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She went quietly up the stairs, treading noiselessly on the threadbare carpet.

She stood outside the drawing room. Still she could hear nothing: no piano music, no movement, no voices.

She opened the door as quietly as possible.

She peeped in. She could see no one. She stepped inside and looked all around. The room was empty.

There was no sign of Joachim’s canvas bag.

She looked at the double door that led to the study. One of the two doors stood half open.

Carla tiptoed across the room. There was no carpet here, just polished wood blocks, and her footsteps were not completely silent; but she had to take the risk.

As she got nearer, she heard whispers.

She reached the doorway. She flattened herself against the wall then risked a look inside.

They were standing up, embracing, kissing. Joachim had his back to the door and to Carla: no doubt Maud had taken care to move him into that position. As Carla watched, Maud broke the kiss, looked over his shoulder, and caught Carla’s eye. She took her hand away from Joachim’s neck and made an urgent pointing gesture.

Carla saw the canvas bag on a chair.

She understood immediately what had gone wrong. When Maud had inveigled Joachim into the study, he had not obliged them by leaving his bag in the drawing room, but had nervously taken it with him.

Now Carla had to retrieve it.

Heart thudding, she stepped into the room.

Maud murmured: ‘Oh, yes, keep doing that, my sweet boy.’

Joachim groaned: ‘I love you, my darling.’

Carla took two paces forward, picked up the canvas bag, turned around, and stepped silently out of the room.

The bag was light.

She walked quickly across the drawing room and ran down the stairs, breathing hard.

In the kitchen she put the bag on the table and unbuckled its straps. Inside were today’s edition of the Berlin newspaper Der Angriff, a fresh pack of Kamel cigarettes, and a plain buff-coloured cardboard folder. With trembling hands she took out the folder and opened it. It contained a carbon copy of a document.

The first page was headed:

DIRECTIVE NO. 41

On the last page was a dotted line for a signature. Nothing was penned there, no doubt because this was a copy, but the name typed beside the line was Adolf Hitler.

In between was the plan for Case Blue.

Exultation rose in her heart, mingled with the tension she already felt and the terrible dread of discovery.

She put the document on the low cupboard next to the kitchen window. She jerked open the drawer and took out the Minox camera and the two spare films. She positioned the document carefully, then began to photograph it page by page.

It did not take long. There were just ten pages. She did not even have to reload film. She was done. She had stolen the battle plan.

That was for you, Father.

She put the camera back in the drawer, closed the drawer, slipped the document into the cardboard folder, put the folder back in the canvas bag, and closed the bag, fastening the straps.

Moving as quietly as she could, she carried the bag back upstairs.

As she crept into the drawing room she heard her mother’s voice. Maud was speaking clearly and emphatically, as if she wanted to be overheard, and Carla immediately sensed a warning. ‘Please don’t worry,’ she was saying. ‘It’s because you were so excited. We were both excited.’

Joachim’s voice came in reply, low and embarrassed. ‘I feel a fool,’ he said. ‘You only touched me, and it was all over.’

Carla could guess what had happened. She had no experience of it, but girls talked, and nurses’ conversations were brutally detailed. Joachim must have ejaculated prematurely. Frieda had told her that Heinrich had done the same, several times, when they were first together, and had been mortified with embarrassment, though he had soon got over it. It was a sign of nervousness, she said.

The fact that Maud and Joachim’s embraces were over so early created a difficulty for Carla. Joachim would be more alert now, no longer blind and deaf to everything going on around him.

All the same, Maud must be doing her best to keep his back to the doorway. If Carla could just slip in for a second and replace the bag on the chair without being seen by Joachim, they could still get away with it.

Heart pounding, Carla crossed the drawing room and paused at the open door.

Maud said reassuringly: ‘It happens often – the body becomes impatient. It’s nothing.’

Carla put her head around the door.

The two of them were still standing in the same place, still close together. Maud looked past Joachim and saw Carla. She put her hand on Joachim’s cheek, keeping his gaze away from Carla, and said: ‘Kiss me again, and tell me you don’t hate me for this little accident.’

Carla stepped inside.

Joachim said: ‘I need a cigarette.’

As he turned around, Carla stepped back outside.

She waited by the door. Did he have cigarettes in his pocket, or would he look for the new pack in his bag?

The answer came a second later. ‘Where’s my bag?’ he said.

Carla’s heart stopped.

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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