“It felt like pure R&D to me,” she says. “No timelines, no meetings, just live with this strange problem and send us your thoughts as you think them until they’ve stopped or you feel satisfied. Casual directives, and yet you feel this incredibly formidable potential wrath just waiting to sweep down and smash your life the moment you slack off or add some numbers wrong or make some other mistake you’re bound to miss because no one’s told you how to measure progress, they’ve only said something like ‘Give it your best shot’ or ‘We know you have this in you, Lisa. Just try it.’ ”
“Compensation?”
“You honestly stop caring. It seems terrific at first, but then the costs of just maintaining yourself so you can work—the therapy, the stationary bike, the weekend antiquing so you can clear your head, the soundproofing for your home office so no one hears you throwing your stapler or yodeling for the hell of it—”
“Mounts. I needed to say that so I could breathe. I still have one question: What’s the product? The service?”
“I was heading there. You’ve heard of that genome project? The human gene map? That’s what they’re after at MythTech, except with commerce. All the angles. All the combinations. And they know it won’t be a ‘eureka.’ It won’t just pop someday. It’s going to take piecework and steady crunching away on every front. It won’t take forever, but it won’t be quick. That’s why they don’t worry about profits. Let someone else chase money in the short term; long term it’s all MythTech’s, anyway. Because the second MythTech gets this map, the second they lock those files in the vault, everyone else is a plowboy on their farm. Fact is, the money we think we’re making now, the money we think IBM makes, Ford, Purina, KFC, Ben & Jerry’s, the
“They still need operating funds. Who’d invest in this?”
“Who wouldn’t, Ryan? Any investor who feels this thing might work knows he’ll have nothing unless he’s on its good side.”
“I don’t see how you could leave a place like that.”
“Look at me, listen to me. Feel my hands. Do I seem like I’ve left? Sure, you can go to work for someone else—hell, they want you to; they
“And if you leak their secrets they don’t pursue it?”
“You still don’t get what their product is, I’m seeing.”
“The code. This perfect comprehensive map.”
Lisa snaps off another filter and lights up. She leans back on her stool, cross-legged. Regards me. Sighs. “I’m selling it to you right now. You buying, boy? No, you already bought. It’s in your eyes.”
“I was thinking we should get a room. We’re pretty far gone and it’s only six o’clock.”
“It’s
“Can I trust you with something?”
“No. But go ahead.”
“I’m flying there tomorrow.”
“Why fly? You’re there.”
“Craig was right. It’s a hunch. There’s no offer on the table. It’s hints. It’s signs. It’s smoke signals. I know that. I have to see, though. What’s my downside? None.”
“After all I’ve just said you still want them to want you. You still want to shine in some interview,” she says. “Not sexy, Ryan. Very not sexy, Ryan.”
“What you’ve said makes me think it’s the same whatever I do. If I go or don’t go.”
“What’s the same?” she says. “Then I’m going back to my hotel.”
“The result.”
“That’s all you care about? Results? Man, have they ever got their claws in your brain.”
She swings down off her stool and picks up her little bag and fishes out some lipstick and does a touch-up. She looks into my face like it’s her mirror and fills in a corner, puckers. There. She’s done. She puts away the lipstick, zips the bag, steadies herself in her tippy heels, and goes. Definitely the one, and there she goes. And yet I still have a date tonight, so screw her. Screw Linda, too. Ryan Bingham thinks ahead.
fifteen
a
lex says she wants to “do” Las Vegas. She’s been hitting the guidebooks, apparently. How dreary. Or maybe she’s thinking I’m so in-the-know, so seasoned and so locally plugged in, that while she’s at the vanity getting up her getup and I’m out here sinking trick shots on the pool table, I’m already scrolling through the top five menus and mentally ranking in order of their significance in the great junk-culture scheme of things the biggest ten magic acts, lion extravaganzas, artsy European circuses, and toned-down, export editions of three-year-old New York performance art one-woman shows.