Читаем Ada, or Ador: A Family Chronicle полностью

At this point, I suspect, I should say something about my attitude to ‘Relativity.’ It is not sympathetic. What many cosmogonists tend to accept as an objective truth is really the flaw inherent in mathematics which parades as truth. The body of the astonished person moving in Space is shortened in the direction of motion and shrinks catastrophically as the velocity nears the speed beyond which, by the fiat of a fishy formula, no speed can be. That is his bad luck, not mine — but I sweep away the business of his clock’s slowing down. Time, which requires the utmost purity of consciousness to be properly apprehended, is the most rational element of life, and my reason feels insulted by those flights of Technology Fiction. One especially grotesque inference, drawn (I think by Engelwein) from Relativity Theory — and destroying it, if drawn correctly — is that the galactonaut and his domestic animals, after touring the speed spas of Space, would return younger than if they had stayed at home all the time. Imagine them filing out of their airark — rather like those ‘Lions,’ juvenilified by romp suits, exuding from one of those huge chartered buses that stop, horribly blinking, in front of a man’s impatient sedan just where the highway wizens to squeeze through the narrows of a mountain village.

Perceived events can be regarded as simultaneous when they belong to the same span of attention; in the same way (insidious simile, unremovable obstacle!) as one can visually possess a unit of space — say, a vermilion ring with a frontal view of a toy car within its white kernel, forbidding the lane into which, however, I turned with a furious coup de volant. I know relativists, hampered by their ‘light signals’ and ‘traveling clocks,’ try to demolish the idea of simultaneity on a cosmic scale, but let us imagine a gigantic hand with its thumb on one star and its minimus on another — will it not be touching both at the same time — or are tactile coincidences even more misleading than visual ones? I think I had better back out of this passage.

Such a drought affected Hippo in the most productive months of Augustine’s bishopric that clepsydras had to be replaced by sandglasses. He defined the Past as what is no longer and the future as what is not yet (actually the future is a fantasm belonging to another category of thought essentially different from that of the Past which, at least, was here a moment ago — where did I put it? Pocket? But the search itself is already ‘past’).

The Past is changeless, intangible, and ‘never-to-be-revisited’ — terms that do not fit this or that section of Space which I see, for instance, as a white villa and its whiter (newer) garage with seven cypresses of unequal height, tall Sunday and short Monday, watching over the private road that loops past scrub oak and briar down to the public one connecting Sorcière with the highway to Mont Roux (still one hundred miles apart).

I shall now proceed to consider the Past as an accumulation of sensa, not as the dissolution of Time implied by immemorial metaphors picturing transition. The ‘passage of time’ is merely a figment of the mind with no objective counterpart, but with easy spatial analogies. It is seen only in rear view, shapes and shades, arollas and larches silently tumbling away: the perpetual disaster of receding time, éboulements, landslides, mountain roads where rocks are always falling and men always working.

Перейти на страницу:

Похожие книги