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For the second time since she'd entered Flanagan's, Marian felt conversations stopping and eyes turning their way. This time she was wrong, though, and she knew it immediately. The beat of the music continued, the talk and the laughter. No one had heard her words but Tom; no one's eyes burned, no one stared silently, but Tom.

“What the hell are you talking about?”

“It was Jimmy who killed Jack.” She'd never said this before, though she had somehow always known it, known it since Jimmy stumbled, wordless, through the first numb days, sweated and could not lie still beside her through the first sleepless nights. She had known it and never said it and now she was terrified that dragons and fire-spitting serpents would come screaming down from the sky, that the enclosing, sheltering walls would crash down and bury her in endless, crushing darkness.

“You're shivering.” Tom's hand was on hers. What would Vicky think? Marian wondered, absurdly. But Vicky and Tom weren't together anymore, hadn't been for years, so why would it matter? She'd just slip her hand out, pretend she wanted to lift her wine to her lips (and drinking wine was not a bad idea right now, her glass was almost empty, where was the waitress so she could order another?); or she could turn her cold palm to Tom's warm, strong one and hold tight to him, and that was what she did.

“Marian . . .”

He said no more. She reached for her wineglass with her free hand. As she took an emptying sip, Tom signaled the waitress and another was on the way.

“Marian, why are you saying this?”

“Because it's true. I know it is.”

“Did Jimmy tell you that?”

“Jimmy's dead.”

She couldn't think why she'd said that. Tom knew. Everyone knew, everyone in New York, even people who had never known Jimmy, everyone knew he was dead. They had all mourned him as they had mourned all the heroes, until Harry Randall told them Jimmy was not a hero, and broke everyone's heart, and her heart all over again.

“Marian. Back then. What did Jimmy say?”

Tom was leaning toward her. Suddenly she was irritated with him. “Jimmy never said anything. You knew him. He'd never say anything.” She pulled her hand from Tom's. She found her new wine arriving, which was a good thing, because her mouth was dry and her face felt hot. The waitress took her other glass away. But she had emptied it anyhow, there was nothing there anymore, who cared? She reached for the new one and took a luxurious swallow, nothing to do with Marian Gallagher's sensible, moderate ways.

More beer had been delivered for Tom, too. He picked it up, drank, and put it down. Blue eyes steady, straight at her, the way he used to look at them, at each of them and all of them, ever since they were kids.

In Marian's experience (and her experience was vast: meetings were her medium, conversation her métier) most people, if regarding you in extended silence, were not seeing you at all. Their minds wrestled with whatever concerned them, their eyes did not focus, you were not really there to them. But not Tom. Whatever he was concentrating on, if he looked at you he saw you, he considered you and measured you and worked you into his plan. Across the table from Marian he sat now like that, as he had so many times in their childhood, Tom thinking something up, how to get out of something or get into something and the rest of them sitting quietly, waiting for it, waiting to be told their parts.

But the world had changed, and Flanagan's had changed. The noise of the crowd was setting Marian's nerves on edge, and she didn't want to sit and wait, not now. “Jimmy was there that night, wasn't he?” she asked Tom, thinking it might be easier for him to answer that, thinking maybe, maybe, he could tell her that wasn't true and then the other thing wouldn't be true, either.

“Jesus, Marian.” Tom rubbed his mouth. He looked around, at the strangers, at the walls. His gaze traveled as though he were searching for the mirrors that were gone. He brought his eyes back to her. How blue they were. “Jesus, Marian. We were all there.”




LAURA'S STORY

Chapter 10

The Old Masters


 (Sailing Calmly On)



October 31, 2001

Earlier, on Staten Island, Laura had caught a cab. Now she found the cab stand deserted and dashed impatiently to the train. She jumped aboard as the bell rang, yanking her shoulder bag through doors determined to squash it.

Laura peered at the map, counted the stations to her destination, and swung onto a seat as the train lurched through a curve. Gazing around, she realized she knew these benches, this lighting, and these floors. The Staten Island train, it seemed, used the same cars as the subway, was in all respects identical (turnstiles and fare, ads and announcements).

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