O’Bell L. The Pastoral in Turgenev’s «Singers»: Classical Themes and Romantic Variations // The Russian Review. 2004. Vol. 63. № 2. P. 277–296.
Ogden A. Peasant Listening, Listening to Peasants: Miscommunication and Ventriloquism in Nekrasov’s «Komu Na Rusi Zhit’ Khorosho» // The Russian Review. 2013. Vol. 72. № 4. P. 590–606.
Ogden A. The Impossible Peasant Voice in Russian Culture: Stylization and Mimicry // Slavic Review. 2005. Vol. 64. № 3. P. 517–537.
Ospovat K. Realism as Technique: Mimesis, Allegory, and the Melancholic Gaze in Gogol’s Old-World Landowners // Potemkinsche Dörfer der Idylle: Imaginationen und Imitationen des Ruralen / Hrsg. von Y. Ananka, M. Marszałek. Bielefeld, 2018. S. 219–247.
Ospovat K. Terror and Pity: Aleksandr Sumarokov and the Theater of Power in Elizabethan Russia. Boston, 2016.
Overton B. Fictions of Female Adultery, 1684–1890. Theories and Circumtexts. Basingstoke, 2002.
Palmer A. Fictional Minds. Lincoln, NE, 2004.
Palmer A. Social Minds in the Novel. Columbus, 2010.
Parkinson M. H. The Rural Novel: Jeremias Gotthelf, Thomas Hardy, C. F. Ramuz (Europäische Hochschulschriften. Reihe XVIII: Vergleichende Literaturwissenschaften. Bd. 36). Berne, 1984.
Patterson A. Pastoral and Ideology: Virgil to Valery. Berkeley, 1987.
Pavel T. The Lives of the Novel. Princeton, 2013.
Pavlyshin M. Ukrainian Prose From the 1800s to the 1860s: In Quest of a European Modernity // Ukraine and Europe: Cultural Encounters and Negotiations / Ed. by G. B. Bercoff et al. Toronto, 2017. P. 211–226.
Pavlyshyn M. Experiments with Audiences: The Ukrainian and Russian Prose of Kvitka-Osnovianenko // Slavic and East European Journal. 2014. Vol. 58. № 2. P. 197–216.
Pavlyshyn M. Normalising a Ukrainian Intellectual Identity in the Nineteenth Century: The Role of Marko Vovchok (1833–1907) // Australian and New Zealand Journal of European Studies. 2013. Vol. 5. № 2. P. 61–70.
Peterson D. E. The Origin and End of Turgenev’s Sportsman’s Notebook: The Poetics and Politics of a Precarious Balance // Russian Literature. 1984. Vol. 16. P. 347–358.
Peterson D. E. Up from Bondage: The Literatures of Russian and African American Soul. Durham, 2000.
Phelan J. Narrative as Rhetoric: Technique, Audiences, Ethics, Ideology. Theory and Interpretation of Narrative Series. Columbus, 1996.
Pippin R. The Absence of Aesthetics in Hegel’s Aesthetics // The Cambridge Companion to Hegel and Nineteenth-Century Philosophy / Ed. by F. C. Beiser. Cambridge, 2008. P. 394–418.
Porter J. Economies of Feeling: Russian Literature under Nicholas I. Evanston, 2017.
Powell D. A. While the Music Lasts. The Representation of Music in the Works of George Sand. Lewisburg, 2001.
Rancière J. Mute Speech: Literature, Critical Theory, and Politics / Transl. by J. Swenson. N. Y., 2011.
Rancière J. Proletarian Nights: The Workers’ Dream in Nineteenth-Century France / Transl. by J. Drury. London, 2012.
Rancière J. The Politics of Aesthetics: The Distribution of the Sensible / Ed. and transl. by G. Rockhill. N. Y., 2004.
Randolph J. W. Communication and Obligation: The Postal System of the Russian Empire, 1700–1850 // Information and Empire: Mechanisms of Communication in Russia, 1600–1850 / Ed. by S. Franklin, K. Bowers. Open Book Publishers, 2017. P. 155–184.
Randolph J. W. The Singing Coachman or, The Road and Russia’s Ethnographic Invention in Early Modern Times // Journal of Early Modern History. 2007. Vol. 11. № 1–2. P. 33–61.
Raser T. The Intertextual Unconscious in «François le Champi» // French Forum. 2009. Vol. 34. № 2. P. 39–50.
Rebecchini D. The Success of the Russian Novel, 1830s – 1840s // Reading Russia. A History of Reading in Modern Russia / Ed. by D. Rebecchini, R. Vassena. Milan, 2020. Vol. 2. P. 107–170.
Reitblat A. I. The Book and the Peasant in the Nineteenth and the Beginning of the Twentieth Century: From Illiteracy to the Religious Book to the Secular Book // Reading Russia: A History of Reading in Modern Russia. Milan, 2020. Vol. 2. P. 317–346.
Richards S. L. F. Une Jeanne d’Arc ignorée: George Sand’s Jeanne // Nineteenth-Century French Studies. 1996. Vol. 24. № 3/4. P. 361–369.
Ripp V. Ideology in Turgenev’s Notes of a Hunter: The First Three Sketches // Slavic Review. 1979. Vol. 38. № 1. P. 75–88.
Robbins B. A Little Muzhik, Muttering to Himself: The Novel and the Poor // boundary 2. 2020. May 1. Vol. 47. № 2. P. 71–89.
Robbins B. The Servant’s Hand: English Fiction from Below. Durham, NC; London, 1993.