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“I’m going.” Bode mashed the accelerator. The truck’s wheels spun in the snow, caught, and then they were churning back the way they’d come, the Dodge’s snow chains chattering over packed snow: chucka-chucka-chucka-chucka-chuck!

“Bode, wait, think,” Eric said. “You’re a soldier. You don’t leave your people behind. Please, don’t do this.”

“Screw that. Just go!” Chad shouted, his voice riding a crescendo of panic: “It’s getting closer! Go, Bode, go, go!”

“I’m going, I’m going!” Bode hammered the accelerator, and the Dodge surged, the engine chugging like an eggbeater. They flew over the snow, going so fast the outside world blurred into a silvery smear. “C’mon, c’mon, c’mon, you hunk of junk! Move, move move move!”

Not going to make it. Eric knew that. They would never outrun that white cloud or fog or whatever it was. They would spin out, or Bode would lose control and they would die out here, because, despite everything, Eric was convinced that death, like pain, was real here … wherever that was.

“Bode, you’re not going to make it,” Eric said. “Slow down, slow—”

“Shut up.” Bode pushed their speed. “Shut up, shut up!”

“But Bode—”

“Shut up!” Bode stomped the accelerator so hard Eric heard the hollow thud of Bode’s boot. The Dodge rocketed over the snow, slewing right and then left, the wheels spinning, seeking traction, any kind of traction at all. “Marine, get it through your head: we are leaving!”

Chad was still chanting: “Go, Bode, go. Go, Bode, go, go go go!”

“Bode, slow down, you can’t outrun it! You’re going to lose it, dude, you’re going to lose it!” Eric hooked his fingers into the front seat as Bode jinked the wheel, doglegging to the right. The Dodge’s rear swayed. “Bode, you lose it out here, we’re dead.”

“I’m not going to lose it!” Bode shouted.

“You’re going to get us kill—”

“Man, you don’t shut up, Marine or no Marine, I’m tossing you out of this truck, right now!” Bode roared. “You got that? Now shut up!”

“I only—”

“Did you not hear the man? Ain’t you listening?” In the next instant, there was a pistol in Chad’s hand. He jammed the muzzle into Eric’s cheek. “You want me to end this right now?”

“Hey, hey,” Eric said, raising his hands in surrender. “Easy, Chad, easy, it’s cool, we’re cool.”

“We are not … COOL!” Spit foamed at the corners of Chad’s mouth, and he rammed the gun into Eric’s flesh so hard the front sight clawed his skin. “We will be cool if you shut up, if you shut up, if you just shut up!”

So Eric shut up. There was nothing else he could do. This was out of his control. He shut up, and after a long second, Chad jerked the gun away.

This is a nightmare, but I’m living it. Eric felt blood welling from the fresh wound on his cheek. I’m real; I’m bleeding; you can’t bleed if you’re not real. He watched that fog, all that brilliant empty white, storming after them, filling the world. You can’t be scared to death if you’re already dead.

The truck swayed, slewing into a turn, the world beyond tilting, and Eric’s blood iced, every hair on his neck prickling with a kind of stupid shock, because he suddenly understood.

The snowstorm had been a warm-up. The storm had only been a way of bringing them all together. It was the fog that mattered, the fog that would run them down and swallow them whole.

What then? Where—and when—will we be then?

“Oh JESUS!” Chad screamed. “It’s right on top of us, Bode, it’s right on top—

RIMA

No Time

“RUN!” CASEY SCREAMED, and then he was dragging her over the snow. Rima staggered, nearly fell, but Casey gave her a mighty jerk, hard enough that a shout of pain balled in her shoulder.

“Casey,” she gasped as they floundered, their legs digging post-holes through deep snow, “the sled, where’s the sled?”

“Blast blew her off the road!” Casey’s grip on her hand was iron. “Saw it from the tree, to the left, in a ditch! No!” He tugged her harder. “Don’t look back!”

But she did—and all the strength drained from her body to seep into the snow.

The fog was a gigantic thunderhead stretching so far overhead there was no limit to it. The fog was a pillar of nacreous, roiling white that built on itself, piling higher and higher. Unlike a cloud, the fog also spread from side to side, and everything it touched, it swallowed. Rima knew the night sky was still there, that above this deadening veil were true clouds and the stars beyond, but the fog was lowering itself, filling the bowl of the valley, obliterating the sky. The fog surged, an avalanche of white steamrolling right for them.

“Come on,” Casey urged. “Come on!”

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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