Читаем 75 лучших рассказов / 75 Best Short Stories полностью

There were whispered stories in Golden Friars about Toby Crooke. Nobody could say how they got there. Nothing is more mysterious than the spread of rumour. It is like a vial poured on the air. It travels, like an epidemic, on the sightless currents of the atmosphere, or by the laws of a telluric influence equally intangible. These stories treated, though darkly, of the long period of his absence from his native village; but they took no well-defined shape, and no one could refer them to any authentic source.

The Vicar’s charity was of the kind that thinketh no evil; and in such cases he always insisted on proof. Crooke was, of course, undisturbed in his office.

On the evening before the tragedy came to light – trifles are always remembered after the catastrophe – a boy, returning along the margin of the mere, passed him by seated on a prostrate trunk of a tree, under the ‘bield’ of a rock, counting silver money. His lean body and limbs were bent together, his knees were up to his chin, and his long fingers were telling the coins over hurriedly in the hollow of his other hand. He glanced at the boy, as the old English saying is, like ‘the devil looking over Lincoln.’ But a black and sour look from Mr. Crooke, who never had a smile for a child nor a greeting for a wayfarer, was nothing strange.

Toby Crooke lived in the grey stone house, cold and narrow, that stands near the church porch, with the window of its staircase looking out into the churchyard, where so much of his labour, for many a day, had been expended. The greater part of this house was untenanted.

The old woman who was in charge of it slept in a settle-bed, among broken stools, old sacks, rotten chests and other rattle-traps, in the small room at the rear of the house, floored with tiles.

At what time of the night she could not tell, she awoke, and saw a man, with his hat on, in her room. He had a candle in his hand, which he shaded with his coat from her eye; his back was towards her, and he was rummaging in the drawer in which she usually kept her money.

Having got her quarter’s pension of two pounds that day, however, she had placed it, folded in a rag, in the corner of her tea caddy, and locked it up in the ‘eat-malison’ or cupboard.

She was frightened when she saw the figure in her room, and she could not tell whether her visitor might not have made his entrance from the contiguous churchyard. So, sitting bolt upright in her bed, her grey hair almost lifting her kerchief off her head, and all over in ‘a fit o’ t’ creepins,’ as she expressed it, she demanded:

‘In God’s name, what want ye thar?’

‘Whar’s the peppermint ye used to hev by ye, woman? I’m bad wi’ an inward pain.’

‘It’s all gane a month sin’,’ she answered; and offered to make him a ‘het’ drink if he’d get to his room.

But he said:

‘Never mind, I’ll try a mouthful o’ gin.’

And, turning on his heel, he left her.

In the morning the sexton was gone. Not only in his lodging was there no account of him, but, when inquiry began to be extended, nowhere in the village of Golden Friars could he be found.

Still he might have gone off, on business of his own, to some distant village, before the town was stirring; and the sexton had no near kindred to trouble their heads about him. People, therefore, were willing to wait, and take his return ultimately for granted.

At three o’clock the good Vicar, standing at his hall door, looking across the lake towards the noble fells that rise, steep and furrowed, from that beautiful mere, saw two men approaching across the green, in a straight line, from a boat that was moored at the water’s edge. They were carrying between them something which, though not very large, seemed ponderous.

‘Ye’ll ken this, sir,’ said one of the boatmen as they set down, almost at his feet, a small church bell, such as in old-fashioned chimes yields the treble notes.

‘This won’t be less nor five stean. I ween it’s fra’ the church steeple yon.’

‘What! one of our church bells?’ ejaculated the Vicar – for a moment lost in horrible amazement. ‘Oh, no! – no , that can’t possibly be! Where did you find it?’

He had found the boat, in the morning, moored about fifty yards from her moorings where he had left it the night before, and could not think how that came to pass; and now, as he and his partner were about to take their oars, they discovered this bell in the bottom of the boat, under a bit of canvas, also the sexton’s pick and spade – ‘tom-spey’ad,’ they termed that peculiar, broad-bladed implement.

‘Very extraordinary! We must try whether there is a bell missing from the tower,’ said the Vicar, getting into a fuss. ‘Has Crooke come back yet? Does anyone know where he is?’

The sexton had not yet turned up.

‘That’s odd – that’s provoking,’ said the Vicar. ‘However, my key will let us in. Place the bell in the hall while I get it; and then we can see what all this means.’

Перейти на страницу:

Похожие книги

Дитя урагана
Дитя урагана

ОТ ИЗДАТЕЛЬСТВА Имя Катарины Сусанны Причард — замечательной австралийской писательницы, пламенного борца за мир во всем мире — известно во всех уголках земного шара. Катарина С. Причард принадлежит к первому поколению австралийских писателей, положивших начало реалистическому роману Австралии и посвятивших свое творчество простым людям страны: рабочим, фермерам, золотоискателям. Советские читатели знают и любят ее романы «Девяностые годы», «Золотые мили», «Крылатые семена», «Кунарду», а также ее многочисленные рассказы, появляющиеся в наших периодических изданиях. Автобиографический роман Катарины С. Причард «Дитя урагана» — яркая увлекательная исповедь писательницы, жизнь которой до предела насыщена интересными волнующими событиями. Действие романа переносит читателя из Австралии в США, Канаду, Европу.

Катарина Сусанна Причард

Зарубежная классическая проза
Голод. Пан. Виктория
Голод. Пан. Виктория

Три самых известных произведения Кнута Гамсуна, в которых наиболее полно отразились основные темы его творчества.«Голод» – во многом автобиографичный роман, принесший автору мировую славу. Страшная в своей простоте история молодого непризнанного писателя, день за днем балансирующего на грани голодной смерти. Реальность и причудливые, болезненные фантазии переплетаются в его сознании, мучительно переживающем несоответствие между идеальным и материальным миром…«Пан» – повесть, в которой раскрыта тема свободы человека. Ее главный герой, лейтенант Глан, живущий отшельником в уединенной лесной хижине, оказывается в центре треугольника сложных отношений с двумя очень разными женщинами…«Виктория» – роман о борьбе человеческих чувств, емкий и драматичный сюжет которого повествует о глубокой, мучительной и невозможной любви двух людей из разных сословий – сына мельника Юханнеса и дочери сельского помещика Виктории…

Кнут Гамсун

Зарубежная классическая проза