Женщины Девятой улицы. Том 1

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Miller, Douglas T., and Marion Nowak. The Fifties: The Way We Really Were. Garden City, NY: Doubleday & Company, Inc., 1977.

Miller, Terry. Greenwich Village and How It Got That Way. New York: Crown Publishers, 1990.

Millet, Kate. Sexual Politics. London: Virago Press Ltd, 1983.

Mills, C. Wright. “The Powerless People: The Role of the Intellectual in Society.” Politics 1, no. 3 (April 1944).

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Mitchell, Juliet. Psychoanalysis and Feminism. New York: Pantheon Books, 1974.

Monroe, Gerald M. “Artists as Militant Trade Union Workers during the Great Depression.” Archives of American Art Journal 14, no. 1 (1974).

Monroe, Gerald M. “The Artists Union of New York.” PhD dissertation, New York University, 1971.

Morris, Frances, ed. Paris Post War: Art and Existentialism, 1945–1955. London: Tate Gallery, 1993.

Morrow, Bradford. “Not Even Past: Hybrid Histories.” Conjunctions 53 (2009).

Motherwell, Robert. “Beyond the Aesthetic.” Design 47, no. 8 (April 1, 1946).

Motherwell, Robert. “The Modern Painter’s World.” DYN 1 (November 1944).

Motherwell, Robert. “Two Famous Painters’ Collection.” Vogue (January 15, 1964).

Moutet, Anne-Elisabeth. “An American in Paris.” Elle 11, no. 6 (February 1988).

Munro, Eleanor. “The Found Generation.” ArtNews 60, no. 7 (November 1961).

Munro, Eleanor. Originals: American Women Artists. New York: A Touchstone Book, Simon & Schuster, Inc., 1982. “My First Exhibition… to Now, Elaine de Kooning.” Art/World Museums International News Gallery Guide 7, no. 1.

Myers, John Bernard. Tracking the Marvelous: A Life in the New York Art World. New York: Random House, 1983.

Myers, John Bernard, ed. The Poets of the New York School. Philadelphia: University of Pennsylvania Graduate School of Fine Arts, 1969.

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Nelson, Maggie. Women, The New York School, and Other True Abstractions. Iowa City: University of Iowa Press, 2007.

Nemser, Cindy. “An Afternoon with Joan Mitchell.” The Feminist Art Journal 3, no. 1 (1974).

Nemser, Cindy. Art Talk: Conversations with 12 Women Artists. New York: Charles Scribner’s Sons, 1975.

Nemser, Cindy. “Art Talk Forum: Women in Art.” Arts Magazine 45, no. 33 (February 1971).

Nemser, Cindy. “A Conversation with Lee Krasner.” Arts Magazine 47, no. 6 (April 1973).

Nemser, Cindy. “A Conversation with Marisol.” The Feminist Art Journal 2, no. 3 (Fall 1973).

Nemser, Cindy. “Grace Hartigan: Abstract Artist, Concrete Woman.” Ms., March 1975.

Netter, D. Terence. Homage to Lee Krasner. New York: The Metropolitan Museum of Art, September 17, 1984.

The New American Painting, A Show in Eight European Countries, 1958–1959. New York: The Museum of Modern Art, distributed by Doubleday & Co., Inc., 1959.

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NO! Boris Lurie, David David Gallery, Philadelphia, November 14–December 12, 2012.

Novak, Josephine. “Tracking the Marvelous Grace Hartigan.” Baltimore Evening Sun, n.d. [ca. 1983].

O’Brian, John, ed. Affirmations and Refusals, 1950–1956. Vol. 3 of Clement Greenberg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1995.

O’Brian, John, ed. Arrogant Purpose, 1945–1949. Vol. 2 of Clement Greenerg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1986.

O’Brian, John, ed. Perceptions and Judgments, 1939–1944. Vol. 1 of Clement Greenberg: The Collected Essays and Criticism. Chicago: The University of Chicago Press, 1988.

O’Brien, Elaine Owens. “The Art Criticism of Harold Rosenberg: Theaters of Love and Combat.” PhD dissertation, City University of New York, 1997.