Ubik

Pat said briskly, "I'll get it for you." Darting by him she scooped up the key, held it to the light to examine it, then laid it at the top of the flight of stairs, on the railing. "Right up here," she said, "where you can reach it when you're through climbing. Your reward. The room, I think, is to the left, about four doors down the hall. You'll have to move slowly, but it'll be a lot easier once you're off the stairs. Once you don't have to climb."

"I can see," he said. "The key. And the top. I can see the top of the stairs." With both arms grasping the bannister he dragged himself upward, ascended three steps in one agonizing expenditure of himself. He felt it deplete him; the weight on him grew, the cold grew, and the substantiality of himself waned. But-

He had reached the top.

"Goodby, Joe," Pat said. She hovered over him, kneeling slightly so that he could see her face. "You don't want Don Denny bursting in, do you? A doctor won't be able to help you. So I'll tell him that I got the hotel people to call a cab and that you're on your way across town to a hospital. That way you won't be bothered. You can be entirely by yourself. Do you agree?"

"Yes," he said.

"Here's the key." She pushed the cold metal thing into his hand, closed his fingers about it. "Keep your chin up, as they say here in '39. Don't take any wooden nickels. They say that too." She slipped away then, onto her feet; for an instant she stood there, scrutinizing him, and then she darted off down the hall to the elevator. He saw her press the button, wait; he saw the doors slide open, and then Pat disappeared.

Gripping the key he rose lurchingly to a crouched position; he balanced himself against the far wall of the corridor, then turned to the left and began to walk step by step, still supporting himself by means of the wall. Darkness, he thought. It isn't lit. He squeezed his eyes shut, opened them, blinked. Sweat from his face still blinded him, still stung; he could not tell if the corridor were genuinely dark or whether his power of sight was fading out.

By the time he reached the first door he had been reduced to crawling; he tilted his head up, sought for the number on the door. No, not this one. He crept on.

When he found the proper door he had to stand erect, propped up, to insert the key in the lock. The effort finished him. The key still in his hand, he fell; his head struck the door and he flopped back onto the dust-choked carpet, smelling the odor of age and wear and frigid death. I can't get in the room, he realized. I can't stand up any more.

But he had to. Out here he could be seen.

Gripping the knob with both hands he tugged himself onto his feet one more time. He rested his weight entirely against the door as he tremblingly poked the key in the direction of the knob and the lock; this way, once he had turned the key, the door would fall open and he would be inside. And then, he thought, if I can close the door after me and if I can get to the bed, it'll be over.

The lock grated. The metal unit hauled itself back. The door opened and he pitched forward, arms extended. The fioor rose toward him and he made out shapes in the carpet, swirls and designs and floral entities in red and gold, but worn into roughness and lusterlessness; the colors had diinmed, and as he struck the floor, feeling little if any pain, he thought, This is very old, this room. When this place was first built they probably did use an open iron cage for an elevator. So I saw the actual elevator, he said to himself, the authentic, original one.

He lay for a time, and then, as if called, summoned into motion, stirred. He lifted himself up onto his knees, placed his hands flat before him... my hands, he thought; good god. Parchment hands, yellow and knobby, like the ass of a cooked, dry turkey. Bristly skin, not like human skin; pin-feathers, as if I've devolved back millions of years to something that flies and coasts, using its skin as a sail.

Opening his eyes, he searched for the bed; he strove to identify it. The fat far window, admitting gray light through its web of curtains. A vanity table, ugly, with lank legs. Then the bed, with brass knobs capping its railed sides, bent and irregular, as if years of use had twisted the railings, warped the varnished wooden headboards. I want to get on it even so, he said to himself; he reached toward it, slid and dragged himself farther into the room.

And saw then a figure seated in an overstuffed chair, facing him. A spectator who had made no sound but who now stood up and came rapidly toward him.

Glen Runciter.