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“I don’t know.” She bent her head to study the snow. “Whatever it is, you seem okay now, but I think you should stay off this stuff until we can—”

When she didn’t continue, Casey said, “Rima, what … oh, Jesus.”

“Uh-huh.” She tried to say more, but all the words balled in her throat. In her parka, Taylor’s whisper tightened in alarm. I don’t know, honey; I have no idea.

But she thought they better figure this out, and fast.

RIMA

Tell Me You See That

AT THEIR FEET and all around the snowmobile, the snow suddenly bloomed with oily splotches. Like something’s leaking up from deep underground—or we’re on top of something and the snow’s melting, giving way. Her eyes ticked from the snow immediately around their runners to as far as she could see. It’s everywhere.

“Rima.” Casey’s voice was library-quiet. “Tell me you see that.”

“I see it.” The splotches stretched, seeming to sprout legs to creep over the snow. Like what happens when ink drips onto white paper, Rima thought. It seeps along the fibers. The spiderstains stretched and lengthened and merged. The fog was no longer gelid and still but swirling now, the turgid scent of blood-rust growing stronger. The snow began to shift and hump as black waves rippled all around the snowmobile.

Then, with a monstrous scream, the ebony snow broke, splintering in a shuddering convulsion—

“Ah!” Shrieking, she threw her arms around Casey as hundreds and hundreds, thousands, of crows bulleted from the snow: pulling together out of that weird oil, spinning in a screeching black funnel cloud, hurtling into that blister of a glare-white sky.

“Where did they come from?” Casey shouted over the screams. His storm-gray eyes were jammed wide with shock. “What do they mean?”

Death. Stunned, she followed the scrolling tangle of birds as they drew their black calligraphy onto the sky: arabesques and whorls and swoops and slashes and arcs. Crows are death, and there is so much here, more than we can imagine. Tightening her arms around Casey, she felt his slip about her waist, and wasn’t sure if the shudder working its way through her arms and into her chest was only hers. Yet, as frightened as she was, she was suddenly more afraid for him. It was crazy, stupid, something you did if you were major crushing on someone. But this is so dangerous for you, Casey; there is something here that wants you, will take you, if it can. I feel it.

She had to get him out of here. Now that the birds had cracked out of their icy shell in their mad flight, the snow—if that’s really what it was—was pristine and white once more. All right; that’s a start. Maybe slide onto the snow, see if she felt anything now. If not, they needed to move, get out from under these birds if they could, put some distance between them. But what if the birds followed?

One step at a time. She tipped her head back to that roiling sky. “I can still see them,” she said. The birds’ ebb and flow was almost as hypnotic as the sea, or like staring into the swirl of an ebony whirlpool that endlessly circled round and round and round. Like a black hole, the kind that ought to exist in outer space: you could trip over the edge and fall forever. “So maybe the fog’s burning off. Casey, you think you can drive the sled—”

“Rima.” At his tone, she pulled her gaze from the sky. Casey was staring over her shoulder. “Behind you,” he said.

She craned a look. A slit had appeared in the thick mist, as if someone had drawn a very sharp knife through taut white fabric. The lips of the cut drew back, and then this rent widened as the fog retreated. When she stopped to think about it later, the effect was like the parting of a curtain on some bizarre stage. Beyond the mist lay a thick forest, dark and very dense, that hemmed the snowfield on three sides.

“Like walls,” Casey said. “Like we’re looking into a room.”

That was exactly right. She watched as the fog wavered and glimmered—and then another shape pulled together, the fog sewing itself into something solid and blocky: red brick capped with a spire. A rosette window blossomed above a set of thick wooden double doors.

“It’s a church,” Casey breathed. “And look, there, to the left.”

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White Space
White Space

In the tradition ofMementoandInceptioncomes a thrilling and scary young adult novel about blurred reality where characters in a story find that a deadly and horrifying world exists in the space between the written lines.Seventeen-year-old Emma Lindsay has problems: a head full of metal, no parents, a crazy artist for a guardian whom a stroke has turned into a vegetable, and all those times when she blinks away, dropping into other lives so ghostly and surreal it's as if the story of her life bleeds into theirs. But one thing Emma has never doubted is that she's real.Then she writes "White Space," a story about these kids stranded in a spooky house during a blizzard.Unfortunately, "White Space" turns out to be a dead ringer for part of an unfinished novel by a long-dead writer. The manuscript, which she's never seen, is a loopyMatrixmeetsInkheartstory in which characters fall out of different books and jump off the page. Thing is, when Emma blinks, she might be doing the same and, before long, she's dropped into the very story she thought she'd written. Trapped in a weird, snow-choked valley, Emma meets other kids with dark secrets and strange abilities: Eric, Casey, Bode, Rima, and a very special little girl, Lizzie. What they discover is that they--and Emma--may be nothing more than characters written into being from an alternative universe for a very specific purpose.Now what they must uncover is why they've been brought to this place--a world between the lines where parallel realities are created and destroyed and nightmares are written--before someone pens their end.

Ильза Джей Бик

Любовное фэнтези, любовно-фантастические романы

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