Женщины Девятой улицы. Том 2

Baxandall, Rosalyn, and Linda Gordon, eds. America’s Working Woman: A Documentary History 1600 to the Present. New York: W. W. Norton & Company, 1995.

Beadle, Henry Hewesernst. “Actors with Their Strings Attached: Ideas and Enthusiasts, a Writer Learns.” New York Times, May 21, 1950.

Beauvoir, Simone de. America Day by Day. London: Victor Gollancz, 1998.

Beauvoir, Simone de. “Eye for Eye.” Politics 4 (July — August 1947).

Beckett, Samuel. Samuel Beckett: The Complete Dramatic Works. London: Faber and Faber Ltd., 2006.

Belasco, Daniel. “Between the Waves: Feminist Positions in American Art, 1949–1962.” PhD dissertation, New York University, 2008.

Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America. Chicago: The University of Chicago Press, 1998.

Belton, Robert J. “Edgar Allan Poe and the Surrealists’ Image of Women.” Woman’s Art Journal 8, no. 1 (Spring — Summer 1987).

Belz, Carl. Frankenthaler: The 1950s. Waltham, MA: Rose Art Museum, Brandeis University, May 10 — June 28, 1981.

Bergin, Bob. Publisher-hero as Combat Photographer in China, Barney Rosset and China exhibition at Kunming Municipal Museum, Kunming City, Yunan, China, February 20, 2014. Rare Book & Manuscript Library, Butler Library, Columbia University, New York.

Berkson, Bill. “In Living Chaos: Joan Mitchell.” ArtForum 27, no. 1 (September 1988).

Berkson, Bill, and Joe LeSueur, eds. Homage to Frank O’Hara. Bolinas, CA: Big Sky, 1978.

Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. London: Verso, 1993.

Bernier, Rosamond. “The Decisive Decade.” Vogue 181 (March 1991).

Bernstein, Barton J., ed. Towards a New Past: Dissenting Essays in American History. New York: Pantheon Books, 1968.

Bernstock, Judith. Joan Mitchell. New York: Hudson Hills Press, 1988.

Bettelheim, Bruno. “The Study of Man: The Victim’s Image of the Anti-Semite.” Commentary, February 1948.

The Billboard: The World’s Foremost Amusement Weekly, December 12, 1942.

Black, David. “Totalitarian Therapy on the Upper West Side.” New York, December 15, 1975.

Blanc, Peter. “The Artist and the Atom.” Magazine of Art 44, no. 4 (April 1951).

Bledsoe, Jane K. E de K, Elaine de Kooning. Athens: Georgia Museum of Art, University of Georgia, 1992.

Blumberg, Barbara. The New Deal and the Unemployed: The View from New York City. Lewisburg, PA: Bucknell University Press, 1979.

Boll, Deborah, Peter Walch, and Malin Wilson. Albuquerque ’50s. Albuquerque: University of New Mexico Art Museum, September 24, 1989–January 21, 1990.

Bolotowsky, Ilya, and Henry Geldzahler. “Adventures with Bolotowsky.” Archives of American Art Journal 22, no. 1 (1982).

Borden, Morton, ed. Voices of the American Past: Readings in American History. Lexington, MA: D. C. Heath, 1972.

Boris Lurie: NO! New York: Boris Lurie Art Foundation at The Chelsea Art Museum, 2011.

Boswell, Peyton. “Comments: Congenial Company.” Art Digest 16, no. 8 (January 15, 1942).

Boswell, Peyton. “Revolt of the Critics.” Art Digest, February 1, 1948.

Bowles, Jane. My Sister’s Hand in Mine: The Collected Work of Jane Bowles. New York: Farrar, Straus and Giroux, 1976.

Brach, Paul. “Review: Joan Mitchell.” Art Digest 26 (January 15, 1952).

Bram, Christopher. Eminent Outlaws: The Gay Writers Who Changed America. New York: Twelve, Hachette Book Group, 2012.

Braudy, Leo. The Frenzy of Renown: Fame and Its History. New York: Oxford University Press, 1986.

Brenson, Michael. “Lee Krasner Pollock Is Dead: Painter of New York School.” New York Times, June 21, 1984.

Breslin, James E. B. Mark Rothko: A Biography. Chicago: The University of Chicago Press, 1993.

Bretall, Robert, ed. A Kierkegaard Anthology. Princeton, NJ: Princeton University Press, 1946.

Brogan, D. W. “The Problem of High Culture and Mass Culture.” Diogenes 5 (Winter 1954).

Brogan, Hugh. The Penguin History of the United States, 2nd ed. London: Penguin Books, 2001.