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But it's too late. The impact of a tranq bullet is more effective than any detonator. Blaine and the guard are instantly incinerated as the six quarts of liquid explosive coursing through Blaine's body ignites.

* * *

Mai hears the explosion. It shakes the entire storage room like an earthquake. She doesn't think about it. She can't. Not anymore. She looks at the detonators on her palm. This is for Vincent. This is for her parents, who signed the Unwind order. This is for the whole world.

She claps once.

Nothing.

She claps twice.

Nothing.

She claps a third time.

The third time is the charm.

* * *

The moment Risa sees Lev standing below, on the red carpet, an explosion rips through the north wing of the Chop Shop. She turns to see the entire wing crumble. "Oh, my God! Oh, my God!"

"We gotta get out of here!" yells Dalton, but before he can make a move, a second explosion roars beneath them, sending the air-vent caps shooting skyward like rockets. The roof beneath their feet cracks like thin ice, and the entire roof gives way. Risa plunges with the rest of the band into the smoky abyss, and in that instant all she can think of is Connor, and how the band never got to finish playing his farewell anthem.

* * *

Lev stands there as the glass blows past him. He sees the band fall as the roof collapses. A howl builds up inside him, escaping his mouth, an inhuman sound born of an agony he can't describe. His world has truly ended. Now he must finish the job.

Standing there before the ruined building, he pulls out the sock in his pocket. He fumbles with it until he finds the detonators. He peels the backs, revealing the adhesive, and sticks them to his palms. They look like stigmata, the nail wounds in the hands of Christ. Still wailing his agony, he holds his hands up before him, preparing to make the pain go away. He holds his hands up before him. He holds his hands up before him. He holds his hands up before him.

And he cannot bring them together.

He wants to. He needs to. But he can't.

Make this go away. Please, somebody make this all go away.

No matter how hard he tries, no matter how much his mind wants to end this here and now, another part of him—a stronger part of him—refuses to let him clap his hands together. Now he is even a failure as a failure.

God, dear God, what am I doing? What have I done? How did I get here?

The crowd, which had run at the sound of the blasts, has come back. They ignore Lev, because there's something else they see.

"Look!" someone shouts. "Look!"

Lev turns to see where the kid is pointing. Coming out of the ruined glass doors of the Chop Shop is Connor. He's stumbling. His face is a shredded, bloody mess. He's lost an eye. His right arm is crushed and mangled. But he's alive!

"Connor blew up the Chop Shop!" someone yells. "He blew it up and saved us all!"

And then a guard bursts onto the scene. "Get back to your dormitories. All of you! Now!"

No one moves.

"Didn't you hear me?"

Then a kid slams the guard with a right hook that practically spins his whole body around. The guard responds by pulling out his tranq gun and shooting the kid in the offending arm. The kid goes to dreamland, but there are other kids, and they tear the gun out of the guard's hand, using it against him. Just like Connor once had.

The word that the Akron AWOL blew up the Chop Shop zigs like lightning through every Unwind in Happy Jack, and in seconds, disobedience erupts into a full-scale revolt. Every terrible is now a terror. The guards fire, but there are simply too many kids, and not enough tranq bullets. For every kid that goes down, there's another kid that doesn't. The guards are quickly overwhelmed, and once they are, the mob starts storming the front gate.

* * *

Connor has no understanding of this event. All he knows is that he was led into the building, then something happened. And now he's not in the building anymore. His face is wrong. It hurts. It hurts bad. He can't move his arm. The ground feels strange beneath his feet. His lungs hurt. He coughs and they hurt more.

He's stumbling down steps now. There are kids here. Lots of kids. Unwinds.

That's right, he's an Unwind. They're all Unwinds. But the meaning of that is slipping from him fast. The kids are running. They're fighting. Then Connor's legs give out, and suddenly he's on the ground. Looking up at the sun.

He wants to sleep. He knows this isn't a good place, but he wants to anyway.

He feels wet. He feels sticky. Is his nose running?

Then there's an angel hovering above him, all in white.

"Don't move," the angel says. Connor recognizes the voice.

"Hi, Lev. How are things . . . ?"

"Shh."

"My arm hurts," Connor says lazily. "Did you bite me again?"

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 Те, кто помнит прежние времена, знают, что самой редкой книжкой в знаменитой «мировской» серии «Зарубежная фантастика» был сборник Роберта Шекли «Паломничество на Землю». За книгой охотились, платили спекулянтам немыслимые деньги, гордились обладанием ею, а неудачники, которых сборник обошел стороной, завидовали счастливцам. Одни считают, что дело в небольшом тираже, другие — что книга была изъята по цензурным причинам, но, думается, правда не в этом. Откройте издание 1966 года наугад на любой странице, и вас затянет водоворот фантазии, где весело, где ни тени скуки, где мудрость не рядится в строгую судейскую мантию, а хитрость, глупость и прочие житейские сорняки всегда остаются с носом. В этом весь Шекли — мудрый, светлый, веселый мастер, который и рассмешит, и подскажет самый простой ответ на любой из самых трудных вопросов, которые задает нам жизнь.

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Фантастика / Боевик / Детективы / Самиздат, сетевая литература / Социально-психологическая фантастика