Женщины Девятой улицы. Том 1

Ashton, Dore. The New York School: A Cultural Reckoning. Berkeley: University of California Press, 1973.

Ashton, Dore, ed. Picasso on Art: A Selection of Views. New York: Da Capo Press, 1972.

Ashton, Dore, with Joan Banach, eds. The Writings of Robert Motherwell. Berkeley: University of California Press, 2007.

Auden, W. H. The Age of Anxiety: A Baroque Eclogue. New York: Random House, 1947.

Auping, Michael, and Lawrence Alloway, eds. Abstract Expressionism: The Critical Developments. New York: Harry N. Abrams, 1987.

Bair, Deirdre. Samuel Beckett: A Biography. New York: Harcourt Brace Jovanovich, 1978.

Baker, Elizabeth C. «Hans Hofmann, Abstract-Expressionism and Color in New York, 1945–65». ArtNews Annual 37. New York: Macmillan Company, 1971.

Barber, Allen. «Making Some Marks». Arts Magazine 48 (June 1974).

Bard, Joellen. «Tenth Street Days: An Interview with Charles Cajori and Lois Dodd». Arts Magazine 52, no. 4 (December 1977).

Bard, Joellen. Tenth Street Days: The Co‐Ops of the 50s: The Galleries, Tanager, Hansa, James, Camino, March, Brata, Phoenix, Area. New York: Education, Art and Service, Inc., 1977.

Baro, Gene. «Artistic Revolution by Being Wholly Herself, Helen Frankenthaler». Vogue, June 1975.

Barr, Alfred H., Jr. Picasso: Fifty Years of His Art. New York: The Museum of Modern Art, by the Arno Press, 1980.

Barr, Alfred H., Jr. What Is Modern Painting? New York: The Museum of Modern Art, 1943.

Barrett, William. Irrational Man: A Study in Existential Philosophy. New York: Doubleday Anchor Book, 1962.

Barrett, William. «New Innocents Abroad». Partisan Review 17, no. 3 (1950).

Barrett, William. The Truants: Adventures Among the Intellectuals. New York: Anchor Press/Doubleday, 1982.

Barrett, William. «What Existentialism Offers Modern Man». Commentary, July 1951.

Barzun, Jacques. «Romanticism: Definition of a Period». Magazine of Art 42, no. 7 (November 1949).

Baskin, Wade, ed. Jean-Paul Sartre: Essays in Existentialism. New York: The Citadel Press, 1970.

Baudelaire, Charles. The Painter of Modern Life and Other Essays. New York: Phaidon Press, Inc., 1964.

Baxandall, Rosalyn, and Linda Gordon, eds. America’s Working Woman: A Documentary History 1600 to the Present. New York: W. W. Norton & Company, 1995.

Beadle, Henry Hewesernst. «Actors with Their Strings Attached: Ideas and Enthusiasts, a Writer Learns». New York Times, May 21, 1950.

Beauvoir, Simone de. America Day by Day. London: Victor Gollancz, 1998.

Beauvoir, Simone de. «Eye for Eye». Politics 4 (July — August 1947).

Beckett, Samuel. Samuel Beckett: The Complete Dramatic Works. London: Faber and Faber Ltd., 2006.

Belasco, Daniel. «Between the Waves: Feminist Positions in American Art, 1949–1962». PhD dissertation, New York University, 2008.

Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America. Chicago: The University of Chicago Press, 1998.

Belton, Robert J. «Edgar Allan Poe and the Surrealists’ Image of Women». Woman’s Art Journal 8, no. 1 (Spring — Summer 1987).

Belz, Carl. Frankenthaler: The 1950s. Waltham, MA: Rose Art Museum, Brandeis University, May 10–June 28, 1981.

Bergin, Bob. Publisher-hero as Combat Photographer in China, Barney Rosset and China exhibition at Kunming Municipal Museum, Kunming City, Yunan, China, February 20, 2014. Rare Book & Manuscript Library, Butler Library, Columbia University, New York.

Berkson, Bill. «In Living Chaos: Joan Mitchell». ArtForum 27, no. 1 (September 1988).

Berkson, Bill, and Joe LeSueur, eds. Homage to Frank O’Hara. Bolinas, CA: Big Sky, 1978.

Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. London: Verso, 1993.

Bernier, Rosamond. «The Decisive Decade». Vogue 181 (March 1991).

Bernstein, Barton J., ed. Towards a New Past: Dissenting Essays in American History. New York: Pantheon Books, 1968.

Bernstock, Judith. Joan Mitchell. New York: Hudson Hills Press, 1988.