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AND NOTHING BAD happened once she was with Jasper. Summers, she biked around Madeline or kayaked over to Devils Island with Jasper, slipping in and out of sandstone sea caves or wandering the forested sandstone while her guardian sketched. Jasper said the island got its name from the old Ojibwe legend that Matchi-Manitou, some honking huge evil spirit, was imprisoned in a giant underground cave at the entrance to the spirit worlds, and only the bravest warriors could pass through the black well at the center of the island to fight the thing, blah, blah. Some vision quest crap like that. The only well she knew on that island was near an old lighthouse and keeper’s cottage. Still, whenever there was a really big blow, the roar and boom of the sea caves—of big, bad Matchi-Manitou—carried clear to Jasper’s cottage.

Still, nothing horrible happened. Okay, she was lonely. No friends. Maybe it was crusty, tipsy, bizarre Jasper, who would scare a sane kid, but no matter how hard she tried … she was a dweeb. Smart, but still inept and weird.

Whatever. Really, everything was good.

Well … until the year she turned twelve and went downstairs into the cellar to look for a book and where … where …

Well, where something happened down cellar that she’d really decided not to think about, or remember.

Really.


10

THE BLACKOUTS—THE BLINKS—STARTED a week after the incident down cellar. Each began the same way: a swarming tingle like the scurry of ants over her skin; the boil of an inky dread in her chest. The world thinned; her brain superheated. Then that purple-edged maw opened before her eyes and she would swoon into an airless darkness, tripping into the space between one breath and the next.

And then—blink-blink—she was back.

Often, she retained glimpses: the ooze of fog over slick cobblestones; a string of gaslights marching over a faraway bridge and a huge clock face that she almost recognized. A long hallway and rough carpet against her feet. A white nightgown that whispered around her legs. A huge red barn. A deep valley ringed by craggy, snow-covered mountains.

Sometimes—the worst times—she remembered things: bulbous monsters with tentacles and a patchwork of eyes; creatures that lived someplace dark, far away, and very, very cold. Or, come to think of it, that lurked behind the white paint of Jasper’s canvases.

Mostly, though, there was nothing. She would simply blink awake with a sizzling headache arcing from the plate between her eyes to another at the very base of her skull, as if a switch had been thrown and a circuit completed: zzzttt! The blinks lasted anywhere from a few seconds or minutes to a good long while, but she apparently functioned: got to class, turned in papers, took tests, worked glass, drank Starbucks. Clearly, even in a blackout, she was a girl with priorities.

The doctors said her migraines were to blame for these pesky little episodes. Her symptoms even had a name: the Alice in Wonderland syndrome. Of course the darned thing would be rare as hen’s teeth, but they assured her that she would outgrow it: don’t you worry your pretty little head about it.

She told none of the doctors the full story, how long she was gone, or what she saw. The meds she already took were bad enough. With her history—the jigsaw puzzle that was her skull, her headaches, that spiky purple mouth—they’d think her wires had gotten totally crossed and drug her so thoroughly she’d never find her way out of the fog.

She read scads about the syndrome and other, stranger cases of people almost like her: the lawyer who suddenly disappeared and turned up six months later; the schoolteacher picked up on the streets with no memory of who she was. Problem was, Emma didn’t wander or end up as a bum. Well, so far as she could remember. But she definitely went places, that inner third eye channel-surfing through movies she never followed to a conclusion. Maybe that was lucky. What would happen if the tether on her life snapped? Would she die? Float around in limbo? Remain stuck forever on the other side of the looking glass?

Well, yeah. She thought she might.


11

NOW, THE DAY was gone, the storm had them, and she and Lily were lost, no question. After her little sit-me-down with Kramer, she’d snagged Lily, rented the van, and skedaddled. No one would even know to start looking for them for a week, easy.

“Try the radio,” she said to Lily. “Maybe we can pick up a station.” She didn’t really believe they’d get anything; it was just a way to keep Lily from freaking out completely and give her some space to think about what to do next. She listened as Lily patiently feathered the knob. FM was nothing but fizzles and pops, which figured. AM wasn’t much better, just static from which only a few broken words surfaced: police … brutal … killings …

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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