WORLD'S END

"We had the grandest time on the yacht," continued Beauty. "Did Lanny ever tell you about old Mr. Hackabury? He comes from the town of Reubens, Indiana, and he makes Bluebird Soap, millions of cakes every day, or every week, or whatever it is - I'm no good at figures. He carries little sample cakes in his pocket and gives them to everybody. The peasants were grateful; they are a clean people."

The boys told her about the Orpheus festival, and Bernard Shaw and Granville Barker and Stanislavsky. "It's quite the loveliest place I've ever been to," declared Lanny. "I think I want to become a teacher of Dalcroze.”

Beauty didn't laugh, as other mothers might have done. "Of course, dear," she answered. "Whatever you want; but Robbie may be disappointed." Kurt had never heard of parents being addressed by such names as Beauty and Robbie; he assumed it was an American custom, and it seemed to work well, though of course it would never do for Silesia.

They were having their pastry; and Beauty said: "You might like to stay over for an extra day. I'd like to have a chance to see more of Kurt, but I've accepted an invitation to spend a fortnight in England, and then go to Scotland for the shooting." Lanny was disappointed, but it didn't occur to him to show it, because he was used to seeing his mother in snatches like this; he understood that she had obligations to her many friends and couldn't be expected to stay and entertain one boy, or even two.

Kurt, also, was disappointed, having thought he was going to feast his eyes on this work of art, created in far-off America and perfected in France. He made up for lost time, and was so adoring, and at the same time respectful and punctilious, that Beauty decided he was an exceptionally fine lad and was glad that dear Lanny had such good judgment in the choice of friends. Lanny had written who> Kurt's parents were, and also of the aunt in Cannes, the Frau Doktor Hofrat von und zu Nebenaltenberg. Beauty didn't know her, but felt sure that anybody with such a name must be socially acceptable.

VIII

In the afternoon they went to an exhibition of modern art. "Everybody" was talking about the Salon des Indиpendants, and therefore Beauty had to be able to say that she had seen it. She had a quick step and a quick eye, and so was able to inspect the year's work of a thousand or more artists in fifteen or twenty minutes. After that she had a dress fitting; the business of being an art-work oneself didn't leave very much time for the art-works of others. Lanny's mother, flitting through life like a butterfly over a flower bed, was so charming and so gay that few would ever note how little honey she gathered.

She left the two boys to share the display between them. The painters and sculptors of a continent had turned their imaginations loose, and the boys wandered past wall after wall covered with their efforts. Each seemed to shriek: "Look at me! I am the ne plus ultra!" Few seemed willing to paint in the old accepted way, so as actually to reproduce something. Here faces were made into planes and conic sections; eyes and noses changed positions, trees became blue, skies green, and human complexions both. It was the epoch of the "Nude Descending the Staircase"; this nude consisted of spirals, zigzags which might have been lightning flashes, a tangle of lines resembling telephone wires after a cyclone. You couldn't form the least idea why it was a "nude," and wished you might know the artist and ask if it was a colossal spoof, or what.

There were plenty of recognizable nudes; they were shown in the morgue, on the battlefield or the operating table. There were women with great pendent paunches and breasts, men with limbs diseased or missing. You got the definite impression that the "independent" artists of the continent of Europe were a disturbed and tormented lot. Perhaps they lived in garrets and didn't get enough to eat; Lanny and Kurt, neither of whom had ever seen a garret or missed a meal, did not think of that explanation. They could only wonder why, in a world with creatures like Lanny's mother, painters should prefer ugly and repulsive subjects. There was something wrong; but the riddle couldn't be solved by the son of Beauty Budd nor yet by the son of the comptroller-general of Castle Stubendorf in Upper Silesia.