Every time (said unruffled Ada) Pig Pigment came, she cowered when hearing him trudge and snort and pant upstairs, ever nearer like the Marmoreal Guest, that immemorial ghost, seeking her, crying for her in a thin, querulous voice not in keeping with marble.
‘Poor old chap,’ murmured Van.
His method of contact, she said,
‘Stupidly exaggerated,’ commented Van. ‘Also, I suppose, artificially recolored in the lamplight of later events as revealed still later.’
And she remembered blushing painfully when somebody said poor Pig had a very sick mind and ‘a hardening of the artery,’ that is how she heard it, or perhaps ‘heartery’; but she also knew, even then, that the artery could become awfully long, for she had seen Drongo, a black horse, looking, she must confess, most dejected and embarrassed by what was happening to it right in the middle of a rough field with all the daisies watching. She thought, arch Ada said (how truthfully, was another question), that a foal was dangling, with one black rubber leg free, out of Drongo’s belly because she did not understand that Drongo was not a mare at all and had not got a pouch as the kangaroo had in an illustration she worshipped, but then her English nurse explained that Drongo was a very sick horse and everything fell into place.
‘Fine,’ said Van, ‘that’s certainly fascinating; but I was thinking of the first time you might have suspected I was also a sick pig or horse. I am recalling,’ he continued, ‘the round table in the round rosy glow and you kneeling next to me on a chair. I was perched on the chair’s swelling arm and you were building a house of cards, and your every movement was magnified, of course, as in a trance, dream-slow but also tremendously vigilant, and I positively reveled in the girl odor of your bare arm and in that of your hair which now is murdered by some popular perfume. I date the event around June 10 — a rainy evening less than a week after my first arrival at Ardis.’
‘I remember the cards,’ she said, ‘and the light and the noise of the rain, and your blue cashmere pullover — but nothing else, nothing odd or improper,
‘Well, I did while you went on with your delicate work. Tactile magic. Infinite patience. Fingertips stalking gravity. Badly bitten nails, my sweet. Forgive these notes, I cannot really express the discomfort of bulky, sticky desire. You see I was hoping that when your castle toppled you would make a Russian splash gesture of surrender and sit down on my hand.’
‘It was not a castle. It was a Pompeian Villa with mosaics and paintings inside, because I used only court cards from Grandpa’s old gambling packs. Did I sit down on your hot hard hand?’
‘On my open palm, darling. A pucker of paradise. You remained still for a moment, fitting my cup. Then you rearranged your limbs and reknelt.’
‘Quick, quick, quick, collecting the flat shining cards again to build again, again slowly? We were abominably depraved, weren’t we?’
‘All bright kids are depraved. I see you do recollect —’
‘Not that particular occasion, but the apple tree, and when you kissed my neck,
19
A sort of hoary riddle
Who cried? Stopchin cried? Larivière cried? Larivière? Answer! Crying that the barn
No, she was fast ablaze — I mean, asleep. I know, said Van, it was she, the hand-painted handmaid, who used your watercolors to touch up her eyes, or so Larivière said, who accused her and Blanche of fantastic sins.