Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней

Tsao, D. Y., and W. A. Freiwald What’s so special about the average face? // Trends in Cognitive Sciences 10 (9) 2006: 391–393.

Tsao, D. Y., and M. S. Livingstone Mechanisms of face perception // Annual Review of Neuroscience 31 (2008): 411–437.

Tsao, D. Y., Schweers, N., Moeller, S., and W. A. Freiwald Patches of face-selective cortex in the macaque frontal lobe // Nature Neuroscience 11 (2008): 877–879.

Viskontas, I. V., Quiroga, R. Q., and I. Fried Human medial temporal lobe neurons respond preferentially to personally relevant images // Proceedings of the National Academy of Sciences 106 (50) 2009: 21329–21334.

Wurtz, R. H., Goldberg, M. E., and D. L. Robinson Brain mechanisms of visual attention // Scientific American 246 (6) 1982: 124–135.

Zeki, S., and S. Shipp Modular connections between areas V2 and V4 of macaque monkey visual cortex // European Journal of Neuroscience 1 (5) 2006: 494–506.

Zeki, S. Splendors and Miseries of the Brain: Love, Creativity, and the Quest for Human Happiness. Oxford: John Wiley & Sons, 2009.

Глава 18. Нисходящая обработка информации

Albright, T. High-Level Vision and Cognitive Influences / In: Principles of Neural Science. 5^th ed. E. R. Kandel, J. H. Schwartz, T. Jessell, S. Siegelbaum, J. H. Hudspeth, eds. New York: McGraw-Hill, 2012. Ch. 28.

Arnheim, R. Art and Visual Perception: A Psychology of the Creative Eye (1954). The New Version. Berkeley and Los Angeles: University of California Press, 1974.

Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301–307.

Ferretti, S. Cassirer, Panofsky, and Warburg: Symbols, Art, and History. New Haven: Yale University Press, 1989.

Gilbert, C. The Constructive Nature of Visual Processing / In: Principles of Neural Science. 5^th ed. E. R. Kandel, J. H. Schwartz, T. Jessell, S. Siegelbaum, J. H. Hudspeth, eds. New York: McGraw-Hill, 2012. Ch. 25.

Gilbert, C. Visual Primitives and Intermediate Level Vision / In: Principles of Neural Science. 5^th ed. E. R. Kandel, J. H. Schwartz, T. Jessell, S. Siegelbaum, J. H. Hudspeth, eds. New York: McGraw-Hill, 2012. Ch. 27.

Gombrich, E. Reflections on the History of Art. R. Woodfield, ed. Berkeley, CA: University of California Press, 1987.

Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1952.

Mamassian, P. Ambiguities and conventions in the perception of visual art // Vision Research 48 (2008): 2143–2153.

Miller, E., and J. P. Cohen An integrative theory of prefrontal cortex function // Annual Review of Neuroscience 24 (2001): 67–202.

Milner, B. The medial temporal lobe amnesiac syndrome // Psychiatric Clinics of North America 28 (3) 2005: 599–611.

Pavlov, I. P. Conditioned Reflexes: An Investigation of the Physiological Activity of the Cerebral Cortex. London: Oxford University Press, 1927.

Polanyi, M., and H. Prosch Meaning. Chicago: University of Chicago Press, 1975.

Riegl, A. The Group Portraiture of Holland. Intro. by W. Kemp. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.

Rock, I. Perception. San Francisco: W. H. Freeman, 1984.

Tomita, H., Ohbayashi, M., Nakahara, K., Hasegawa, I., and Y. Miyashita Top-down signal from prefrontal cortex in executive control of memory retrieval // Nature 401 (1999): 699–703.

Глава 19. Деконструкция эмоциональных

состояний: поиски базовых эмоций

Bostrom, A., Scherf, G., Lambotte, M.-C., Potzl-Malikova, M. Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism. Italy: Officina Libraria, 2010.