Женщины Девятой улицы. Том 2

Nelson, Maggie. Women, The New York School, and Other True Abstractions. Iowa City: University of Iowa Press, 2007.

Nemser, Cindy. “An Afternoon with Joan Mitchell.” The Feminist Art Journal 3, no. 1 (1974).

Nemser, Cindy. Art Talk: Conversations with 12 Women Artists. New York: Charles Scribner’s Sons, 1975.

Nemser, Cindy. “Art Talk Forum: Women in Art.” Arts Magazine 45, no. 33 (February 1971).

Nemser, Cindy. “A Conversation with Lee Krasner.” Arts Magazine 47, no. 6 (April 1973).

Nemser, Cindy. “A Conversation with Marisol.” The Feminist Art Journal 2, no. 3 (Fall 1973).

Nemser, Cindy. “Grace Hartigan: Abstract Artist, Concrete Woman.” Ms., March 1975.

Netter, D. Terence. Homage to Lee Krasner. New York: The Metropolitan Museum of Art, September 17, 1984.

The New American Painting, A Show in Eight European Countries, 1958–1959. New York: The Museum of Modern Art, distributed by Doubleday & Co., Inc., 1959.

Ninth Street: Nine Artists from the Ninth Street Show. New York: David Findlay Jr. Fine Art, June 9–20, 2006.

NO! Boris Lurie, David David Gallery, Philadelphia, November 14 — December 12, 2012.

Novak, Josephine. “Tracking the Marvelous Grace Hartigan.” Baltimore Evening Sun, n.d. [ca. 1983].

O’Brian, John, ed. Affirmations and Refusals, 1950–1956. Vol. 3 of Clement Greenberg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1995.

O’Brian, John, ed. Arrogant Purpose, 1945–1949. Vol. 2 of Clement Greenerg: The Collected Essays and Criticism. Chicago: University of Chicago Press, 1986.

O’Brian, John, ed. Perceptions and Judgments, 1939–1944. Vol. 1 of Clement Greenberg: The Collected Essays and Criticism. Chicago: The University of Chicago Press, 1988.

O’Brien, Elaine Owens. “The Art Criticism of Harold Rosenberg: Theaters of Love and Combat.” PhD dissertation, City University of New York, 1997.

O’Connor, Francis V. Jackson Pollock. New York: The Museum of Modern Art, 1967.

O’Hara, Frank. Art Chronicles, 1954–1966. New York: George Braziller, 1975.

O’Hara, Frank. “Franz Kline Talking.” Evergreen Review 2, no. 6 (Autumn 1958).

O’Hara, Frank. Jackson Pollock. New York: George Braziller, Inc., 1959.

O’Hara, Frank. “Porter Paints a Picture.” ArtNews 53, no. 9 (January 1955).

O’Hara, Frank. “Reviews and Previews, George Hartigan.” ArtNews 52, no. 10 (February 1954).

O’Hara, Frank. “Riopelle: International Speedscapes.” ArtNews 62, no. 2 (April 1963).

O’Hara, Frank. Robert Motherwell, with Selections from the Artist’s Writings. New York: The Museum of Modern Art, 1965.

Ortman, George. New York Artists Equity Association 55th Anniversary Journal. New York: December 18, 2002.

Ostrow, Saul. “Michael Goldberg.” Bomb 75 (Spring 2001).

Pacini, Marina. Marisol Sculptures and Works on Paper. New Haven, CT: Yale University Press, 2014.

Padgett, Ron. “Poets and Painters in Paris, 1919–1939.” ArtNews Annual XXXVIII.

Panofsky, Erwin. Meaning in the Visual Arts. London: Penguin Books, 1993.

Parker, Rozsika, and Griselda Pollock. Old Mistresses: Women, Art and Ideology. London: Pandora, an imprint of HarperCollins Publishers, 1981.

Parrish, Michael E. Anxious Decades: America In Prosperity and Depression, 1920–1941. New York: W. W. Norton & Company, 1994.

Parry, Albert. Garrets and Pretenders: A History of Bohemianism in America. New York: Dover Publications, 1960.

Passlof, Pat. “The Ninth Street Show.” New York Artists Equity Association 55th Annual Journal, December 18, 2002.

Passlof, Pat. “Willem de Kooning on his Eighty-Fifth Birthday, ‘1948.’ ” Art Journal 48, no. 3 (Autumn 1989).

Pavia, Philip. “The Hess Problem and Its Seven Panels at The Club.” It Is, 5 (Spring 1960).

Peppiatt, Michael. “Hans Namuth; Artists Portraits.” Art International, Spring 1989.

Perl, Jed. New Art City: Manhattan at Mid-Century. New York: Vintage Books, 2007.