Читаем Weirder Shadows Over Innsmouth полностью

“Yes,” she said in a hush. Okay, this was the ultimate threat. Say the wrong thing and she’d disappear from Montana, or Los Angeles, and reappear there, in the prison where there was no timetable for getting out. Just her and 160-odd suspected terrorists.

His eyes crinkled, almost a smile. “Try not to look so horrified. The threat part, that ended before I mentioned Gitmo.”

Had it been that obvious? How nice she could amuse him this fine, rainy day.

“Where we’re going is an older version of Guantanamo Bay,” Escovedo went on. “It’s the home of the most long-term enemy combatants ever held in US custody.”

“How long is long-term?”

“They’ve been detained since 1928.”

She had to let that sink in. And was beyond guessing what she could bring to the table. Animals, that was her thing, it had always been her thing. Not POWs, least of all those whose capture dated back to the decade after the First World War.

“Are you sure you have the right person?” she asked.

“Kerry Larimer. Star of The Animal Whisperer, a modest but consistent hit on the Discovery Channel, currently shooting its fourth season. Which you got after gaining a reputation as a behavioural specialist for rich people’s exotic pets. You look like her.”

“Okay, then.” Surrender. They knew who they wanted. “How many prisoners?” From that long ago, it was a wonder there were any left at all.

“Sixty-three.”

Everything about this kept slithering out of her grasp. “They’d be over a hundred years old by now. What possible danger could they pose? How could anyone justify—”

The colonel raised a hand. “It sounds appalling, I agree. But what you need to understand from this point forward is that, regardless of how or when they were born, it’s doubtful that they’re still human.”

He pulled an iPad from his valise and handed it over, and here, finally, was the tipping point when the world forever changed. One photo, that was all it took. There were more—she must’ve flipped through a dozen—but really, the first one had been enough. Of course it wasn’t human. It was a travesty of human. All the others were just evolutionary insult upon injury.

“What you see there is what you get,” he said. “Have you ever heard of a town in Massachusetts called Innsmouth?”

Kerry shook her head. “I don’t think so.”

“No reason you should’ve. It’s a little pisshole seaport whose best days were already behind it by the time of the Civil War. In the winter of 1927–28, there was a series of raids there, jointly conducted by the FBI and US Army, with naval support. Officially—remember, this was during Prohibition—it was to shut down bootlegging operations bringing whiskey down the coast from Canada. The truth…” He took back the iPad from her nerveless fingers. “Nothing explains the truth better than seeing it with your own eyes.”

“You can’t talk to them. That’s what this is about, isn’t it?” she said. “You can’t communicate with them, and you think I can.”

Escovedo smiled, and until now, she didn’t think he had it in him. “It must be true about you, then. You’re psychic after all.”

“Is it that they can’t talk, or won’t?”

“That’s never been satisfactorily determined,” he said. “The ones who still looked more or less human when they were taken prisoner, they could, and did. But they didn’t stay that way. Human, I mean. That’s the way this mutation works.” He tapped the iPad. “What you saw there is the result of decades of change. Most of them were brought in like that already. The rest eventually got there. And the changes go more than skin deep. Their throats are different now. On the inside. Maybe this keeps them from speaking in a way that you and I would find intelligible, or maybe it doesn’t but they’re really consistent about pretending it does, because they’re all on the same page. They do communicate with each other, that’s a given. They’ve been recorded extensively doing that, and the sounds have been analysed to exhaustion, and the consensus is that these sounds have their own syntax. The same way bird songs do. Just not as nice to listen to.”

“If they’ve been under your roof all this time, they’ve spent almost a century away from whatever culture they had where they came from. All that would be gone now, wouldn’t it? The world’s changed so much since then they wouldn’t even recognise it,” she said. “You’re not doing science. You’re doing national security. What I don’t understand is why it’s so important to communicate with them after all this time.”

“All those changes you’re talking about, that stops at the seashore. Drop them in the ocean and they’d feel right at home.” He zipped the iPad back into his valise. “Whatever they might’ve had to say in 1928, that doesn’t matter. Or ’48, or ’88. It’s what we need to know now that’s created a sense of urgency.”

* * *

Перейти на страницу:

Похожие книги

Память камня
Память камня

Здание старой, более неиспользуемой больницы хотят превратить в аттракцион с дополненной реальностью. Зловещие коридоры с осыпающейся штукатуркой уже вписаны в сценарии приключений, а программный код готов в нужный момент показать игроку призрак доктора-маньяка, чтобы добавить жути. Система почти отлажена, а разработчики проекта торопятся показать его инвесторам и начать зарабатывать деньги, но на финальной стадии тестирования случается непредвиденное: один из игроков видит то, что в сценарий не заложено, и впадает в ступор, из которого врачи никак не могут его вывести. Что это: непредсказуемая реакция психики или диверсия противников проекта? А может быть, тому, что здесь обитает, не нравятся подобные игры? Ведь у старых зданий свои тайны. И тайны эти вновь будут раскрывать сотрудники Института исследования необъяснимого, как всегда рискуя собственными жизнями.

Елена Александровна Обухова , Лена Александровна Обухова

Фантастика / Самиздат, сетевая литература / Мистика
Иные песни
Иные песни

В романе Дукая «Иные песни» мы имеем дело с новым качеством фантастики, совершенно отличным от всего, что знали до этого, и не позволяющим втиснуть себя ни в какие установленные рамки. Фоном событий является наш мир, построенный заново в соответствии с представлениями древних греков, то есть опирающийся на философию Аристотеля и деление на Форму и Материю. С небывалой точностью и пиететом пан Яцек создаёт основы альтернативной истории всей планеты, воздавая должное философам Эллады. Перевод истории мира на другие пути позволил показать видение цивилизации, возникшей на иной основе, от чего в груди дух захватывает. Общество, наука, искусство, армия — всё подчинено выбранной идее и сконструировано в соответствии с нею. При написании «Других песен» Дукай позаботился о том, чтобы каждый элемент был логическим следствием греческих предпосылок о структуре мира. Это своеобразное философское исследование, однако, поданное по законам фабульной беллетристики…

Яцек Дукай

Фантастика / Попаданцы / Эпическая фантастика / Альтернативная история / Мистика