Взлом креатива: как увидеть то, что не видят другие

Garcia, Emanuel. Understanding Freud: The Man and His Ideas. New York: New York University Press, 1992.

Gardner, Howard. Arts and Human Development: A Psychological Study of the Artistic Process. New York: Wiley, 1973.

–. Frames of Mind, reprint ed. New York: Basic Books, 1993 (Гарднер Г. Структура разума: теория множественного интеллекта. М.: Вильямс, 2007).

–. The Mind’s New Science. New York: Basic Books, 1987.

–. Art, Mind, and Brain: A Cognitive Approach to Creativity. New York: Basic Books, 1984.

–. Creating Minds. New York: Basic Books, 1994.

Gedo, John. Portraits of the Artist. Hillsdale, NJ: Analytic Press, 1989.

Centner, D. “Structure-Mapping: A Theoretical Framework for Analogy.” Cognitive Science 7 (1983): 155–170.

Getzels, J., and Mihaly Csikszentmihalyi. The Creative Vision: A Longitudinal Study of Problem Finding in Art, New York: Wiley-Interscience, 1976.

Gilbert, D. T. “How Mental Systems Believe.” American Psychologist 46 (1991): 107–119.

Gilot, Francoise, and Carlton, Lake. Life with Picasso, New York: Doubleday, 1989 (Жило Ф., Лейк К. Моя жизнь с Пикассо. М.: ОЛМА-Пресс, 2001).

Gleick, James. Genius: The Life and Science of Richard Feynman. New York: Pantheon, 1992.

Goldsmith, D. The Ultimate Einstein, New York: Simon and Schuster, 1997.

Gordon, W. Synectics: The Development of Creative Capacity. New York: Dutton, 1961.

Grosvenor, Edwin, and Morgan, Wesson. Alexander Graham Bell New York: Harry N. Abrams, 1997.

Gruber, H. E. Darwin on Man, second ed. Chicago: University of Chicago Press, 1982.

–, and S. N. Davis. “Inching Our Way to Mount Olympus: The Evolving Systems Approach to Creative Thinking.” In The Nature of Creativity, edited by R. J. Sternberg, pp. 243–270. New York: Cambridge University Press, 1988.

–. M. Terrell, and M. Wertheimer, eds. Contemporary Approaches to Creative Thinking. New York: Atherton Press, 1962.

Guilford, J. P. Intelligence, Creativity, and Their Educational Implications. San Diego: EDITS Pubs., 1968.

–. “Intellectual Resources and Their Values As Seen by Scientists.” In Scientific Creativity, ed. by C.W. Taylor and F. Barron, pp. 101–118. New York: Wiley, 1963.

–. The Nature of Human Intelligence. New York: McGraw-Hill, 1967.

Hadamard, J. An Essay on the Psychology of Invention in the Mathematical Field. Princeton, NJ: Princeton University Press, 1945 (Адамар Ж. Исследование психологии процесса изобретения в области математики. М.: Советское радио, 1959).

Hoffmann, Banesh, and Helen, Dukas. Albert Einstein: Creator and Rebel. New York: NAL-Dutton, 1973.

Holton, G., and Y. Elkana, eds. Albert Einstein: Historical and Cultural Perspectives. Princeton, NJ: Princeton University Press, 1982.

–. “On Trying to Understand Scientific Genius.” The American Scholar 41 (1971): 98–99.

–. Thematic Origins of Scientific Thought: Kepler to Einstein, reprint ed. Cambridge, MA: Harvard University Press, 1988.

Homer, Willliam. Seurat and the Science of Painting, reprint ed. New York: Hacker Art Books, 1985.

Horgan, Paul. Encounters with Stravinsky, reprint ed. Middletown, CT: Wesleyan University Press, 1989.

Horn, J. “Human Abilities: A Review of Research and Theory in the Early 1970s.” Annual Review of Psychology 27 (1976): 437–485.

Infeld, Leopold. Albert Einstein: His Work and Its Influence on Our World. New York: Scribner’s, 1950.

Jackson, Douglas, and J. Rushton, eds. Scientific Excellence. Beverly Hills, CA: Sage Publications, 1987.

James, William. “Great Men, Great Thoughts, and the Environment. Atlantic Monthly 46 (1880): 441–459.

Jansson, D. G., and S. M, Smith. “Design Fixation.” Design Studies 12 (1) (1987): 3–11.

Jenkins, R. “Elements of Style: Continuities in Edison’s Thinking.” Annals of the New York Academy of Sciences 424 (1983): 149–162.