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Didn’t how long depend on how hungry you were? How badly you wanted something, and how much you were willing to risk? So if you were a coyote and starving to death because the snow was deep and the Wisconsin winter, hard—and then you stumbled on something that couldn’t fight back? Meat that was free and for the taking?

God help him, but he knew: a coyote would strip that body in no time.

“Other than your substitution of Wisconsin for Wyoming?” Kramer drills her with a look. “You see my problem.”

Emma just shakes her head. She is so mortified she wants to melt into the linoleum. God, maybe she really should be better about taking those damn pills. Better to be a zombie than feel this.

“I said, write in the style of Frank McDermott,” Kramer seethes. “I didn’t say steal.”

4

THE SEMINAR WAS a mistake.

She’d had an open slot for a junior-year elective. Any class coy enough to be called “Out of Their Minds: Madness and the Creative Process” made her nervous. Her adviser was more direct: Are you sure about this? The admin people at Holten Prep knew her … ah … shall we say, unusual circumstances. But since the only other alternative was animal husbandry, which was a Wisconsin thing and included a unit on neutering piglets, it was kind of a no-brainer.

What she hadn’t realized was that Kramer meant for them to write the occasional story in the style of fill-in-the-blank. This was a problem. Creative writing already weirded her out, and now she had to crawl around the heads of these guys, too? Seriously? Most of these writers ended up killing themselves. But there was no way she was getting sucked into making little Wilbur squeal.

The Bell Jar had been on this past summer’s reading list, and she’d decided to get a jump on it, starting right after finals and a couple days before her seventeenth birthday. Well … big mistake. The book completely freaked her out. Somehow she got … she became lost, slipping into the story the way she might slide into a tight pair of skinny jeans, and then into Esther’s head. Started looking at the world differently, too, as if staring through a bizarre set of lenses that showed her phantoms no one else could see. And once or twice, swear to God, she heard someone call her name, only to turn and find no one there.

Yet that feeling was … familiar, somehow. Like, I know this. This once happened. At some point, I was really and truly nuts. As if by reading all about Esther Greenwood, Plath’s stand-in for herself, she was remembering what it was like to go slowly insane; to be trussed in a straitjacket and forced to gag back too-sweet medicines and then locked away beneath a bell jar to rave. Which was crazy.

The Bell Jar was bad: an infection, a fever raging through her body, burning her up. It got so awful she spent a couple hours studying a wickedly jagged razor of clear glass, filched from the discards bucket at the hot shop, and thinking, What if? Go on, do it, you coward. You know you want to; you know this is the best way, the only way to pass through into …

Through? Into what? What she’d found down in Jasper’s cellar years ago? (And nope, no way she was thinking about that, nosirreebob.) And go where? Who the hell knew?

She hadn’t sliced and diced—obviously—but the temptation to cut, to filet herself, really hack those arteries and watch the blood bubble, still occasionally slithered into her mind like the black tangle of a nightmare she just couldn’t shake.

Honestly, after that whole Bell Jar mess, the prospect of studying the work of insane writers, slipping into their skins, made lopping off Wilbur’s balls almost attractive. But she was stuck.

5

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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