Women in Love

The wheelbarrow—the one humble wheel—the unit of the firm. Then the cart, with two wheels; then the truck, with four; then the donkey-engine, with eight, then the winding-engine, with sixteen, and so on, till it came to the miner, with a thousand wheels, and then the electrician, with three thousand, and the underground manager, with twenty thousand, and the general manager with a hundred thousand little wheels working away to complete his make-up, and then Gerald, with a million wheels and cogs and axles.

Poor Gerald, such a lot of little wheels to his make-up! He was more intricate than a chronometer-watch. But oh heavens, what weariness! What weariness, God above! A chronometer-watch—a beetle—her soul fainted with utter ennui, from the thought. So many wheels to count and consider and calculate! Enough, enough—there was an end to man’s capacity for complications, even. Or perhaps there was no end.

Meanwhile Gerald sat in his room, reading. When Gudrun was gone, he was left stupefied with arrested desire. He sat on the side of the bed for an hour, stupefied, little strands of consciousness appearing and reappearing. But he did not move, for a long time he remained inert, his head dropped on his breast.

Then he looked up and realised that he was going to bed. He was cold. Soon he was lying down in the dark.

But what he could not bear was the darkness. The solid darkness confronting him drove him mad. So he rose, and made a light. He remained seated for a while, staring in front. He did not think of Gudrun, he did not think of anything.

Then suddenly he went downstairs for a book. He had all his life been in terror of the nights that should come, when he could not sleep. He knew that this would be too much for him, to have to face nights of sleeplessness and of horrified watching the hours.

So he sat for hours in bed, like a statue, reading. His mind, hard and acute, read on rapidly, his body understood nothing. In a state of rigid unconsciousness, he read on through the night, till morning, when, weary and disgusted in spirit, disgusted most of all with himself, he slept for two hours.

Then he got up, hard and full of energy. Gudrun scarcely spoke to him, except at coffee when she said:

‘I shall be leaving tomorrow.’

‘We will go together as far as Innsbruck, for appearance’s sake?’ he asked.

‘Perhaps,’ she said.

She said ‘Perhaps’ between the sips of her coffee. And the sound of her taking her breath in the word, was nauseous to him. He rose quickly to be away from her.

He went and made arrangements for the departure on the morrow. Then, taking some food, he set out for the day on the skis. Perhaps, he said to the Wirt, he would go up to the Marienhutte, perhaps to the village below.

To Gudrun this day was full of a promise like spring. She felt an approaching release, a new fountain of life rising up in her. It gave her pleasure to dawdle through her packing, it gave her pleasure to dip into books, to try on her different garments, to look at herself in the glass. She felt a new lease of life was come upon her, and she was happy like a child, very attractive and beautiful to everybody, with her soft, luxuriant figure, and her happiness. Yet underneath was death itself.

In the afternoon she had to go out with Loerke. Her tomorrow was perfectly vague before her. This was what gave her pleasure. She might be going to England with Gerald, she might be going to Dresden with Loerke, she might be going to Munich, to a girl-friend she had there. Anything might come to pass on the morrow. And today was the white, snowy iridescent threshold of all possibility. All possibility—that was the charm to her, the lovely, iridescent, indefinite charm,—pure illusion All possibility—because death was inevitable, and NOTHING was possible but death.

She did not want things to materialise, to take any definite shape. She wanted, suddenly, at one moment of the journey tomorrow, to be wafted into an utterly new course, by some utterly unforeseen event, or motion. So that, although she wanted to go out with Loerke for the last time into the snow, she did not want to be serious or businesslike.

And Loerke was not a serious figure. In his brown velvet cap, that made his head as round as a chestnut, with the brown-velvet flaps loose and wild over his ears, and a wisp of elf-like, thin black hair blowing above his full, elf-like dark eyes, the shiny, transparent brown skin crinkling up into odd grimaces on his small-featured face, he looked an odd little boy-man, a bat. But in his figure, in the greeny loden suit, he looked CHETIF and puny, still strangely different from the rest.