“The hag stone and the fort were two complementary elements that provided one of those pleasing convergences that sometimes happen for a writer from time to time. Much of what happens in the narrative is true: the outpost mentioned in the story exists, as did the poor hare, reduced to desiccated fibres on the causeway. The unfortunate incident at the beach that takes place while Adrian Stafford is trying to eat his lunch also happened (up to a point).
“It would have been a crime not to use the location in a short story, especially for an anthology such as this. The epic, rugged scenery and claustrophobic nature of the fort call to much of Lovecraft’s work that I admire—an awesomeness in the wide, open skies and the unfathomable depths; the unimaginable stretches of time over which hag stones and horrors from the ocean are formed (while the old protagonist in my story appears as a mere breath in the lungs of time); and the threat of being engulfed, of beginning to understand something vast but which is nevertheless only just observable.”
ACKNOWLEDGMENTS
Special thanks to Dorothy Lumley, Randy and Sara Broecker, Bob Garcia, Philip Harbottle (Cosmos Literary Agency), Danielle Hackett (Arkham House Publishers, Inc.) and, especially, Dennis E. Weiler, Steve Saffel and Natalie Laverick, along with all the contributors.
ABOUT THE EDITOR
STEPHEN JONES was born in London, England, just across the River Thames from where his hapless namesake met a grisly fate in Hazel Heald’s story ‘The Horror in the Museum’. A Hugo Award nominee, he is the winner of three World Fantasy Awards, three International Horror Guild Awards, four Bram Stoker Awards, twenty-one British Fantasy Awards and a Lifetime Achievement Award from the World Horror Association. One of Britain’s most acclaimed horror and dark fantasy writers and editors, he has more than 130 books to his credit, including
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