I suppose one must accept this statement for the most part, although I think rather too much has been made of it—and also of the apparent fact that Susie dressed her son in frocks at an early age. The celebrated 1892 photograph of Lovecraft and his parents shows him with the curls and the frock, as does another picture probably taken around the same time.19 Lovecraft remarks on the curls himself, saying that it was this ‘golden mane’ that partly led Louise Imogen Guiney to name him ‘Little Sunshine’.20 But another photograph of Lovecraft, probably taken at the age of seven or eight,21 shows him as a perfectly normal boy with short hair and boy’s attire. In fact, it cannot be ascertained when Susie ceased to dress Lovecraft in frocks; but even if she had persisted up to the age of four, it would not have been especially unusual.
There are two other pieces of evidence one can adduce here, although their purport is not entirely clear. R. H. Barlow, in his jottings about Lovecraft (mostly taken down in 1934 but some made evidently later), writes: ‘Mrs. Gamwell’s stories of how HPL for a while insisted “I’m a little girl.”’22 Annie Gamwell could not have made this observation later than early 1897, as that was when she married and moved out of 454 Angell Street; and the context of Barlow’s remark (he adds the detail of how Lovecraft would spout Tennyson from the table-top) could date the event to as early as 1893. Then there is a letter from Whipple Phillips to Lovecraft, dated 19 June 1894: ‘I will tell you more about what I have seen when I get home if you are a good boy and
In spite of the above, I see little evidence of gender confusion in Lovecraft’s later life; if anything, he displayed quick and unwavering prejudice against ‘sissies’ and homosexuals. Susie may have wanted a girl, and may have attempted to preserve the illusion for a few years, but Lovecraft even in youth was headstrong and made it evident that he was a boy with a boy’s normal interests. It was, after all, he who wanted his flowing curls cut off at the age of six.
In addition to being oversolicitous of her son, Susie also attempted to mould him in ways which he found either irritating or repugnant. Around 1898 she tried to enrol him in a children’s dancing class; Lovecraft ‘abhorred the thought’ and, fresh from an initial study of Latin, responded with a line from Cicero: ’
My rhythmic tendencies led me into a love of melody, and I was forever whistling & humming in defiance of convention & good breeding. I was so exact in time & tune, & showed such a semi-professional precision & flourish in my crude attempts, that my plea for a violin was granted when I was seven years of age, & I was placed under the instruction of the best violin teacher for children in the city—Mrs. Wilhelm Nauck. For two years I made such progress that Mrs. Nauck was enthusiastic, & declared that I should adopt music as a career—BUT, all this time the tedium of practising had been wearing shockingly on my always sensitive nervous system. My ‘career’ extended until 1899, its summit being a public recital at which I played a solo from Mozart before an audience of considerable size. Soon after that, my ambition & taste alike collapsed like a house of cards … I began to detest classical music, because it had meant so much painful labour to me; & I positively