11/22/63

Mimi Corcoran was sitting on my right. At some point she had taken my hand and was gripping it. Hard, hard, hard. We were in the first row. Next to her on her other side, Deke Simmons was staring up at the stage with his mouth slightly hung open. It was the expression of a farmer who sees dinosaur cropping grass in his north forty.

“Huntin. They’re goin huntin. Siddown, Lennie.”

Vince Knowles was never going to be an actor — what he was going to be, most likely, was a salesman at Jodie Chrysler-Dodge, like his father — but a great performance can lift all the actors in a production, and that had happened tonight. Vince, who in rehearsals had only once or twice achieved even low levels of believability (mostly because his ratty, intelligent little face was Steinbeck’s George Milton), had caught something from Mike. All at once, about halfway through Act I, he finally seemed to realize what it meant to go rambling through life with a Lennie as your only friend, and he had fallen into the part. Now, watching him push an old felt hat from props back on his head, I thought that Vince looked like Henry Fonda in The Grapes of Wrath.

“George!”

“Yeah?”

“Ain’t you gonna give me hell?”

“What do you mean?”

“You know, George.” Smiling. The kind of smile that says Yeah, I know I’m a dope, but we both know I can’t help it. Sitting down beside George on the imaginary riverbank. Taking off his own hat, tossing it aside, rumpling his short blond hair. Imitating George’s voice. Mike had nailed this with eerie ease in the very first rehearsal, with no help from me. “‘If I was alone, I could live so easy. I could get a job and not have no more mess.’” Resuming his own voice… or Lennie’s, rather. “I can go away. I can go right up in the hills and find a cave, if you don’t want me.”

Vince Knowles lowered his head, and when he raised it and spoke his next line, his voice was thick and hitching. It was a simulacrum of sorrow he’d never approached in even his best rehearsals. “No, Lennie, I want you to stay here with me.”

“Then tell me like you done before! Bout other guys, and about us!”

That was when I heard the first low sob from the audience. It was followed by another. Then a third. This I had not expected, not in my wildest dreams. A chill raced up my back, and I stole a glance at Mimi. She wasn’t crying yet, but the liquid sheen in her eyes told me that she soon would be. Yes, even her — hard old baby that she was.

George hesitated, then took hold of Lennie’s hand, a thing Vince never would have done in rehearsals. That’s queerboy stuff, he would have said.

“Guys like us… Lennie, guys like us got no families. They got nobody that gives a hoot in hell about them.” Touching the prop gun hidden under his coat with his other hand. Taking it partway out. Putting it back. Then steeling himself and taking it all the way out. Laying it along his leg.

“But not us, George! Not us! Idn’t that right?”

Mike was gone. The stage was gone. Now it was only the two of them, and by the time Lennie was asking George to tell him about the little ranch, and the rabbits, and living off the fat of the land, half the audience was weeping audibly. Vince was crying so hard he could hardly deliver his final lines, telling poor stupid Lennie to look over there, the ranch they were going to live on was over there. If he looked hard enough, he could see it.

The stage lensed slowly to full dark, Cindy McComas for once running the lights perfectly. Birdie Jamieson, the school janitor, fired a blank cartridge. Some woman in the audience gave a little scream. That sort of reaction is usually followed by nervous laughter, but tonight there was only the sound of people weeping in their seats. Otherwise, silence. It went on for ten seconds. Or maybe it was only five. Whatever it was, to me it seemed forever. Then the applause broke. It was the best thunder I ever heard in my life. The house lights went up. The entire audience was on its feet. The front two rows were reserved for faculty, and I happened to glance at Coach Borman. Damned if he wasn’t crying, too.

Two rows back, where all the school jocks were sitting together, Jim LaDue leaped to his feet. “You rock, Coslaw!” he shouted. This elicited cheers and laughter.

The cast came out to take their bows: first the football-player townspeople, then Curley and Curley’s Wife, then Candy and Slim and the rest of the farmhands. The applause started to die a little and then Vince came out, flushed and happy, his own cheeks still wet. Mike Coslaw came last, shuffling as if embarrassed, then looking out in comical amazement as Mimi shouted “Bravo!”