11/22/63

I still had over two hours before I was scheduled to show up at Al’s. I decided I’d go back home, make myself another meal, and this time force myself to eat it. After that, I’d take another shot at finishing my honors essays. I might be one of the very few people who had ever traveled back in time — for that matter, Al and I might be the only ones who had ever done it in the history of the world — but my poetry students were still going to want their final grades.

I hadn’t had the radio on when I drove to town, but I turned it on now. Like my TV, it gets its programming from computer-driven space voyagers that go whirling around the earth at a height of twenty-two thousand miles, an idea that surely would have been greeted with wide-eyed wonder (but probably not outright disbelief) by the teenager Frank Anicetti had been back in the day. I tuned to the Sixties on Six and caught Danny & the Juniors working out on “Rock and Roll Is Here to Stay”—three or four urgent, harmonic voices singing over a jackhammer piano. They were followed by Little Richard screaming “Lucille” at the top of his lungs, and then Ernie K-Doe more or less moaning “Mother-in-Law”: She thinks her advice is a contribution, but if she would leave that would be the solution. It all sounded as fresh and sweet as the oranges Mrs. Symonds and her friends had been picking over that early afternoon.

It sounded new.

Did I want to spend years in the past? No. But I did want to go back. If only to hear how Little Richard sounded when he was still top of the pops. Or get on a Trans World Airlines plane without having to take off my shoes, submit to a full-body scan, and go through a metal detector.

And I wanted another root beer.

CHAPTER 3

1

The gnome did indeed have a flag, but not an American one. Not even the Maine flag with the moose on it. The one the gnome was holding had a vertical blue stripe and two fat horizontal stripes, the top one white and the bottom one red. It also had a single star. I gave the gnome a pat on his pointy hat as I went past and mounted the front steps of Al’s little house on Vining Street, thinking about an amusing song by Ray Wylie Hubbard: “Screw You, We’re from Texas.”

The door opened before I could ring the bell. Al was wearing a bathrobe over pajamas, and his newly white hair was in corkscrew tangles — a serious case of bedhead if I’d ever seen one. But the sleep (and the painkillers, of course) had done him some good. He still looked sick, but the lines around his mouth weren’t so deep and his gait, as he led me down the short stub of a hall and into his living room, seemed surer. He was no longer pressing his right hand into his left armpit, as if trying to hold himself together.

“Look a little more like my old self, do I?” he asked in his gravelly voice as he sat down in the easy chair in front of the TV. Only he didn’t really sit, just kind of positioned himself and dropped.

“You do. What have the doctors told you?”

“The one I saw in Portland says there’s no hope, not even with chemo and radiation. Exactly what the doc I saw in Dallas said. In 1962, that was. Nice to think some things don’t change, don’t you think?”

I opened my mouth, then closed it again. Sometimes there’s nothing to say. Sometimes you’re just stumped.

“No sense beating around the bush about it,” he said. “I know death’s embarrassing to folks, especially when the one dying has nothing but his own bad habits to blame, but I can’t waste time being delicate. I’ll be in the hospital soon enough, if for no other reason than I won’t be able to get back and forth to the bathroom on my own. I’ll be damned if I’ll sit around coughing my brains out and hip deep in my own shit.”

“What happens to the diner?”

“The diner’s finished, buddy. Even if I was healthy as a horse, it would be gone by the end of this month. You know I always just rented that space, don’t you?”

I didn’t, but it made sense. Although Worumbo was still called Worumbo, it was now your basic trendy shopping center, so that meant Al had been paying rent to some corporation.

“My lease is up for renewal, and Mill Associates wants that space to put in something called — you’re going to love this — an L.L. Bean Express. Besides, they say my little Aluminaire’s an eyesore.”