Взлом креатива: как увидеть то, что не видят другие

–. “Emergence and Realization of Genius: The Lives and Works of 120 Classical Composers.” Journal of Personality and Social Psychology 60 (1991): 607–619.

–. “Foresight in Insight? A Darwinian Answer.” In The Nature of Insight, edited by R. J. Sternberg and J. E. Davidson. Cambridge, MA: MIT Press, 1992.

–. Greatness, Who Makes History and Why, New York: The Guilford Press, 1994.

–. Genius, Creativity and Leadership. Cambridge, MA: Harvard University Press, 1984.

Skinner, B. F. The Science of Behavior. New York: Macmillan, 1953.

Sloboda, John. The Musical Mind. New York: Oxford University Press, 1986.

Smith, S. M., and S. E. Blenkenship. “Incubation Effects.” Bulletin of the Psychonomic Society 2 (1994): 31–49.

Stager, R. A History of Psychological Theories. New York: Macmillan, 1988.

Stein, M. Stimulating Creativity, vols I and II. New York: Academic Press, 1974.

Sternberg, R. J., and J. Davidson, eds. The Nature of Insight. Cambridge, MA: MIT Press, 1994.

–. Beyond I. Q. New York: Cambridge University Press, 1984.

–. “Implicit Theories of Intelligence, Creativity and Wisdom.” Journal of Personality and Social Psychology 49 (1985): 607–677.

–, ed. The Nature of Creativity. New York: Cambridge University Press, 1988.

Suler, J. R., and J. Rizziello. “Imagery and Verbal Processes in Creativity.” Journal of Creative Behavior 21 (1987): 1–6.

Tax, S. Evolution After Darwin. Chicago: University of Chicago Press, 1960.

Taylor, C, and F. Barron, eds. Scientific Creativity. New York: Wiley.

Thagard, Paul. Mental Leaps: Analogy in Creative Thought, reprint ed. Cambridge, MA: MIT Press, 1996.

Treffinger, J., S. K. Isakesen, and R. L. Firestien. Handbook of Creative Learning, New York: Center for Creative Learning, 1982.

Tsanoff, Radoslav. The Ways of Genius. New York: Harper & Row, 1949.

Tufte, Edward. The Visual Display of Quantitative Information. Cheshire, CT: Graphics Press, 1983.

Vesari, Giorgio. Lives of the Artists. New York: Viking Penguin, 1988 (Вазари Дж. Жизнеописания наиболее знаменитых живописцев, ваятелей и зодчих. М.: Альфа-книга, 2008).

Vosniadou, Stella, and A. Ortony, eds. Similarity and Analogical Reasoning. New York: Cambridge University Press, 1989.

Wallace, Doris B., and H. E, Gruber, eds. Creative People at Work. New York: Oxford University Press, 1992.

Wallach, Michael. The Intelligence-Creativity Distinction. Morristown, NJ: General Learning Corporation, 1971.

Wallas, G. The Art of Thought. New York: Harcourt, Brace, 1926.

Watson, P. “Reasoning.” New Horizons in Psychology, vol. 1. Harmondsworth, Middlesex: Penguin, 1966.

Watson, James. The Double Helix. New York: NAL-Dutton, 1969 (Уотсон Дж. Двойная спираль. М.: АСТ; Харвест, 2013).

Wechsler, J., ed. On Aesthetics in Science. Cambridge, MA: Birkhauser, 1987.

Weisberg, Robert. Creativity, Genius and Other Myths. New York: Freeman, 1986.

–. M. DiCamillo, and D. Phillips. “Transferring Old Associations to New Problems.” Journal of Verbal Learning and Verbal Behavior 17 (1978): 219–228.

Wertheimer, Max. Productive Thinking, reprint ed. Westport, CT: Greenwood Press, 1978 (Вертгеймер М. Продуктивное мышление. М.: Прогресс, 1987).

Westfall, Richard S. Never at Rest: A Biography of Isaac Newton. New York: University of Cambridge Press, 1983.

White, John H. The American Railroad Passenger Car. Baltimore: John Hopkins University Press, 1985.

White, R. K. “The Versatility of Genius.” Journal of Social Psychology 2 (1931): 460–489.

Williams, George. Adaptation and Natural Selection. Princeton, NJ: Princeton University Press, 1974.

Williams, L. Michael Faraday: A Biography. New York: Basic Books, 1965.

Wilson, Edward O. On Human Nature. Cambridge, MA: Harvard University Press, 1978.

–. The Diversity of Life. Cambridge, MA: Harvard University Press, 1992.

Winner, Ellen. Invented Worlds. Cambridge, MA: Harvard University Press, 1982.

Zubov, V. P. Leonardo da Vinci. Ann Arbor, MI: Books on Demand (Зубов В. П. Леонардо да Винчи. М. – Л.: Изд-во АН СССР, 1962).