes though strange, arabesque, monster-infested landscapes as it journeys to Yonder—a likely paradise where a few hundred hobos live within the confines of a majestic tree in apparent peace and tranquility. But every paradise has its price, and in Yonder, peace and tranquility breed complacency and…startling deaths. “Over Yonder” brilliantly showcases Shepard’s world-building skills in a story that serves as a metaphor for every human’s soul-searching questions: Why are we here? Is this life after death? Is there something beyond paradise?A hardcore tale of deception, lust, revenge, and murder, “Jailbait” takes us into the seedy underbelly of rail yards and train hopping: Madcat, who functions best in a whiskey-induced haze, must decide between solitude and companionship when he meets up with Grace, an underaged runaway. Grace, in turn, seeks the security of an older man and the life about which only young girls can dream.“Introduction: The Steel,” copyright © 2004 by Lucius Shepard.“The FTRA Story,” copyright © 2004 by Lucius Shepard. Originally published in a much shorter version as “Attack of the Freight Train-Riding Crazed Vietnam Vet Psycho Killer Hobo Mafia…or Not,” Spin, July 1998.“Over Yonder,” copyright © 2002 by Lucius Shepard. First published on SCI FICTION, January 2, 2002.“Jail Bait,” copyright © 2004 by Lucius Shepard. Previously unpublished.Copyright © 2004 by Lucius ShepardCover illustration copyright © 2004 by John PicacioEdited by Marty HalpernLIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATAISBN 1-930846-23-1 (alk. paper)All rights reserved, which includes the right to reproduce this book, or portions thereof, in any form whatsoever except as provided by the U.S. Copyright Law. For information address Golden Gryphon Press, 3002 Perkins Road, Urbana, IL 61802.Printed in the United States of America.First Edition

Lucius Shepard

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<p><strong>Lucius Shepard</strong></p><p><strong>Two Trains Running</strong></p><p> INTRODUCTION: THE STEEL</p>

SEVERAL YEARS AGO I CONTRACTED TO DO AN article for Spin magazine concerning a hobo organization called the FTRA (Freight Train Riders of America), a group that certain elements of law enforcement claimed was a hobo mafia responsible for—among other crimes—hundreds of murders, drug running on a massive scale, and the derailing of trains. As a result, I wound up hopping freights over the span of a couple months. I talked to train tramps in hobo jungles, urban squats, wino bars, at a supermax prison, and in various other venues. For a time I traveled with a hobo whom I called Madcat in the article, holding back his real name for fear he might suffer reprisals from those who did not like what I wrote about them. In Madcat’s company I experienced a fair sampling of hobo life. It’s a life that has little connection with the commonly held, somewhat folkloric view of hobos, one chiefly conveyed by stories and songs and images that reference the Depression era, portraying hobos—or as they prefer to be distinguished these days, train tramps—as colorful kings-of-the-road, lazy, easygoing, good-time-loving, stogie-smoking gents who might be prone to a little drunkenness, a little petty larceny, but nothing worse than that. Though this image may loosely fit the contemporary train tramp, it scarcely describes them. While some of the men and women I met on the rails were seriously dysfunctional, the remainder were more-or-less whole. They were not truly homeless, not impoverished clue to fate—they had simply declined, for one reason or another, society’s invitation to join and claimed to be fulfilled by their vagrant lives. They enjoyed being able to indulge laziness and substance abuse, and enjoyed, too, the brotherhood they found on the rails (“brotherhood” and “sisterhood” were words I often heard used to evoke the chief virtue of the lifestyle). Yet I would characterize few of them as easy-going. Surrounded by violence, generally in poor health, afflicted with psychological difficulties resulting from the stress of their day-to-day existence, they all passed a significant portion of their time in states of aggravation, fear, anxiety, and delirium. When I would press them as to the reason they continued to live as they did, the vast majority responded in kind: the trains.

 There’s no doubt that riding on a freight car as it carries you through some moonlit, mysterious corner of the American night is a rush like mystical whiskey for anyone with half an imagination. It’s loud, uncomfortable, and a lot of the time it’s damn cold, but it’s also romantic. You’re riding with ghosts, those of Jack Kerouac and Jack London and Ernest Hemingway, and all the ghosts of famous hobos that only hobos have ever heard of, and the fact that it’s illegal and a little dangerous makes the moonlight extra silvery, and your bottled water tastes extra silvery, too. Working at my desk sometimes, I’ll find myself transported back to a rattling, rushing moment and remember how it felt to be lost and alone in America, to be seeing the country from a perspective not many of us achieve. In my head I’ve got a file of snapshots of things and places few people will ever have a chance to see. A perfect little canyon in New Mexico, a trough of yellow stone brimful with golden late afternoon light, decorated with pines and grazing deer. Being almost stalled on an upgrade in the Rockies, sitting on the back of a grain car and watching a young woman, topless, wearing ragged shorts, her body adorned with tattoos of vines and leaves, emerge from the underbrush like a woodland spirit materializing and stare calmly at me from fifteen feet away (a sight whose magic was somewhat diminished when her boyfriend appeared, dragging their packs, and they hopped aboard the next car down). Standing in the Salt Lake City yard and seeing a pack of crusty punks—pierced, tattooed, grimy boys and girls—burst out from behind a string of rusting boxcars and scatter through the weeds, reminiscent in the suddenness of their passage, their deft speed and efficient flight, of wild animals started up by a threatening scent. It’s one hell of an experience, but would I surrender my life to recapture it? Not hardly.

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