Behind her, Sneddon and Kasyanov remained close, but not so close that they might interrupt each other’s movements. Even though she’d lost her headset, Ripley could still hear their heavy breathing—part exertion, mostly terror. No one spoke. The shock of what had happened was still circling, held at bay by the adrenalin rush.
Hoop led them through a wider, better-lit corridor stretching toward a central circulation area. From there other corridors led off, as well as an elevator that rose up through the decks. Three doors were securely closed, shutting off deck areas that had decompressed during the initial disaster, all of which were now out of bounds. The other corridors, all leading toward the rear of the ship, were still open.
From where they stood they could see part of the way along each one. Doors stood in shadows. Staircases rose out of sight. Lights flickered from weak or interrupted power supplies, causing flinching movement where there was none.
Hoop indicated the elevator. Sneddon moved forward, quickly and silently, and pressed the call button.
“Baxter?” Hoop whispered again into his microphone. “Lachance?” He looked at Sneddon, then back at Kasyanov. They both shook their heads.
The lights above the elevator shone a flat red.
“Stairs?” Ripley asked.
Hoop nodded and pointed the way. They moved behind the elevator bank and toward the bottom of the widest staircase. Hoop immediately started climbing, charge thumper aimed up and ahead of him.
Ripley and the others followed. They trod quietly, moving as quickly as they dared, and at the next halflanding Hoop paused and peered around the corner. He moved on. The ship hummed and throbbed around them with familiar sounds and sensations.
At the next landing Hoop stopped again, staring, frozen.
Ripley moved up beside him. She was ready to act quickly—grab him, fall back and down if the alien pounced. But to begin with she couldn’t see anything out of place, and she touched his shoulder and squeezed to get his attention.
Hoop swung the charge thumper around and down, pointing its wide barrel at something on the landing. A clear, viscous slime, splashed down on the landing and the first tread of the next flight, then smeared across the textured metal.
“Which level is the bridge?” she whispered in his ear. She was confused, lost.
He pointed up, held up one finger.
“We have to get out of the stairwell,” she said. “Get up there some other—”
Hoop ran. He pushed off with a grunt, leaping up the staircase two at a time, weapon held out before him. He moved so quickly that he took Ripley and the others by surprise, and by the time she started after him he was already on the next half-landing, swinging around the corner without pause. She grabbed the handrail and pulled herself up.
Ripley saw him pause briefly at the doorway leading onto the next deck, then he touched the pressure pad and the door whispered open. He pushed through, crouched down low, looking all around as Ripley and the others closed on him. With a quick glance back at them, he moved on.
Ripley finally recognized where they were. As they approached the main entrance that led onto the bridge she dashed on ahead, pausing by the doors and listening, one hand hovering over the pressure pad. She couldn’t hear anything from inside, but then perhaps the doors were soundproofed. Maybe the screaming was contained.
Nodding to Hoop, she counted down with her fingers.
Three… two… one…
She stroked the pad and the door whispered open. They went in together, Hoop on the left, Ripley on the right, and the joy and relief was almost overwhelming when she saw Lachance and Baxter huddled around the communications desk.
“What the fuck?” Baxter asked, standing and sending his chair spinning across the floor. “We lost contact and…” He saw their faces then, and read the terror.
“What happened?” Lachance asked.
“Secure the bridge,” Hoop said to Sneddon and Kasyanov. “Lock the doors. All of them.”
“What about the others?” Baxter asked.
“How long ago did you lose contact?”
“Just when they—when you were opening up the airlock,” Baxter said. “I was about to come down, but…”
“There
Their grief was palpable.