Weirder Shadows Over Innsmouth

KIM NEWMAN is a novelist, critic and broadcaster. His fiction includes The Night Mayor, Bad Dreams, Jago, the Anno Dracula novels and stories, The Quorum, The Original Dr Shade and Other Stories, Life’s Lottery, Back in the USSA (with Eugene Byrne) and The Man from the Diogenes Club, all under his own name, and The Vampire Genevieve and Orgy of the Blood Parasites as “Jack Yeovil”.

His non-fiction books include Ghastly Beyond Belief (with Neil Gaiman), Horror: 100 Best Books and Horror: Another 100 Best Books (both with Stephen Jones), Wild West Movies, The BFI Companion to Horror, Millennium Movies and BFI Classics studies of Cat People, Doctor Who and Quatermass and the Pit.

He is a contributing editor to Sight & Sound and Empire magazines (supplying the latter’s popular ‘Video Dungeon’ column), has written and broadcast widely on a range of topics, and scripted radio and television documentaries.

Newman’s stories ‘Week Woman’ and ‘Ubermensch’ have been adapted into episodes of the TV series The Hunger, and the latter tale was also turned into an Australian short film in 2009. Following his Radio 4 play Cry Babies, he wrote an episode (‘Phish Phood’) for BBC Radio 7’s series The Man in Black, and he was a main contributor to the 2012 stage play The Hallowe’en Sessions. He has also directed and written a tiny film, Missing Girl.

The author’s most recent books include expanded reissues of his acclaimed Anno Dracula series, including the long-awaited fourth volume Anno Dracula 1976–1991: Johnny Alucard; the “Professor Moriarty” novel The Hound of the d’Urbervilles, and the stand-alone novel An English Ghost Story (all from Titan Books), along with a much-enlarged edition of Nightmare Movies (from Bloomsbury).

With Maura McHugh he scripted the comic book mini-series Witchfinder: The Mysteries of Unland for Dark Horse Comics. Illustrated by Tyler Crook, it is a spin-off from Mike Mignola’s Hellboy series. Forthcoming fiction includes the novels Kentish Glory: The Secrets of Drearcliff Grange and Angels of Music.

About the setting for his ‘Richard Riddle’ story, Newman explains: “Lyme Regis, in the county of Dorset, is perhaps best known as the setting for John Fowles’ prematurely post-modern Victorian novel The French Lieutenant’s Woman—which makes dramatic use, as does Karel Reisz’s film, of the town’s distinctive stone harbour, the Cobb. Fowles was a famous, if mysterious local resident and lived quite near my fictional Orris Priory. In the 1970s, I spent many weekends around the little coast town, where my father had a yacht—a Mirror dinghy which I sometimes crewed on fishing trips in Lyme Bay, though Dad had someone more serious along when he took up boat-racing.

“Then and now, Lyme beach was known for its fine array of fossils: before anyone learned to leave paleontological finds in place, we brought home a huge chunk of rock with an embedded ammonite for use as a door-stop. Amazingly, the shingles still haven’t been picked entirely clean—though taking prehistoric souvenirs is now quite properly discouraged.

“This story, which was originally written for Chris Roberson’s anthology Adventure, draws on my own memories of pottering around Lyme. In America, the piece was taken as a tribute to boys’ adventures I’ve not read—Tom Swift, Encyclopedia Brown, the Hardy Boys. I was actually thinking of Arthur Ransome’s Swallows and Amazons, one of Dad’s favourite books as a child (it gave him the idea of sailing in the first place), and Erich Kästner’s Emil and the Detectives (a 1929 German young adult mystery still read in my 1970s schooldays). Other elements thrown into the mix were H. P. Lovecraft’s ‘The Shadow Over Innsmouth’, Edmund Gosse’s brilliant 1907 memoir Father and Son (Philip Gosse wrote Omphalos: An Attempt to Untie the Geological Knot, which desperately tries to explain the existence of fossils from a fundamentalist Christian viewpoint), and the famous anecdote of the Hartlepool monkey.