Robert B. Parker , Роберт Браун Паркер
A reporter who was prying into the cocaine trade in the central Massachusetts town of Wheaton has been murdered, and Spenser is called in to investigate. When he’s rebuffed by the police and threatened by a Colombian produce dealer who may be the cocaine kingpin, it’s apparent that Wheaton isn’t just another small town, but a major center for the cocaine trade in the Northeast.As Spenser digs deeper for evidence, he meets three women on whom the case seems to turn: Emmy Esteva, the wife of the reputed cocaine kingpin; Juanita Olmos, a young woman who’d been involved with the murdered reporter; and Caroline Rogers, the wife of the Wheaton Police Chief.After another murder is committed and an attempt is made on Spenser’s life, he turns for help to Hawk, whose special skills keep them all alive, and to Susan, whose psychological insights are more and more necessary as the chase moves away from cocaine and appears to hinge more on older and more basic problems — jealousy, passion, and hate.Pale Kings and Princes, the fourteenth Spenser novel, takes us into the cutthroat, multibillion-dollar cocaine business, where drugs are valued above all and human life is frighteningly dispensable.
Robert B. Parker
Jesse Stone, still reeling from the murder of his fiancée by crazed assassin, must keep his emotions in check long enough to get through the wedding day of his loyal protégé, Luther “Suitcase” Simpson. The morning of the wedding, Jesse learns that a gala seventy-fifth birthday party is to be held for folk singer Terry Jester, has spent the last forty years in seclusion after the mysterious disappearance of his magnum opus, The Hangman’s Sonnet.That same morning, an elderly Paradise woman dies while her house is being ransacked. What are the thieves looking for? And what’s the connection to Terry Jester and the missing tape? Jesse’s investigation is hampered by hostile politicians and a growing trail of blood and bodies, forcing him to solicit the help of mobster Vinnie Morris and a certain Boston area PI named Spenser. While the town fathers pressure him to avoid a PR nightmare, Jesse must connect the cases before the bodies pile up further.
Reed Farrel Coleman , Robert B. Parker
Boston P.I. Sunny Randall — as conflicted as she is beautiful — helps a troubled young woman locate her birth parents, only to uncover some dark truths of her own.My ex-husband was getting married to a woman I wanted to kill. I didn’t actually know her, and killing her would only make matters worse. But I got as much pleasure out of the idea as I could before I had to let go of it.And so begins Melancholy Baby, the fourth novel in the bestselling series featuring Sunny Randall, who now faces the unthinkable: the marriage of her ex-husband, Richie, to someone else. Despite the formality of divorce, Sunny and Richie’s relationship continued, in its own headstrong way, until his desire for marriage overtook her need for freedom. Now Sunny must try to pull herself together and move on — or around — these emotional roadblocks. When college student Sarah Markham comes asking for help in finding her birth parents, Sunny realizes she must take the case, if only to distract herself from her personal life. Sarah has long felt something was not quite right about her family, and though her father was loving, her relationship with her mother has been chilly at best. Sunny’s initial inquiries have some alarming consequences.The P.I.’s life and work have a curious — and dangerous — way of intersecting: before the investigation has a chance to really take off, two key players are dead, and Sunny is back on a psychiatrist’s couch, probing her own past for clues. What she discovers has the potential to shatter Sarah Markham’s family and destroy her sense of self, while Sunny’s own beliefs are put to the ultimate test.Emotionally complex and rich with insight, Melancholy Baby is the Grand Master at his storytelling best.
The Barnes Noble ReviewMuch of Robert B. Parker's fiction – his recent Spenser novel, Potshot, is a notable example – has straddled the boundary between two traditional forms: the private-eye novel and the Western. Parker's latest, the spare, evocative Gunman's Rhapsody, represents his first attempt at a pure, unadulterated Western, moving from Boston and environs to Tombstone, Arizona and focusing on one of Spenser's true spiritual forebears: Wyatt Earp.Gunman's Rhapsody begins in 1879. Wyatt, whose exploits have already found their way into the dime novels of the period, has just arrived in Tombstone, accompanied by several of his brothers and his common-law wife, Mattie Blaylock. The Tombstone of this era is a semi-lawless boomtown located in the heart of the silver mine district. It also serves as a kind of crossroads, a meeting place for some of the iconic figures of the Old West, figures such as Johnny Ringo, Bat Masterson, Ike Clanton, Katie Elder, and the drunken, slightly demented gunfighter, Doc Holliday.A single romantic encounter dominates this rambling, almost plotless narrative: Wyatt's discovery of the love of his life: beautiful showgirl Josie Marcus, who happens to be engaged to Johnny Behan, the shady, politically connected Sheriff of Tombstone. Wyatt's affair with Josie – which takes on an obsessive, almost mythical dimension – forms the central element in an interlocking series of personal rivalries and political enmities that will culminate in the gunfight at the OK Corral, and in its bloody, extended aftermath.Parker's clean elegant style and essentially romantic sensibility prove perfectly suited to the peculiar material of this novel. Without a false note or wasted word, Parker recreates the ambiance of the West, bringing its saloons, jails, and gambling halls and its endless, wide-open vistas, to immediate, palpable life. He brings that same effortless authority to bear in describing the lives and motivations of violent, hard-edged men who live – and sometimes die – according to highly developed codes of personal behavior. The result is a fascinating historical digression that illuminates a piece of the American past while simultaneously illuminating the central concerns of Parker's large, constantly evolving body of work. (Bill Sheehan)
Spenser is back again — as tough and resilient as he was in pursuit of the Godwulf Manuscript. This time the stakes are higher; he is searching for more than a manuscript. Fifteen-year-old Kevin Bartlett has disappeared from his home in the pleasant, affluent Boston suburb of Smithfield. His parents are convinced that he has been kidnaped. Spenser is not so sure.Pressed between the frantic parents demanding action and the irate police chief warning him to keep off the grass, Spenser goes his independent way. The note demanding ransom and the telephone message that follows it confirm his conviction that all is not what it seems. By biding his time and tracking down some rather eerie clues, he solves the mystery, but not before there has been death and a fight with Goliath.Through all these complications, Spenser must battle the Smithfield police as well as the criminals and fend off the amorous advances of the alcoholic Mrs. Bartlett. But the case offers certain compensations — notably, Susan, beautiful, intelligent, and as discriminating a gourmet as Spenser himself.
The murder of a notorious public figure places Paradise, Massachusetts, police chief Jesse Stone in the harsh glare of the media spotlight.When the body of controversial talk-show host Walton Weeks is discovered hanging from a tree on the outskirts of Paradise, police chief Jesse Stone finds himself at the center of a highly public case, forcing him to deal with small-minded local officials and national media scrutiny. When another dead body — that of a young woman — is discovered just a few days later, the pressure becomes almost unbearable.Two victims in less than a week should provide a host of clues, but all Jesse runs into are dead ends. Yet what may be the most disturbing aspect of these murders is the fact that no one seems to care — not a single one of Weeks’s ex-wives, not the family of the girl. And when the medical examiner reveals a heartbreaking link between the two departed souls, the mystery only deepens.Despite Weeks’s reputation and the girl’s tender age, Jesse is hard-pressed to find legitimate suspects. Though the crimes are perhaps the most gruesome Jesse has ever witnessed, it is the malevolence behind them that makes them all the more frightening.Forced to delve into a world of stormy relationships, Jesse soon comes to realize that knowing whom he can trust is indeed a matter of life and death.