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BARKLEY COVE CHANGED over the years. A man from Raleigh built a fancy marina where Jumpin’s shack had leaned for more than a hundred years. With bright blue awnings over each slip, yachts could pull in. Boaters from up and down the coastline moseyed up to Barkley Cove and paid $3.50 for an espresso.
Little sidewalk cafés with smart-colored umbrellas and art galleries with seascapes sprouted on Main. A lady from New York opened a gift shop that sold everything the villagers didn’t need but every tourist had to have. Almost every shop had a special table displaying the books by
Tate continued his job at the lab, and Kya published seven more award-winning books. And though she was granted many accolades—including an honorary doctorate from the University of North Carolina at Chapel Hill—she never once accepted the invitations to speak at universities and museums.
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TATE AND KYA HOPED for a family, but a child never came. The disappointment wove them closer together, and they were seldom separated for more than a few hours of any day.
Sometimes Kya walked alone to the beach, and as the sunset streaked the sky, she felt the waves pounding her heart. She’d reach down and touch the sand, then stretch her arms toward the clouds. Feeling the
Tate’s devotion eventually convinced her that human love is more than the bizarre mating competitions of the marsh creatures, but life also taught her that ancient genes for survival still persist in some undesirable forms among the twists and turns of man’s genetic code.
For Kya, it was enough to be part of this natural sequence as sure as the tides. She was bonded to her planet and its life in a way few people are. Rooted solid in this earth. Born of this mother.
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AT SIXTY-FOUR Kya’s long black hair had turned as white as the sand. One evening she did not return from a collecting trip, so Tate puttered around in the marsh, searching. As dusk eased in, he came around a bend and saw her drifting in her boat in a lagoon surrounded by sycamores touching the sky. She had slumped backward, her head lying against the old knapsack. He called her name softly, and, when she didn’t move, he shouted, then screamed. Pulling his boat next to hers, he stumbled awkwardly into the stern of her boat. Reaching out his long arms, he took her shoulders and gently shook her. Her head slumped farther to the side. Her eyes not seeing.
“Kya, Kya, no. No!” he screamed.
Still young, so beautiful, her heart had quietly stopped. She had lived long enough to see the bald eagles make a comeback; for Kya that was long enough. Folding her in his arms, he rocked back and forth, weeping. He wrapped her in a blanket and towed her back to her lagoon in the old boat through the maze of creeks and estuaries, passing the herons and deer for the last time.
And I’ll hide the maid in a cypress tree,
When the footstep of death is near.
He got special permission for her to be buried on her land under an oak overlooking the sea, and the whole town came out for the funeral. Kya would not have believed the long lines of slow-moving mourners. Of course, Jodie and his family came and all of Tate’s cousins. Some curiosity-seekers attended, but most people came out of respect for how she had survived years alone in the wild. Some remembered the little girl, dressed in an oversized, shabby coat, boating to the wharf, walking barefoot to the grocery to buy grits. Others came to her graveside because her books had taught them how the marsh links the land to the sea, both needing the other.
By now, Tate understood that her nickname was not cruel. Only few become legend, so he chose as the epitaph for her tombstone:
CATHERINE DANIELLE CLARK
“KYA”
THE MARSH GIRL
1945–2009
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