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They started work on the next hole but, before they broke through, they were halted by a major called Marquez, who came along the row of houses by the route they had made through the walls. ‘Forget all that,’ he said in Spanish-accented English. ‘We’re going to rush the church.’

Lloyd went cold. It was suicidal. He said: ‘Is that Colonel Bobrov’s idea?’

‘Yes,’ said Major Marquez non-committally. ‘Wait for the signal: three sharp blows on the whistle.’

‘Can we get more ammunition?’ Lloyd said. ‘We’re low, especially for this kind of action.’

‘No time,’ said the major, and he went away.

Lloyd was horrified. He had learned a lot in a few days of battle, and he knew that the only way to rush a well-defended position was under a hail of covering fire. Otherwise the defenders would just mow the attackers down.

The men looked mutinous, and Corporal Rivera said: ‘It is impossible.’

Lloyd was responsible for maintaining their morale. ‘No complaints, you lot,’ he said breezily. ‘You’re all volunteers. Did you think war wasn’t dangerous? If it was safe, your sisters could do it for you.’ They laughed, and the moment of danger passed, for now.

He moved to the front of the house, opened the door a crack, and peeped out. The sun glared down on a narrow street with houses and shops on both sides. The buildings and the ground were the same pale tan colour, like undercooked bread, except where shelling had gouged up red earth. Right outside the door a militiaman lay dead, a cloud of flies feasting on the hole in his chest. Looking towards the square, Lloyd saw that the street widened towards the church. The gunmen in the high twin towers had a clear view and an easy shot at anyone approaching. On the ground there was only minimal cover: some rubble, a dead horse, a wheelbarrow.

We’re all going to die, he thought.

But why else did we come here?

He turned back to his men, wondering what to say. He had to keep them thinking positively. ‘Just hug the sides of the street, close to the houses,’ he said. ‘Remember, the slower you go, the longer you’re exposed – so wait for the whistle, then run like fuck.’

Sooner than expected, he heard the three sharp chirrups of Major Marquez’s whistle.

‘Lenny, you’re last out,’ he said.

‘Who’s first?’ said Lenny.

‘I am, of course.’

Goodbye, world, Lloyd thought. At least I’ll die fighting Fascists.

He threw the door wide. ‘Let’s go!’ he yelled, and he ran out.

Surprise gave him a few seconds’ grace, and he ran freely along the street towards the church. He felt the scorch of the midday sun on his face and heard the pounding of his men’s boots behind him, and noted with a weird sentiment of gratitude that such sensations meant he was still alive. Then gunfire broke out like a hailstorm. For a few more heartbeats he ran, hearing the zip and thwack of bullets, then there was a feeling in his left arm as if he had banged it against something, and inexplicably he fell down.

He realized he had been hit. There was no pain, but his arm was numb and hung lifeless. He managed to roll sideways until he hit the wall of the nearest building. Shots continued to fly, and he was terribly vulnerable, but a few feet ahead he saw a dead body. It was a rebel soldier, propped against the house. He looked as if he had been sitting on the ground, resting with his back against the wall, and had gone to sleep; except that there was a bullet wound in his neck.

Lloyd wriggled forward, moving awkwardly, rifle in his right hand, left arm dragging behind, then crouched behind the body, trying to make himself small.

He rested his rifle barrel on the dead man’s shoulder and took aim at a high window in the church tower. He fired all five rounds in his magazine in rapid succession. He could not tell whether he had hit anyone.

He looked back. To his horror he saw the street littered with the corpses of his platoon. The still body of Mario Rivera in his red and black shirt looked like a crumpled anarchist flag. Next to Mario was Jasper Johnson, his black curls soaked in blood. All the way from a factory in Chicago, Lloyd thought, to die on the street in a small town in Spain, because he believed in a better world.

Worse were those who still lived, moaning and crying on the ground. Somewhere a man was screaming in agony, but Lloyd could not see who or where. A few of his men were still running, but, as he watched, more fell and others threw themselves down. Seconds later no one was moving except the writhing wounded.

What a slaughter, he thought, and a bile of anger and sorrow rose chokingly in his throat.

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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