Frankenthaler, Helen, and Cynthia Lee. “A Brando Named ‘Desire.’” The Beacon
2, no. 6 (June 24, 1948).Fried, Edrita. Active/Passive: The Crucial Psychological Dimension.
New York: Grune & Stratton, 1970.Frankenthaler, Helen. The Ego in Love and Sexuality.
New York: Grune & Stratton, 1960.Friedman, B. H. Alfonso Ossorio.
New York: Harry N. Abrams, Inc., 1973.Friedman, B. H. “Alfonso Ossorio, a Biography, Mostly of His Work.” Art International
3 (April 1962).Friedman, B. H. Jackson Pollock: Energy Made Visible.
New York: Da Capo Press, 1995.Friedman, B. H. “Manhattan Mosaic.” Craft Horizons
19 (January — February 1959).Friedman, B. H., ed. Give My Regards to Eighth Street, The Collected Writings of Morton Feldman.
Cambridge, MA: Exact Change, 2000.Fromm, Eric. The Sane Society.
London: Routledge Classics, 2002.Gabriel, Mary. “Amazing Grace: Painter Grace Hartigan Re-Emerges with Four Exhibitions and a Monograph.” Museum & Arts, Washington
(November — December 1990).Gabriel, Mary. The Art of Acquiring: A Portrait of Etta and Claribel Cone.
Baltimore, MD: Bancroft Press, 2002. Gaines, Steven. Philistines at the Hedgerow: Passion and Property in the Hamptons. Boston: Back Bay Books, Little, Brown and Company, 1988.Galligan, Gregory. “An Interview with Helen Frankenthaler.” Art International
7 (Summer 1989).Gaugh, Harry. Franz Kline.
New York: Abbeville Press, 1985.Gaugh, Harry. Willem de Kooning.
New York: Abbeville Press, 1983.Geldzahler, Henry. “An Interview with Helen Frankenthaler.” ArtForum
4, no. 2 (October 1965).Gibson, Ann Eden. Abstract Expressionism: Other Politics.
New Haven, CT: Yale University Press, 1997.Gilbert, Martin. The Second World War: A Complete History.
New York: Henry Holt and Company, 1991.Gill, Anton. Art Lover: A Biography of Peggy Guggenheim.
New York: HarperCollins Publishers, 2002.Glaser, Bruce. “Interview with Lee Krasner.” Arts Magazine
41, no. 6 (April 1964).Glinn, Bert. “New York’s Spreading Upper Bohemia.” Esquire
48, no. 1 (July 1957).Glueck, Grace. “Helen Frankenthaler, Abstract Painter Who Shaped a Movement, Dies at 83.” New York Times
, December 27, 2011.Glueck, Grace. “Michael Goldberg, 83, Abstract Expressionist, Is Dead.” New York Times
, January 4, 2008.Glueck, Grace. “New Foundation to Aid Visual Artists.” New York Times
, April 11, 1985.Glueck, Grace. “Scenes from a Marriage, Krasner and Pollock.” Art News
80, no. 19 (December 1981).Goldwater, Robert. “Reflections on the New York School.” Quadrum
8 (1960).Gooch, Brad. City Poet: The Life and Times of Frank O’Hara
. New York: Alfred A. Knopf, 1993.Goodman, Cynthia. Hans Hofmann.
New York: Abbeville Press, 1986.Goodman, Cynthia. “Hans Hofmann as a Teacher.” Arts Magazine
53 (April 1979).Goodman, Paul. The Empire City: A Novel of New York.
Santa Rosa, CA: Black Sparrow Press, 2001.Goodman, Paul. Growing Up Absurd.
New York: Vintage Books, 1960.Goodman, Rob. “What Happened to the Roosevelts?” Politico Magazine
, October 7, 2014.Goodnough, Robert. “Pollock Paints a Picture.” ArtNews
50, no. 3 (May 1951).Grace Hartigan: Painting from Popular Culture, Three Decades
. Harrisburg, PA: Susquehanna Art Museum, April 12, 2000.“Grace Hartigan, Palette Fresh and Brilliant.” Truro
(Mass.) Post, n.d. (1982).Graham, John D. “Primitive Art and Picasso.” Magazine of Art
30, no. 4 (April 1937).Greenberg, Clement. “Abstract and Representational.” Arts Digest
29, no. 3 (November 1, 1954).Greenberg, Clement. “Art.” The Nation
, November 27, 1943.Greenberg, Clement. “Art.” The Nation
, April 7, 1945.Greenberg, Clement. “Avant-Garde and Kitsch.” Partisan Review
6, no. 5 (Fall 1939).Greenberg, Clement. “The Crisis of the Easel Picture.” Partisan Review
15, no. 4 (April 1948).Greenberg, Clement. “Goose-Step in Tishomingo.” The Nation
(May 29, 1943).Greenberg, Clement. “Louis and Noland.” Art International
4, no. 5 (May 25, 1960).Greenberg, Clement. “Self-Hatred and Jewish Chauvinism, Some Reflections on ‘Positive Jewishness.’” Commentary
(November 1950).Greenberg, Clement. “The Situation at the Moment.” Partisan Review
15, no. 1 (January 1948).