Читаем A Dreamer & A Visionary; H.P. Lovecraft in His Time полностью

Poemata Minora, Volume II is a pleasing little product, fully worth the 25 cents Lovecraft was charging. Volume I is likely to have been equally substantial, as an ad in Volume II offers it for 25 cents also. But this was, for the time being, the final product of Lovecraft’s classicism. Although he would continue to draw upon the ancients for aesthetic and even philosophical inspiration, a new interest would for a time eclipse all others and impel an overhauling of his entire world view. For it was in the winter of 1902–03 that Lovecraft discovered astronomy.

CHAPTER FOUR

What of Unknown Africa? (1902–1908)

The most poignant sensations of my existence are those of 1896, when I discovered the Hellenic world, and of 1902, when I discovered the myriad suns and worlds of infinite space. Sometimes I think the latter event the greater, for the grandeur of that growing conception of the universe still excites a thrill hardly to be duplicated. I made of astronomy my principal scientific study, obtaining larger and larger telescopes, collecting astronomical books to the number of 61, and writing copiously on the subject in the form of special and monthly articles in the local press. (‘A Confession of Unfaith’)

This remark, made around 1921, is a sufficient indication of the degree to which the discovery of astronomy affected Lovecraft’s entire world view. I shall pursue the philosophical ramifications of his astronomical studies later; here it is worth examining how he came upon the science and what immediate literary products it engendered. In the winter of 1902 Lovecraft was attending the Slater Avenue School, but his statements lead one to believe that he stumbled upon astronomy largely of his own accord. The majority of his astronomy volumes were inherited from his maternal grandmother Robie Phillips’s collection; some of these are rather old and elementary school manuals dating to the 1870s or 1880s. These books are too old to have been used at Slater Avenue or at Hope Street High School (Lovecraft did not, in any event, take astronomy courses at Hope Street, even though they were offered), and some at least must have come from Robie’s library.

As with so many of his other early interests, Lovecraft’s family was very obliging in supply the materials necessary for his pursuit of astronomy. He acquired three successive telescopes, the last being a Bardon 3-inch from Montgomery Ward, costing $50.00. He still had this telescope in 1936. His new enthusiasm led quickly to writing—in this case, to an unprecedented quantity of writing. He does not seem to have commenced astronomical writing until the late summer of 1903, but when he did, he did so with gusto.

Among the treatises Lovecraft produced around this time is ‘The Science Library’, a nine-volume series probably written in 1903 or 1904, mostly dealing with the moon and planets. He also began issuing several different periodicals, including Astronomy and The Monthly Almanack; a good many of these were reproduced using a process called the hectograph (or hektograph). This was a sheet of gelatin in a pan rendered hard by glycerine. A master page is prepared either in written form by the use of special hectograph inks or in typed form using hectograph typewriter ribbon; artwork of all sorts could also be drawn upon it. The surface of the pan would then be moistened and the master page pressed down upon it; this page would then be removed and sheets of paper would be pressed upon the gelatin surface, which had now picked up whatever writing or art had been on the master. The surface would be good for up to fifty copies, at which time the impression would begin to fade. Different colours could also be used.1 Lovecraft must have had more than one such pan, since no more than one page could be hectographed in a day, as the inks must be given time to settle to the bottom. Although the hectograph was a relatively inexpensive reproductive process, the sheer quantity of work Lovecraft was running off must have come to no small expense— inks, carbon paper, gelatin, pans, and the like. No doubt his mother and grandfather were happy to foot the bill, given the precocity and enthusiasm Lovecraft must have exhibited.

We can now finally come to the most significant of Lovecraft’s astronomical periodicals, The Rhode Island Journal of Astronomy. Even Lovecraft, with his seemingly boundless energy, must have had difficulty writing his other juvenile treatises and periodicals while the weekly deadline of the Rhode Island Journal continually impended. The journal was issued first weekly, then monthly; the following issues (a total of sixty-nine) survive:

2 August 1903–31 January 1904 (Volume I)

16 April 1905–12 November 1905 (Volume III). January 1906–April 1907.

Перейти на страницу:

Похожие книги

Адский город
Адский город

Вот уже сорок лет государства и народы Тамриэля оправляются от небывалых разрушений, причиненных вторжением из Обливиона армий принцев-дейдра. Император Титус Мид собирает по кусочку расколотые войной земли. Неожиданно у берегов континента появляется летающий остров, уничтожающий все живое на своем пути.Противостоять ему и спасти мир решаются немногие. В их числе принц Аттребус Мид, чье имя окутано романтическими легендами. Данмер Сул, волшебник и воин, разыскивающий давнего врага. Сыщик Колин, который потянул за ниточку опаснейшего заговора. Юная девушка по имени Аннаиг, чьи способности к алхимии оценили даже обитатели Адского города — Умбриэля.Грег Киз — очень известный и талантливый писатель, работающий в жанре фэнтези. Его книги завоевали миллионы читательских сердец и вошли в список мировых бестселлеров. Роман «Адский город» основан на вселенной суперпопулярной компьютерной ролевой игры «The Elder Scrolls».

Грегори Киз , Эдвард Ли

Фантастика / Ужасы / Фэнтези
Дети Эдгара По
Дети Эдгара По

Несравненный мастер «хоррора», обладатель множества престижнейших наград, Питер Страуб собрал под обложкой этой книги поистине уникальную коллекцию! Каждая из двадцати пяти историй, вошедших в настоящий сборник, оказала существенное влияние на развитие жанра.В наше время сложился стереотип — жанр «хоррора» предполагает море крови, «расчлененку» и животный ужас обреченных жертв. Но рассказы Стивена Кинга, Нила Геймана, Джона Краули, Джо Хилла по духу ближе к выразительным «мрачным историям» Эдгара Аллана По, чем к некоторым «шедеврам» современных мастеров жанра.Итак, добро пожаловать в удивительный мир «настоящей литературы ужаса», от прочтения которой захватывает дух!

Брэдфорд Морроу , Дэвид Дж. Шоу , Майкл Джон Харрисон , Розалинд Палермо Стивенсон , Эллен Клейгс

Фантастика / Ужасы / Ужасы и мистика / Фантастика: прочее
Мифы Ктулху
Мифы Ктулху

Роберт Ирвин Говард вошел в историю прежде всего как основоположник жанра «героическое фэнтези», однако его перу с равным успехом поддавалось все: фантастика, приключения, вестерны, историческая и даже спортивная проза. При этом подлинной страстью Говарда, по свидетельствам современников и выводам исследователей, были истории о пугающем и сверхъестественном. Говард — один из родоначальников жанра «южной готики», ярчайший автор в плеяде тех, кто создавал Вселенную «Мифов Ктулху» Г. Ф. Лавкрафта, с которым его связывала прочная и долгая дружба. Если вы вновь жаждете прикоснуться к запретным тайнам Древних — возьмите эту книгу, и вам станет по-настоящему страшно! Бессмертные произведения Говарда гармонично дополняют пугающие и загадочные иллюстрации Виталия Ильина, а также комментарии и примечания переводчика и литературоведа Григория Шокина.

Роберт Ирвин Говард

Ужасы