Alfred Hitchcock’s Mystery Magazine. Vol. 7, No. 9, September 1962

Morton led the younger man in through a side entrance and they went directly up to the penthouse without encountering anyone. Once there Morton, who had been rather tense until now, relaxed. He cracked a few jokes and mixed drinks. Davis, who was really a magnificent animal, absorbed three of them before the drugs in the Scotch took effect. Just at the last when Davis began to be aware that something was wrong, things got a bit ticklish. But unconsciousness overcame him before his suspicions became acute. It’s amazing how harmless a well-dressed, pleasant-spoken man can appear, especially when he is promising you a good job.

When Davis sprawled back in a big chair, in a drugged sleep, his head lolling, Morton took time out to study him. There was an appealing charm about the young man in his unconsciousness, and for a moment Morton felt his resolve weakening. Then he remembered the file of data a firm of private detectives had compiled about Davis, and he took out of his wallet a snapshot of Lucy on her sixteenth birthday and looked at it. His resolve became firm again.

Davis was big and heavy, but Morton was able to drag him up the narrow stairs that led to a studio room above the penthouse. This was an unusual room. In the first place, it was circular. It had once been a water tank on top of the building. When a larger tank had been built, this one was converted into a room.

It was also soundproofed. Morton had intended to have this done, but the previous artist tenant had already taken care of it.

There were no windows — only a skylight. The skylight was of opaque glass and was open only an inch or two. An air-conditioner set into the walk brought in cool air and — a ventilating hood in the ceiling carried stale air out.

Here Morton removed Davis’ shoes and his belt and emptied his pockets. He did a few other things, including the burning of the original letter to Davis, which the young man had obligingly brought with him. Then he went back down the narrow stairs, locking behind him the heavy door which was the only entrance into the studio.

There nosy remained Davis’ car. If found, it would certainly draw attention to Davis’ absence and point to his having been in that particular city. Morton had no facilities for hiding a car, but he was not worried. He had the keys, so he drove it to a notorious gambling establishment and parked it in the lot behind the place. He suspected that if he left the keys in the car it would disappear in a day or two, and he was right. You see, he had imagination and he simply worked with the tools at hand. In a big city there are an amazing number of tools that can be turned to usefulness by a determined man, such as car thieves. But to get back to Davis—

Eventually, Davis woke up. His clothes were crumpled, his head hurt dismally, and his left ankle ached. Groggy, he sat up and looked around. He was in a circular room about twenty feet across, pleasantly decorated. An air conditioner hummed. A television set facing the couch on which Davis had awakened was turned on — a cooking program was under way. The door was shut and he was alone in the room.

Davis tried to stand. Then for the first time he realized why his ankle hurt. There was a tight metal cuff around it, and a thin chain connected this to a ringbolt set into the wall at the foot of the couch.

When he realized that he was chained to the wall, Davis sat for several minutes trying to think. He was terribly thirsty, and as his head cleared a little he saw a plastic pitcher of water standing on a table about six feet away. He hobbled toward it and was just able to reach it by extending himself and stretching. He drank the water, a quart, in several long gulps and tossed the pitcher back on the table. He saw that a number of loaves of bread were stacked on the table too, but he wasn’t hungry. With his thirst quenched, he sat back on the couch and tried to understand his situation.

He remembered the previous night clearly, and surmised that he was still in Morton’s apartment. It was clear enough that Morton must have drugged him, and then chained him in this manner to the wall. What Morton’s reason was he had no notion, and so he decided it must be some kind of ridiculous practical joke.

If it was a practical joke, probably the chain wasn’t really meant to hold him. He tried jerking it a few times. It seemed as solid as an anchor chain. He studied the way the cuff was locked around his ankle. The lock that held it was small, but seemed very solid and quite unpickable.

Davis stood up and followed the chain to the wall. The other end was fastened to a ringbolt set into the wall, and when Davis jerked it by hand he got a metallic sound which suggested to him that the bolt was fastened, through the plaster, to metal.