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Viator

QUARTERED ABOARD THE FREIGHTER, VIATOR, run aground twenty years before on a remote section of the Alaskan coast, the four men hired to determine the ship’s worth at salvage have begun to exhibit a variety of eccentric behaviors. They’ve become obsessed with Viator to the point that the world beyond seems of consequence only as it relates to the ship. When their putative leader, Thomas Wilander, is afflicted by a series of disturbing dreams, he concludes that something on board may be responsible for their erraticism. He seeks the help of a woman in the nearby village of Kaliaska and together they initiate an investigation into the history of Viator, hoping to learn, among other things, why the ship was run aground and who was the mysterious man who hired the four. But their efforts may be too late. The men, whose eccentricities are now verging on the insane, show no sign of intending to abandon their new home, compelled by Viator’s eerie allure. To make matters worse, winter will soon be setting in, ominous incidences of sound and light are issuing from the forest surrounding the ship, and Wilander’s dreams may be coming true… Viator © 2004 by Lucius Shepard This edition of Viator © 2004 by Night Shade Books Jacket illustration © 2004 by John Picacio Jacket design by John Picacio Interior layout & design by Jeremy Lassen First Edition ISBN 1-892389-44-4 (Trade Hardcover) 1-892389-45-2 (Limited Edition) Night Shade Books http://www.nightshadebooks.com

Lucius Shepard

Ужасы / Фантастика18+
<p><strong>Viator</strong></p><p><strong>One</strong></p>

“…the husband of the linden tree…”

Wilander had grown accustomed to his cabin aboard Viator. Small and unadorned, it suited him, partly because his aspirations were equally small and unadorned, but also because it resonated with dreams of a romantic destiny, of extraordinary adventures in distant lands, that had died in him years before, yet seemed to have been technically fulfilled now he was quartered aboard a freighter whose captain had steered her into the shore at so great a speed, she had ridden up onto the land, almost her entire length embedded among firs and laurel and such, so that when you rounded the headland (as Wilander himself had done the previous month, standing at the bow of a tug that brought mail and supplies to that section of the Alaskan coast, big-knuckled hands gripping the rail and long legs braced, the wind whipping his pale blond hair back from his bony, lugubrious face, the pose of an explorer peering anxiously toward a mysterious smudge on the horizon), all you saw of Viator was the black speck of her stern, circular at that distance, like a period set between beautiful dark-green sentences.

The cabin was situated above decks. By day, natural light of an extraordinary clarity was filtered through the ports by sprays of broad palmate leaves, those of a linden whose crown had been compressed against the outer wall; and by night, illumined by a sixty-watt bulb above the sink and a bedside lamp with an antique tortoiseshell shade that Wilander had purchased from Arlene Dauphinée, the red-headed woman who managed the trading post in the town of Kaliaska, the cream-colored interior walls burned gold and the space shrank around him, conforming precisely to the sphere of his desires, secure and warm and secret, and he would have a sense of the cabin’s light filtering outward through caliginous tangles of fern and vine and root, lending a teleological significance to the riotous growth, as if the forest would have no meaning, or rather would have the random, disorderly, terrifying causality of a nightmare were it not for this glowing cell encysted at its heart, occupied by its serene monastic dreamer.

At night the four men who had taken up residence aboard Viator prior to Wilander’s arrival would visit him in his cabin, though this was by no means a frequent occurrence. Indeed, nearly a week elapsed before he spoke with any of them, having until then only caught glimpses of the others as they wandered the gutted bowels of the ship, and when they responded to his hailings diffidently or not at all, he had gone about his business, assuming they resented his authority because he was a latecomer, and that he would have to win them over with patience, by accommodating their eccentricities—yet on the sixth night, when Peter Halmus burst through the door, short and stocky, his muscles run to flab, his scalp shaved, his fleshy features framed to some self-perceived advantage by a carefully razored beard, a strip of dark brown hair approximately a quarter-inch wide outlining the jaw, with a thinner vertical line connecting the point of the chin to the lower lip, a conceit more appropriate to a nobleman of ancient Persia, the conversation did not proceed as Wilander had expected; which is to say, tentatively, pleasantly, building the foundation of a relationship…No, Halmus spoke in a gruff voice, a voice atremble with anger, saying he had observed Wilander knocking out glass from a broken port and cautioning him never to do so again. Viator’s glass, he said, was his purview. He alone was responsible for completing a study of the glass and estimating its worth. He would tolerate no interference. And when Wilander, choosing not to confront the irrationality implicit in these statements, suggested that he had been trying to avoid an injury, nothing more, Halmus began to talk madly, mad with regard to his lack of coherence and also from the standpoint of a mad aesthetic, describing how twenty-two years of weathering unattended by any maintenance had produced discolorations that lent every crumb of glass a mineral value and refined mirrors into works of art; pacing between the doorway and the sink as he delivered this preachment, this rant, two quick steps, then a turn, punctuating disconnected phrases with a shaken fist, a slap against the thigh, his fulminant energy unnerving Wilander, who felt penned in his bunk, sitting with the top of his head just touching the underside of a shelf that held a few books, a wallet, keys, trinkets, coins, all he carried of the past.

—Very well, he said. I won’t remove any more glass. But the glass, you understand…It’s not the important thing. We’re to determine the salvage value of the metal. Isn’t that what Lunde told you?

—Arnsparger is in charge of metals. This was said flatly, as if Halmus were stating an irrefutable law, an essential condition of the universe.

—Arnsparger, said Wilander.

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