“Not four of them,” she said. She hefted the sand pick. It was heavy, its end viciously barbed, but it felt insufficient. She swung it too slowly. Her shoulders already ached from holding it.
“We should think of something else,” she said.
“Damn it, Ripley!” Lachance said.
“Quiet!” Baxter hissed. “Welford and Powell have a headset, too!”
She knew they were right. The engineers were almost within touching distance of the dropship, and soon they’d have the last door ready to open.
They couldn’t change their minds now.
And the aliens had been in there for more than seventy days. Their only food source—the bodies of the six miners and dropship crew—had been rotting the entire time. Little food, no water. Nowhere to move and stretch. Maybe they would be tired and weak, and easy to drag away.
Maybe.
Ripley nodded to let the others know she had her fears under control. But really, she didn’t. Hoop knew that— she could see it when he looked across at her.
Perhaps they all were.
But they were also desperate.
Welford and Powell retreated back through the airlock, ducking around the heavy netting that had been hung across the inner door. Welford nodded to Hoop.
“Okay, Lachance, airlock outer door ready to open.”
Ripley heard someone take in a sharp breath, then through the airlock she saw the docking arm’s outer door slide open into the wall. Beyond lay the
“Last check,” Hoop said. “Baxter, no view or sound from inside?”
“Still nothing,” Baxter said.
“Welford, Powell, either side of the netting with the plasma torches. Remember, only blast them if you have to. Kasyanov, wait over there with the charge thumper. Ripley, you okay?”
She nodded.
“Good. Sneddon, Garcia, back through the doors into the corridor behind the vestibule. Once we start dragging them in the net, you lead the way to Bays One and Two. Open the blast doors as quickly as you can, then get ready to close them again. Lachance, once we’ve shut them in there, you remote-open the door leading to the ruined docking bays.”
“Easy,” Ripley said. Someone laughed. Someone else started swearing quietly, voice so soft that she couldn’t even tell whether it was a man or woman.
The monsters from her nightmares.
Hoop whispered, “Go.” The
7
SHADOWS
Between blinks, Ripley’s world turned to chaos.
As soon as the
Ripley crouched down clutching her sand pick, ready to drag the creatures toward the vestibule’s rear doors. But something was wrong with the net. It held two of them tightly in a tangled jumble, but two more thrashed violently, limbs waving and slashing, tails lashing out, and those terrible teeth clacking together and driving ice-cold fear through her veins.
“Careful, they’re—” she shouted.
And then they were through.
The tightly coiled metal-cored netting ruptured, high-tension wiring thrashing at the air with a high-pitched whipping sound. Welford screamed as his features blurred. Blood splashed across the vestibule, painting the harsh white surfaces a startling shade of red.
Hoop shouted as he ignited his plasma torch. One alien surged at him, then kicked sideways against a rank of fixed seating, veering away from the waving flame.
Directly toward Ripley.
She crouched against the bulkhead and propped the long pick’s handle beside her, pointing it up and away from her at an angle. The alien—tall, spiked, chitinous, with razor nails and the curved head and extruding mouth that had haunted her for so long—skidded toward her, claws scoring ruts in the flooring as it tried to slow. But not quite quickly enough.
It squealed as the point penetrated its body somewhere just above it legs.
An acrid stench made Ripley gag. She heard fluid spattering onto metal, and then she smelled burning.
“Acid!” she shouted. She shoved forward with the sand pick. The alien stood its ground, crouched down with its hands clawed and waving, mouth snapping forward. But it was playing for distraction. Ripley heard the soft
The pick was snatched from her hands and sent clattering across the vestibule.