Женщины Девятой улицы. Том 3

Dreishpoon, Douglas. Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s. Buffalo, NY: Albright Knox Art Gallery, 2014.

Dubermann, Martin. Black Mountain: An Exploration in Community. Garden City, NY: Anchor Press, Doubleday, 1973.

Dunas, William. “Edwin Denby Remembered, Part 1.” Ballet Review 12, no. 1 (Spring 1984).

Duncan, Robert. “The Homosexual in Society.” Politics, August 1944.

du Plessix, Francine, and Cleve Gray. “Who was Jackson Pollock? Interviews by Francine du Plessix and Cleve Gray.” Art in America 55 (May – June 1967).

Edelman, Aliza Rachel. “Modern Woman and Abstract Expressionism: Ethel Schwabacher, Elaine de Kooning, and Grace Hartigan in the 1950s.” PhD dissertation, Rutgers University, 2006.

Edgar, Natalie, ed. Club Without Walls: Selections from the Journals of Philip Pavia. New York: Midmarch Arts Press, 2007.

“Editor’s Letters.” ArtNews 52, no. 4 (June – August 1953).

“18 Painters Boycott Metropolitan: Charge ‘Hostility to Advanced Art.’” New York Times, May 22, 1950.

Elaine de Kooning: Portraits. Brooklyn, NY: The Art Gallery, Brooklyn College, February 28 – April 19, 1991.

“Elaine de Kooning Statement.” It Is, 5 (Spring 1960).

Elderfield, John. Helen Frankenthaler. New York: Abrams, 1989.

Elderfield, John. “Morris Louis and Twentieth-Century Painting.” Art International 21, no. 3 (May – June 1977).

Elderfield, John. Painted on 21st Street: Helen Frankenthaler from 1950 to 1959. New York: Gagosian Gallery, March 8 – April 13, 2013.

Eliot, T. S. The Sacred Wood: Essays on Poetry and Criticism. London: Faber & Faber, 1997.

Elkoff, Marvin. “The American Painter as a Blue Chip.” Esquire, January 1965.

Elsen, Albert E. Paul Jenkins. New York: Harry N. Abrams, Inc., 1973.

Engelmann, Ines Janet. Jackson Pollock and Lee Krasner. Munich: Pegasus Library, Prestel Verlag, 2007.

Epstein, Helen. “Meyer Schapiro: ‘A Passion to Know and Make Known.’” ArtNews 82, no. 5 (May 1983).

Érouart, Gilbert. Riopelle in Conversation. Toronto: House of Anansi Press, Ltd., 1995.

“Existentialist.” The New Yorker, March 16, 1946.

Farber, Manny. “What Artists and What Victory?” The New Republic 108 (February 1, 1943).

Feininger, Andreas. The Face of New York: The City as It Was and as It Is. New York: Crown Publishers, Inc., 1955.

Ferren, John. “Epitaph for an Avant-Garde.” Arts 33, no. 2 (November 1958).

Ferren, John. “Stable State of Mind.” ArtNews 54, no. 3 (May 1955).

Firestone, Evan R. “James Joyce and the First Generation New York School.” Arts 56 (June 1982).

Fitzsimmons, James. “Art.” Arts & Architecture 70, no. 5 (May 1953).

Fitzsimmons, James. “George Hartigan.” Art Digest 25, no. 9 (February 1, 1951).

Flam, Jack, Katy Rogers, and Tim Clifford. Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941–1991. Volume 1, Essays and References. New Haven, CT: Yale University Press, 2012.

Fleming, Donald, and Bernard Bailyn, eds. The Intellectual Migration: Europe and America, 1930–1960. Cambridge, MA: The Belknap Press of Harvard University Press, 1969.

Fortune, Brandon Bram, Anne Eden Gibson, and Simona Cupic. Elaine de Kooning: Portraits. Washington, DC, and Munich: National Portrait Gallery, Smithsonian Institution, and DelMonico Books, Prestel Verlag, 2015.

Fox, Richard Wightman, and T. J. Jackson Lears, eds. The Culture of Consumption: Critical Essays in American History, 1880–1980. New York: Pantheon Books, 1983.

Franc, Helen M. The Early Years of the International Program and Council: The Museum of Modern Art at Mid-Century at Home and Abroad. New York: The Museum of Modern Art, 1994.

Frank, Lawrence, and Mary Frank. How to Be a Woman. New York: Maco Magazine Book, 1954.

Frank O’Hara Poems from the Tibor de Nagy Editions, 1952–1966. New York: Tibor de Nagy, 2006.

Frankenthaler, Helen. “The Chrysler Assignment.” MKR’s Art Outlook 1, no. 32 (February 17, 1947).

Frankenthaler, Helen. “Memories of the San Remo.” Partisan Review 49, no. 3 (Summer 1982).