“I’ve been in pubs as unnerving as the one in this story, and perhaps they’ve lodged in my shadowy subconscious. The worst was in Birkenhead—a pub where as soon as you walked in you felt as if you’d announced your Jewishness at a David Irving book launch.”
Campbell’s early story ‘The Church in the High Street’ appears in
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ADRIAN COLE was born in 1949 in Devon, where he still lives. He is the author of twenty-five novels and numerous short stories, writing in several genres, including science fiction, fantasy, sword & sorcery and horror.
His first books were published in the 1970s—“The Dream Lords” trilogy—and he went on to write, among others, the “Omaran Saga” and the “Star Requiem” series, as well as writing two young adult novels,
More recently, he has had several books published by Wildside Press, including the “Voidal” trilogy, which collects all the original short stories from the 1970s and ’80s and adds new material to complete the saga. The same imprint has also published the novel
The author’s latest SF novel is
As the author explains: “‘You Don’t Want to Know’ is the first story I wrote about Nick Nightmare, the hard-boiled private eye, most of whose adventures pit him against various villains from Mythos terrain.
“Combining the droll style of Philip Marlowe, the shoot-’em-up no-nonsense energy of Mike Hammer and the bizarre grotesquery of H. P. Lovecraft, the Nick Nightmare stories are intended to be a celebration of the old pulps and their hyper-active, madcap world.”
A further tale, ‘Nightmare on Mad Gull Island’, was published in the fourth edition of
Adrian Cole’s story ‘The Crossing’ appears in
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AUGUST WILLIAM DERLETH (1909–71) was a major figure in the literary and small-press publishing world. An amazingly prolific Wisconsin regional author (known for his “Sac Prairie Saga”), essayist and poet, he is best remembered today as an author, editor and publisher of weird fiction (Lovecraftian and otherwise).
He made his debut in
As a widely respected anthologist, he edited
Derleth began corresponding with Lovecraft around the mid-1920s. “You have the real stuff,” the author wrote to his young protégé in 1930, “and with the progress of time it seems to me over-whelmingly probable that you will produce literature in a major calibre.”