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A noise from the street distracted her. She went to the window. A dozen Brownshirts were marching along the middle of the road, shouting slogans: ‘Death to all Jews! Jews go to hell!’ Carla could not understand why they got so angry about Jews, who seemed the same as everyone else apart from their religion. She was startled to see Sergeant Schwab at the head of the troop. She had felt sorry for him when he was sacked, for she knew he would find it hard to get another job. There were millions of men looking for jobs in Germany: Father said it was a depression. But Mother had said: ‘How can we have a man in our house who steals?’

Their chant changed. ‘Smash Jew papers!’ they said in unison. One of them threw something, and a rotten vegetable splashed on the door of a national newspaper. Then, to Carla’s horror, they turned towards the building she was in.

She drew back and peeped around the edge of the window frame, hoping that they could not see her. They stopped outside, still chanting. One threw a stone. It hit Carla’s window without breaking it, but all the same she gave a little scream of fear. A moment later, one of the typists came in, a young woman in a red beret. ‘What’s the matter?’ she said, then she looked out of the window. ‘Oh, hell.’

The Brownshirts entered the building, and Carla heard boots on the stairs. She was scared: what were they going to do?

Sergeant Schwab came into Mother’s office. He hesitated, seeing the two females; then seemed to screw up his nerve. He picked up the typewriter and threw it through the window, shattering the glass. Carla and the typist both screamed.

More Brownshirts passed the doorway, shouting their slogans.

Schwab grabbed the typist by the arm and said: ‘Now, darling, where’s the office safe?’

‘In the file room!’ she said in a terrified voice.

‘Show me.’

‘Yes, anything!’

He marched her out of the room.

Carla started to cry, then stopped herself.

She thought of hiding under the desk, but hesitated. She did not want to show them how scared she was. Something inside her wanted to defy them.

But what should she do? She decided to warn Mother.

She stepped to the doorway and looked along the corridor. The Brownshirts were going in and out of the offices but had not reached the far end. Carla did not know whether the people in the conference room could hear the commotion. She ran along the corridor as fast as she could, but a scream stopped her. She looked into a room and saw Schwab shaking the typist with the red beret, yelling: ‘Where’s the key?’

‘I don’t know, I swear I’m telling the truth!’ the typist cried.

Carla was outraged. Schwab had no right to treat a woman that way. She shouted: ‘Leave her alone, Schwab, you thief!’

Schwab looked at her with hatred in his eyes, and suddenly she was ten times more frightened. Then his gaze shifted to someone behind her, and he said: ‘Get the kid out of the damn way.’

She was picked up from behind. ‘Are you a little Jew?’ said a man’s voice. ‘You look it, with all that dark hair.’

That terrified her. ‘I’m not Jewish!’ she screamed.

The Brownshirt carried her back along the corridor and put her down in Mother’s office. She stumbled and fell to the floor. ‘Stay in here,’ he said, and he went away.

Carla got to her feet. She was not hurt. The corridor was full of Brownshirts now, and she could not get to her mother. But she had to summon help.

She looked out of the smashed window. A small crowd was gathering on the street. Two policemen stood among the onlookers, chatting. Carla shouted at them: ‘Help! Help, police!’

They saw her and laughed.

That infuriated her, and anger made her less frightened. She looked outside the office again. Her gaze lit on the fire alarm on the wall. She reached up and grasped the handle.

She hesitated. You were not supposed to sound the alarm unless there was a fire, and a notice on the wall warned of dire penalties.

She pulled the handle anyway.

For a moment nothing happened. Perhaps the mechanism was not working.

Then there came a loud, harsh klaxon sound, rising and falling, which filled the building.

Almost immediately the people from the conference room appeared at the far end of the corridor. Jochmann was first. ‘What the devil is going on?’ he said angrily, shouting over the noise of the alarm.

One of the Brownshirts said: ‘This Jew Communist rag has insulted our leader, and we’re closing it down.’

‘Get out of my office!’

The Brownshirt ignored him and went into a side room. A moment later there was a female scream and a crash that sounded like a steel desk being overturned.

Jochmann turned to one of his staff. ‘Schneider – call the police immediately!’

Carla knew that would be no good. The police were here already, doing nothing.

Mother pushed through the knot of people and came running along the corridor. ‘Are you all right?’ she cried. She threw her arms around Carla.

Carla did not want to be comforted like a child. Pushing her mother away, she said: ‘I’m fine, don’t worry.’

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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