Women in Love

‘Very beautiful, it’s very beautiful,’ said the Russian.

They all drew near to look. Gerald looked at the group of men, the Russian golden and like a water-plant, Halliday tall and heavily, brokenly beautiful, Birkin very white and indefinite, not to be assigned, as he looked closely at the carven woman. Strangely elated, Gerald also lifted his eyes to the face of the wooden figure. And his heart contracted.

He saw vividly with his spirit the grey, forward-stretching face of the negro woman, African and tense, abstracted in utter physical stress. It was a terrible face, void, peaked, abstracted almost into meaninglessness by the weight of sensation beneath. He saw the Pussum in it. As in a dream, he knew her.

‘Why is it art?’ Gerald asked, shocked, resentful.

‘It conveys a complete truth,’ said Birkin. ‘It contains the whole truth of that state, whatever you feel about it.’

‘But you can’t call it HIGH art,’ said Gerald.

‘High! There are centuries and hundreds of centuries of development in a straight line, behind that carving; it is an awful pitch of culture, of a definite sort.’

‘What culture?’ Gerald asked, in opposition. He hated the sheer African thing.

‘Pure culture in sensation, culture in the physical consciousness, really ultimate PHYSICAL consciousness, mindless, utterly sensual. It is so sensual as to be final, supreme.’

But Gerald resented it. He wanted to keep certain illusions, certain ideas like clothing.

‘You like the wrong things, Rupert,’ he said, ‘things against yourself.’

‘Oh, I know, this isn’t everything,’ Birkin replied, moving away.

When Gerald went back to his room from the bath, he also carried his clothes. He was so conventional at home, that when he was really away, and on the loose, as now, he enjoyed nothing so much as full outrageousness. So he strode with his blue silk wrap over his arm and felt defiant.

The Pussum lay in her bed, motionless, her round, dark eyes like black, unhappy pools. He could only see the black, bottomless pools of her eyes. Perhaps she suffered. The sensation of her inchoate suffering roused the old sharp flame in him, a mordant pity, a passion almost of cruelty.

‘You are awake now,’ he said to her.

‘What time is it?’ came her muted voice.

She seemed to flow back, almost like liquid, from his approach, to sink helplessly away from him. Her inchoate look of a violated slave, whose fulfilment lies in her further and further violation, made his nerves quiver with acutely desirable sensation. After all, his was the only will, she was the passive substance of his will. He tingled with the subtle, biting sensation. And then he knew, he must go away from her, there must be pure separation between them.

It was a quiet and ordinary breakfast, the four men all looking very clean and bathed. Gerald and the Russian were both correct and COMME IL FAUT in appearance and manner, Birkin was gaunt and sick, and looked a failure in his attempt to be a properly dressed man, like Gerald and Maxim. Halliday wore tweeds and a green flannel shirt, and a rag of a tie, which was just right for him. The Hindu brought in a great deal of soft toast, and looked exactly the same as he had looked the night before, statically the same.

At the end of the breakfast the Pussum appeared, in a purple silk wrap with a shimmering sash. She had recovered herself somewhat, but was mute and lifeless still. It was a torment to her when anybody spoke to her. Her face was like a small, fine mask, sinister too, masked with unwilling suffering. It was almost midday. Gerald rose and went away to his business, glad to get out. But he had not finished. He was coming back again at evening, they were all dining together, and he had booked seats for the party, excepting Birkin, at a music-hall.

At night they came back to the flat very late again, again flushed with drink. Again the manservant—who invariably disappeared between the hours of ten and twelve at night—came in silently and inscrutably with tea, bending in a slow, strange, leopard-like fashion to put the tray softly on the table. His face was immutable, aristocratic-looking, tinged slightly with grey under the skin; he was young and goodlooking. But Birkin felt a slight sickness, looking at him, and feeling the slight greyness as an ash or a corruption, in the aristocratic inscrutability of expression a nauseating, bestial stupidity.

Again they talked cordially and rousedly together. But already a certain friability was coming over the party, Birkin was mad with irritation, Halliday was turning in an insane hatred against Gerald, the Pussum was becoming hard and cold, like a flint knife, and Halliday was laying himself out to her. And her intention, ultimately, was to capture Halliday, to have complete power over him.