Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней

Trummer, T. A Sea Ringed About with Vision: On Cryptocothology and Philosophy of Life in Kokoschka’s Early Portraits / In: Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909–1914. T. G. Natter, ed. Köln: Dumont Buchverlag, 2002.

Van Gogh, V. The Letters. M. Roskill, ed. London: Atheneum, 1963.

Werner, P. Gestures in Kokoschka’s Early Portraits / In: Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909–1914. T. G. Natter, ed. Köln: Dumont Buchverlag, 2002.

Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.

Глава 10. Эротика, агрессия и страх в искусстве

Barney, E. Egon Schiele’s Adolescent Nudes within the Context of Fin-de-Siècle Vienna. 2008. См.: www.emilybarney.com/essays.html.

Blackshaw, G. The pathological body: Modernist strategising in Egon Schiele’s self-portraiture // Oxford Art Journal 30 (3) 2007: 377–401.

Brandow-Faller, M. Man, woman, artist? Rethinking the Muse in Vienna 1900 // Austrian History Yearbook 39 (2008): 92–120.

Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siècle Vienna. Plainsboro, NJ: Associated University Press, 2002.

Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974.

Cumming, L. A Face to the World: On Self-Portraits. London: Harper Press, 2009.

Danto, A. C. Live flesh // The Nation, January 23, 2006.

Davis, M. The Language of Sex: Egon Schiele’s Painterly Dialogue. 2004. См.: http://www.michellemckdavis.com/.

Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994.

Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998.

Knafo, D. Egon Schiele: A Self in Creation. Plainsboro, NJ: Associated University Press, 1993.

Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: The vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1–14.

Westheimer, R. The Art of Arousal. New York: Artabras, 1993.

Whitford, F. Egon Schiele. London: Thames and Hudson, 1981.

Глава 11. Открытие “вклада зрителя”

Arnheim, R. Art history and the partial god // Art Bulletin 44 (1962): 75–79.

Arnheim, R. Art and Visual Perception: A Psychology of the Creative Eye. The New Version. Berkeley and Los Angeles: University of California Press, 1974.

Ash, M. G. Gestalt Psychology in German Culture 1890–1967: Holism and the Quest for Objectivity. New York: Oxford University Press, 1998.

Boring E. G. A History of Experimental Psychology. New York: Appleton-Century-Crofts, 1950.

Bostrom, A., Scherf, G., Lambotte, M. C., and M. Potzl-Malikova Franz Xavier Messerschmidt, 1736–1783: From Neoclassicism to Expressionism. Neue Galerie catalog accompanying exhibition of work by Messerschmidt, September 2010 to January 2011. Italy: Officina Libraria, 2010.

Burke, J. The Sphinx on the Table: Sigmund Freud’s Art Collection and the Development of Psychoanalysis. New York: Walker and Co., 2006.

Da Vinci, L. A Treatise on Painting. London: George Bell & Sons, 1897.

Empson, W. Seven Types of Ambiguity. New York: Harcourt Brace, 1930.