Tonight, he would get drunk with an acquaintance who sold sycamore figs, whose name Gebrail didn't know. The fig-hawker believed in the Last Day; saw it, in fact, close at hand.
"Rumors," he said darkly, smiling at the girl with the rotting teeth, who worked the Arabian cafés looking for love-needy Franks with her baby on one shoulder. "Political rumors."
"Politics is a lie."
"Far up the Bahr-el-Abyad, in the heathen jungle, is a place called Fashoda. The Franks - Inglizi, Feransawi - will fight a great battle there, which will spread in all directions to engulf the world."
"And Asrafil will sound the call to arms," snorted Gebrail. "He cannot. He is a lie, his trumpet is a lie. The only truth -"
"Is the desert, is the desert. Wahyat abuk! God forbid."
And the fig-hawker went off into the smoke to get more brandy.
Nothing was coming. Nothing was already here.
Back came the Englishman, with his gangrenous face. A fat friend followed him out of the hotel.
"Bide time," the fare called mirthfully.
"Ha, ho. I'm taking Victoria to the opera tomorrow night."
Back in the cab: "There is a chemist's shop near the Credit Lyonnais." Weary Gebrail gathered the reins.
Night was coming rapidly. This haze would make the stars invisible. Brandy, too, would help. Gebrail enjoyed starless nights. As if a great lie were finally to be exposed . . .
VI
Three in the morning, hardly a sound in the streets, and time for Girgis the mountebank to be about his nighttime avocation, burglary.
Breeze in the acacias: that was all. Girgis huddled in bushes, near the back of Shepheard's Hotel. While the sun was up he and a crew of Syrian acrobats and a trio from Port Said (dulcimer, Nubian drum, reed pipe) performed in a cleared space by the Ismailiyeh Canal out in the suburbs near the slaughterhouse of Abbasiyeh. A fair. There were swings and a fearsome steam-driven carousel for the children; serpent-charmers, and hawkers of all refreshment: toasted seeds of abdelawi, limes, fried treacle, water flavored with licorice or orange blossom, meat puddings. His customers were the children of Cairo and those aged children of Europe, the tourists.
Take from them by day, take from them by night. If only his bones weren't beginning so much to feel it. Performing the tricks - with silk kerchiefs, folding boxes, a mysteriously pocketed cloak decorated outside with hieroglyphic ploughs, scepters, feeding ibis, lily and sun - sleight-of-hand and burglary needed light hands, bones of rubber. But the clowning - that took it out of him. Hardened the bones: bones that should be alive, not rock rods under the flesh. Falling off the top of a motley pyramid of Syrians, making the dive look as near-fatal as it actually was; or else engaging the bottom man in a slapstick routine so violent that the whole construction tottered and swayed; mock-horror appearing on the faces of the others. While the children laughed, shrieked, closed their eyes or enjoyed the suspense. That was the only real compensation, he supposed - God knew it wasn't the pay - a response from the children; buffoon's treasure.
Enough, enough. Best get this over, he decided, and to bed as soon as possible. One of these days he'd climb up on that pyramid so exhausted, reflexes off enough, that the neckbreaking routine would be no sham. Girgis shivered in the same wind that cooled the acacias. Up, he told his body: That window.
And was halfway erect before he saw his competition. Another comic acrobat, climbing out a window some ten feet above the bushes Girgis crouched in.
Patience, then. Study his technique. We can always learn. The other's face, turned in profile, seemed wrong: but it was only the streetlight. Feet now on a narrow ledge, the man began to inch along crablike, toward the corner of the building. After a few steps, stopped; began to pick at his face. Something white fluttered down, tissue-thin, into the bushes.
Skin? Girgis shivered again. He had a way of repressing thoughts of disease.
Apparently the ledge narrowed toward the corner. The thief was hugging the wall closer. He reached the corner. As he stood with each foot on a different side and the edge of the building bisecting him from eyebrows to abdomen he lost his balance and fell. On the way down he yelled out an obscenity in English. Then hit the shrubbery with a crash, rolled and lay still for a while. A match flared and went out, leaving only the pulsing coal of a cigarette.
Girgis was all sympathy. He could see it happening to himself one day, in front of the children, old and young. If he'd believed in signs he would have given it up for tonight and gone back to the tent they all shared near the slaughterhouse. But how could he stay alive on the few milliemes tossed his way during the day? "Mountebank is a dying profession," he'd reckon in his lighter moments. "All the good ones have moved into politics."