When Moon holds his little boy seemingly for the first time after he has broken into Moira’s apartment, he discovers he is less capable of comforting the child than the babysitter who has made a wreck of the place and invited a man over as Moon’s child sleeps in the next room. Do you think this is evidence enough to show whether Moon would have made a good father to his son? Do you think Moon, like his father before him, would have been viewed as a disappointment to the generation he raises?
Daggard Pitt, Moon’s lawyer, appears at first to be on Moon’s side. Later, Moon finds out he has been representing the interests of the thieves who have come after Moon at the same time. Do you find this to be moral behavior? How much does Pitt’s job as defender of the accused affect how you view the nature of his decisions?
What do you make of the many hallucinations Moon experiences of the woman he has killed? Particularly, do you find the sexual nature of many of them to be expected? What reason, subconsciously or consciously, do you think Moon has for giving the dead girl a personality and thoughts of her own, despite having never met the girl before her death?
To what extent is Moon’s assertion that the “bad thing” he refers to in his letters “was nobody’s fault” accurate? Is Moon culpable? Who in the novel is most culpable? Who is least culpable?
Contents
FRONT COVER IMAGE
WELCOME
DEDICATION
READING GROUP GUIDE
QUESTIONS AND TOPICS FOR DISCUSSION
SIX ANGLES OF WRATH
SUNDAY
MONDAY
TUESDAY
WEDNESDAY
THURSDAY
FRIDAY
SATURDAY
ABOUT THE AUTHOR
ALSO BY MATTHEW F. JONES
SPECTACULAR PRAISE FOR MATTHEW F. JONES’S A SINGLE SHOT
THE BAYOU TRILOGY
A DROP OF THE HARD STUFF
FUN AND GAMES
COPYRIGHT
Matthew F. Jones’s 1999 novel
ALSO BY MATTHEW F. JONES
Also available from Mulholland Books
By Daniel Woodrell
Collected for the first time in a single volume—three early works of crime fiction by a major American novelist.
“A backcountry Shakespeare…. The inhabitants of Daniel Woodrell’s fiction often have a streak that’s not just mean but savage; yet physical violence does not dominate his books. What does dominate is a seasoned fatalism…. Woodrell has tapped into a novelist’s honesty, and lucky for us, he’s remorseless that way.”
—
“Daniel Woodrell writes with an insistent rhythm and an evocative and poetic regional flavor.”
—
“Woodrell writes books so good they make me clench my fists in jealousy and wonder.”
—
“What people say about Cormac McCarthy goes double for Daniel Woodrell. Possibly more.”
—
Mulholland Books • Available wherever books are sold
Also available from Mulholland Books
A novel
By Lawrence Block
“Good to the last drop… a Great American Crime Novel…. The perfect introduction to Scudder’s shadow-strewn world and the pleasures of Block’s crisp yet brooding prose….
—Ed Park,
“Moving… Elegiac… Satisfying…. Right up there with Mr. Block’s best.”
—Tom Nolan,
“Block is a mesmerizing raconteur…. [The book is] a lament for all the old familiar things that are now almost lost, almost forgotten.”
—Marilyn Stasio,
Mulholland Books • Available wherever books are sold
Also available from Mulholland Books
A novel
By Duane Swierczynski
“Insanely entertaining.”
—Josh Bazell, author of the
“More exciting than whatever you are reading right now.”
—Ed Brubaker, author of
“Cool, suspenseful, tragic, and funny as hell,
—Sara Gran, author of
“A white-hot nuclear explosion.”
—Joe R. Lansdale, author of
Mulholland Books • Available wherever books are sold
Spectacular Praise for Matthew F. Jones’s
A SINGLE SHOT