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They looked impressively military, in their wide black leather belts and black shirts, as they formed neat columns across the grass. Their officers wore a smart uniform: a black military-cut jacket, grey riding breeches, jackboots, a black cap with a shiny peak, and a red-and-white armband. Several motorcyclists in uniform roared around ostentatiously, delivering messages with Fascist salutes. More marchers were arriving, some of them in armoured vans with wire mesh at the windows.

This was not a political party. It was an army.

The purpose of the display, Lloyd figured, was to give them false authority. They wanted to look as if they had the right to close meetings and empty buildings, to burst into homes and offices and arrest people, to drag them to jails and camps and beat them up, interrogate and torture them, as the Brownshirts did in Germany under the Nazi regime so admired by Mosley and the Daily Mail’s proprietor, Lord Rothermere.

They would terrify the people of the East End, people whose parents and grandparents had fled from repression and pogroms in Ireland and Poland and Russia.

Would East Enders come out on the streets and fight them? If not – if today’s march went ahead as planned – what might the Fascists dare tomorrow?

He walked around the edge of the park, pretending to be one of the hundred or so casual onlookers. Side streets radiated from the hub-like spokes. In one of them he noticed a familiar-looking black-and-cream Rolls-Royce drawing up. The chauffeur opened the rear door and, to Lloyd’s shock and dismay, Daisy Peshkov got out.

There was no doubt why she was here. She was wearing a beautifully tailored female version of the uniform, with a long grey skirt instead of the breeches, her fair curls escaping from under the black cap. Much as he hated the outfit, Lloyd could not help finding her irresistibly alluring.

He stopped and stared. He should not have been surprised: Daisy had told him she liked Boy Fitzherbert, and Boy’s politics clearly made no difference to that. But to see her obviously supporting the Fascists in their attack on Jewish Londoners rammed home to him how utterly alien she was from everything that mattered in his life.

He should simply have turned away, but he could not. As she hurried along the pavement, he blocked her way. ‘What the devil are you doing here?’ he said brusquely.

She was cool. ‘I might ask you the same question, Mr Williams,’ she said. ‘I don’t suppose you’re intending to march with us.’

‘Don’t you understand what these people are like? They break up peaceful political meetings, they bully journalists, they imprison their political rivals. You’re an American – how can you be against democracy?’

‘Democracy is not necessarily the most appropriate political system for every country in all times.’ She was quoting Mosley’s propaganda, Lloyd guessed.

He said: ‘But these people torture and kill everyone who disagrees with them!’ He thought of Jörg. ‘I’ve seen it for myself, in Berlin. I was in one of their camps, briefly. I was forced to watch while a naked man was savaged to death by starving dogs. That’s the kind of thing your Fascist friends do.’

She was unintimidated. ‘And who, exactly, has been killed by Fascists here in England recently?’

‘The British Fascists haven’t got the power yet – but your Mosley admires Hitler. If they ever get the chance, they’ll do exactly the same as the Nazis.’

‘You mean they will eliminate unemployment and give the people pride and hope.’

Lloyd was drawn to her so powerfully that it broke his heart to hear her spouting this rubbish. ‘You know what the Nazis have done to the family of your friend Eva.’

‘Eva got married, did you know?’ Daisy said, in the determinedly cheerful tone of one who tries to switch a dinner-table conversation to a more agreeable topic. ‘To nice Jimmy Murray. She’s an English wife, now.’

‘And her parents?’

Daisy looked away. ‘I don’t know them.’

‘But you know what the Nazis have done to them.’ Eva had told Lloyd all about it at the Trinity Ball. ‘Her father is no longer allowed to practise medicine – he’s working as an assistant in a pharmacy. He can’t enter a park or a public library. His father’s name has been scraped off the war memorial in his home village!’ Lloyd realized he had raised his voice. More quietly he said: ‘How can you possibly stand side by side with people who do such things?’

She looked troubled, but she did not answer his question. Instead she said: ‘I’m late already. Please excuse me.’

‘What you’re doing can’t be excused.’

The chauffeur said: ‘All right, sonny, that’s enough.’

He was a heavy middle-aged man who evidently took little exercise, and Lloyd was not in the least intimidated, but he did not want to start a fight. ‘I’m leaving,’ he said in a mild tone. ‘But don’t call me sonny.’

The chauffeur took his arm.

Lloyd said: ‘You’d better take your hand off me, or I’ll knock you down before I go.’ He looked into the chauffeur’s face.

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Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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