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She gave the baby to Carla, and propped her upright on the mattress with some cushions from the drawing room.

He had lots of dark hair all over his head.

Maud tied off the cord with a piece of cotton, then cut it. Carla unbuttoned her blouse and put the baby to her breast.

She was worried she might have no milk. Her breasts should have swollen and leaked towards the end of her pregnancy, but they had not, perhaps because the baby was early, perhaps because the mother was undernourished. But, after a few moments of sucking, she felt a strange pain, and the milk began to flow.

Soon he fell asleep.

Ada brought a bowl of warm water and a rag, and gently washed the baby’s face and head, then the rest of him.

Rebecca whispered: ‘He’s so beautiful.’

Carla said: ‘Mother, shall we call him Walter?’

She had not intended to be dramatic, but Maud fell apart. Her face crumpled and she bent double, wracked by terrible sobs. She recovered herself sufficiently to say, ‘I’m sorry,’ then she was convulsed by grief again. ‘Oh, Walter, my Walter,’ she wept.

Eventually her crying subsided. ‘I’m sorry,’ she said again. ‘I didn’t mean to make a fuss.’ She wiped her face with her sleeve. ‘I just wish your father could see the baby, that’s all. It’s so unfair.’

Ada surprised them both by quoting the Book of Job: ‘The Lord giveth and the Lord taketh away,’ she said. ‘Blessed be the name of the Lord.’

Carla did not believe in God – no holy being worthy of the name could have allowed the Nazi death camps to happen – but all the same she found comfort in the quotation. It was about accepting everything in human life, including the pain of birth and the sorrow of death. Maud seemed to appreciate it too, and she became calmer.

Carla looked adoringly at baby Walter. She would care for him and feed him and keep him warm, she vowed, no matter what difficulties stood in the way. He was the most wonderful child that had ever been born, and she would love and cherish him for ever.

He woke up, and Carla gave him her nipple again. He sucked contentedly, making small smacking noises with his mouth, while four women watched him. For a little while, in the warm, dim-lit kitchen, there was no other sound.

(ii)

The first speech made by a new Member of Parliament is called a maiden speech, and is usually dull. Certain things have to be said, stock phrases are used, and the convention is that the subject must not be controversial. Colleagues and opponents alike congratulate the newcomer, the traditions are observed and the ice is broken.

Lloyd Williams made his first real speech a few months later, during the debate on the National Insurance Bill. That was more scary.

In preparing it he had two orators in mind. His grandfather, Dai Williams, used the language and rhythms of the Bible, not just in chapel but also – perhaps especially – when speaking of the hardship and injustice of the life of a coal miner. He relished short words rich in meaning: toil, sin, greed. He spoke of the hearth and the pit and the grave.

Churchill did the same, but had humour that Dai Williams lacked. His long, majestic sentences often ended with an unexpected image or a reversal of meaning. Having been editor of the government newspaper the British Gazette during the General Strike of 1926, he had warned trade unionists: ‘Make your minds perfectly clear: if ever you let loose upon us again a general strike, we will loose upon you another British Gazette.’ A speech needed such surprises, Lloyd believed; they were like the raisins in a bun.

But when he stood up to speak, he found that his carefully wrought sentences suddenly seemed unreal. His audience clearly felt the same, and he could sense that the fifty or sixty MPs in the chamber were only half listening. He suffered a moment of panic: how could he be boring about a subject that mattered so profoundly to the people he represented?

On the government front bench he could see his mother, now Minister for Schools, and his Uncle Billy, Minister for Coal. Billy Williams had started work down the pit at the age of thirteen, Lloyd knew. Ethel had been the same age when she began scrubbing the floors of Tŷ Gwyn. This debate was not about fine phrases, it was about their lives.

After a minute he abandoned his script and spoke extempore. He recalled instead the misery of working-class families made penniless by unemployment or disability, scenes he had witnessed first hand in the East End of London and the South Wales coalfield. His voice betrayed the emotion he felt, somewhat to his embarrassment, but he ploughed on. He sensed his audience beginning to pay attention. He spoke of his grandfather and others who had started the Labour movement with the dream of comprehensive employment insurance to banish forever the fear of destitution. When he sat down there was a roar of approval.

In the visitors’ gallery his wife Daisy smiled proudly and gave him a thumbs-up sign.

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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